Same Bed Different Dreams is a wild, sweeping novel that imagines an alternate secret history of Korea and the traces it leaves on the present. Loaded with assassins, mad poets, RPGs, slasher films, pop bands, and the perils of social media, this book challenges your view of twentieth-century history and offers a vision akin to A Gravity's Rainbow for another war, an unfinished war.

In 1919, Korean patriots establish the Korean Provisional Government (KPG) to protest the Japanese occupation. This government-in-exile proves mostly symbolic, but what if the KPG still existed today, clandestinely working toward a unified Korea? The novel weaves together three distinct narrative voices with an archive of mysterious images, twisting reality and blending Korean history with American pop culture.

The protagonist, Soon Sheen, a former writer now working for the tech giant GLOAT, stumbles upon an unfinished manuscript seemingly penned by the KPG. This revisionist history connects both well-known figures and lesser-known individuals to the KPG's grand project, from Syngman Rhee and architect-poet Yi Sang to Jack London and Marilyn Monroe. Even the television series M*A*S*H, the Moonies, and a history of violence from the assassination of President McKinley to the downing of a passenger plane that almost sparked a war are woven into the narrative.

Authored by Ed Park, acclaimed for Personal Days, Same Bed Different Dreams is a raucously funny achievement of imagination. A thrilling blend of history and fiction, it pulls readers into another dimension—one in which utopia is not just a dream, but a possibility.

Julia: A Novel is an imaginative, feminist, and brilliantly relevant-to-today retelling of Orwell's 1984, from the point of view of Winston Smith's lover, Julia, by critically acclaimed novelist Sandra Newman. Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It's 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania.

Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell's 1984. All her life, Julia has known only Oceania, and, until she meets Winston Smith, she has never imagined anything else.

She is an ideal citizen: cheerfully cynical, always ready with a bribe, piously repeating every political slogan while believing in nothing. She routinely breaks the rules, but also collaborates with the regime when necessary. Everyone likes Julia. Then one day she finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story.

Julia takes us on a surprising journey through Orwell's now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe. This unique perspective lays bare our own world in haunting and provocative ways, just as the original did almost seventy-five years ago.

Daniel is a young, idealistic Human determined to make a difference for his people. He lives in a distant future in which Earth has been colonised by aliens. His mission: infiltrate the Alien government called the Hierarch and push for it to honour the infamous Covenant of Wellington, the founding agreement between the Hierarch and Humans.

Turncoat explores the trauma of Maori public servants and the deeply conflicted role they are expected to fill within the machinery of government. From casual racism to co-governance, Treaty settlements to tino rangatiratanga, Turncoat is a timely critique of the Aotearoa zeitgeist, holding a mirror up to Pakeha New Zealanders and asking: What if it happened to you?

An innocent family, carjacked on a desolate highway, is abducted to a bizarre new world. A world being born in the Californian desert. They discover Earth has been invaded by an alien microorganism. The deadly entity attacks like a virus, but survivors of the disease genetically bond with it, developing amazing powers, near-immortality, unnatural desires - and a need to spread the contagion and create a secret colony of the transformed. Now the meaning of "survival" changes. For the babies born in the colony are clearly, undeniably, not human...

In a violent near-future, Asa Elias Doyle and her companions encounter an alien life form so heinous and destructive, they exile themselves in the desert so as not to contaminate other humans. To resist the compulsion to infect others is mental agony, but to succumb is to relinquish humanity and free will. Desperate, they kidnap a doctor and his two daughters as they cross the wasteland--and endanger the world.

In an alternate America marked by volatile class warfare, Blake Maslin is traveling with his teenage twin daughters when their car is ambushed. Their attackers appear sickly yet possess inhuman strength, and they transport Blake's family to an isolated compound. There, the three captives discover that the compound's residents have a highly contagious alien disease that has mutated their DNA to make them powerful, dangerous, and compelled to infect others. If Blake and his daughters do not escape, they will be infected with a virus that will either kill them outright or transform them into outcasts whose very existence is a threat to the world around them. In the following hours, Blake and his daughters each must make a vital choice: risk everything to escape and warn the rest of the world, or accept their new reality -- as well as the uncertain fate of the human race.

Finding seeds of inspiration in the Brothers Grimm, seventeenth-century French lore, and Scottish ballads, Kelly Link spins classic fairy tales into utterly original stories of seekers—characters on the hunt for love, connection, revenge, or their own sense of purpose.

In "The White Cat's Divorce," an aging billionaire sends his three sons on a series of absurd goose chases to decide which child will become his heir. In "The Girl Who Did Not Know Fear," a professor with a delicate health condition becomes stranded for days in an airport hotel after a conference, desperate to get home to her wife and young daughter, and in acute danger of being late for an appointment that cannot be missed. In "Skinder's Veil," a young man agrees to take over a remote house-sitting gig for a friend. But what should be a chance to focus on his long-avoided dissertation instead becomes a wildly unexpected journey, as the house seems to be a portal for otherworldly travelers—or perhaps a door into his own mysterious psyche.

Twisting and turning in astonishing ways, expertly blending realism and the speculative, witty, empathetic, and never predictable—these stories remind us once again of why Kelly Link is incomparable in the realm of short fiction.