Being Reflected Upon is a memoir in verse from one of America's legendary poets. Alice Notley delivers a collection that serves as a window into the sources of her telepathic and visionary poetics. The book is a reflective journey through Notley's Paris-based life between 2000 and 2017, a period that encapsulates her experiences with illness and recovery following her first breast cancer treatment.

As Notley penned these poems, she discovered connections between events of this period and those from previous decades. The narrative moves from reminiscences of her mother and childhood in California to meditations on illness and recovery. It also encompasses various poetic adventures in cities like Amsterdam, Berlin, Prague, and Edinburgh.

The collection is deeply concerned with the mysteries of consciousness and the connection between the living and the dead. The term "stream-of-consciousness" is not just a stylistic description but also teases out a lived physics or philosophy that Notley explores through her work.

Death Styles is a poignant exploration of the intertwining of style and survival in the face of profound loss. Following her award-winning collection, Toxicon and Arachne, author Joyelle McSweeney embarks on a personal challenge to write a poem each day, using a single icon as a creative spark. From the unexpected muses like River Phoenix and Mary Magdalene to a backyard skunk, McSweeney delves deep into each subject, pushing through the exhaustion of grief.

With its candid and mesmerizing lyrics, Death Styles takes readers on a journey through the contradictory forces of survival and mourning. It is a testament to the power of poetic expression to navigate through life's most challenging moments, discovering hope in the act of creation and the resilience to step out of the shadows of death.

New and Selected Poems is an indispensable collection that spans more than three decades of profound, luminous poetry from acclaimed poet Marie Howe. Characterized by "a radical simplicity and seriousness of purpose, along with a fearless interest in autobiography and its tragedies and redemptions," as noted by Matthew Zapruder in the New York Times Magazine, Howe's poetry effortlessly transforms penetrating observations of everyday life into sacred, humane miracles.

This essential volume draws from each of Howe's four previous collections—including What the Living Do (1997), a haunting archive of personal loss, and the National Book Award–longlisted Magdalene (2017), a spiritual and sensual exploration of contemporary womanhood—and contains more than fifteen new poems. Whether speaking in the voice of the goddess Persephone or contemplating aging while walking the dog, Howe is hailed as "a light-bearer, an extraordinary poet of our human sorrow and ordinary joy" by Dorianne Laux.

You Are Here: Poetry In The Natural World, edited by the twenty-fourth Poet Laureate of the United States, Ada Limón, is a singular collection of poems that reflects on our relationship to the natural world. This book brings together fifty previously unpublished poems from some of the nation's most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more.

Contrary to the traditional images evoked by "nature poetry," this collection presents an updated and vibrant perspective. Each poem interacts with the author's local landscape, whether it's the vast array of flora in a national park or a resilient tree blooming by a bus stop. These works offer an intimate model of how we relate to the world around us.

Through a beautifully diverse range of voices from across the United States, You Are Here challenges our preconceptions about nature and poetry. The collection is both joyful and provocative, wondrous and urgent, offering a lyrical reimagining of what "nature" and "poetry" signify in the current era, and inviting readers to experience both in a fresh, new light.

From one of the most influential writers of this generation, A Year of Last Things is Michael Ondaatje's long-awaited return to poetry. This gorgeous and surprising collection delves into memory, love, and the act of looking back.

In pieces that are sometimes wittily funny, moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and abandoned landscapes we hold onto to rediscover the influence of every border crossed.

Moving from a Sri Lankan boarding school to Moliere's chair during his last stage performance, to Bulgarian churches and their icons, to a California coast, and his beloved Canadian rivers, Michael Ondaatje casts a brilliant eye that merges his past and present, in the way memory and the distant shores of art and lost friends continue to influence all that surrounds him.

As in this startling passage from his poem His chair, a narrow bed, a motel room, the fox:
At the Hacienda Motel in Los Angeles Sam Cooke was shot dead. 'See my shadow on the wall...'
All those motels and hotels in literature and song, where X wrote this, where Y got drunk, where Z overdosed. The one Hank Williams was driven past, dead already in his car. The Slaviansky Bazaar Hotel in Lady with a Dog where Dmitri imagines their dark but hopeful future. The Hotel du Grand Miroir in Brussels where Baudelaire lived his last few months. (A decade later Verlaine shot Rimbaud there.) The Casa Verdi in Milan where retired opera singers were welcome along with the various heteronyms of Fernando Pessoa in their afterlife.

The Moon That Turns You Back is a new collection of poetry by Hala Alyan, the author of The Arsonists' City and The Twenty-Ninth Year. This collection explores the fragmentation of memory, archive, and family across different times and places. Alyan delves into the experiences of displacement and war, creating a tapestry of memories that interlink Brooklyn, Beirut, and Jerusalem.

The poems challenge the boundaries between space and time, intermingling daily life with the brutalities of geopolitical strife. Alyan examines the forces that can displace an individual from home and body, and conversely, the resilience and love that can anchor a person back into their essence and familial legacy. The work raises poignant questions about transformation and stability for those who have led a life in constant change.

An explosive, devastating debut book of poetry from the acclaimed author of The Boat. In his first international release since the award-winning, best-selling The Boat, Nam Le delivers a shot across the bow with a book-length poem that honors every convention of diasporic literature—in a virtuosic array of forms and registers—before shattering the form itself.

In line with the works of Claudia Rankine, Cathy Park Hong, and Theresa Hak Kyung Cha, this book is an urgent, unsettling reckoning with identity—and the violence of identity. For Le, a Vietnamese refugee in the West, this means the assumed violence of racism, oppression, and historical trauma.

But it also means the violence of that assumption. Of being always assumed to be outside one's home, country, culture, or language. And the complex violence—for the diasporic writer who wants to address any of this—of language itself.

Making use of multiple tones, moods, masks, and camouflages, Le's poetic debut moves with unpredictable and destabilizing energy between the personal and political. As self-indicting as it is scathing, hilarious as it is desperately moving, this is a singular, breakthrough book.

Ten Bridges I've Burnt: A Memoir in Verse brings forth a wrenching, sexy, and exhilaratingly energetic memoir from the beloved author of 100 Boyfriends, Brontez Purnell. With his unique literary style, Purnell turns his keen gaze inward, crafting a narrative that is as much a collection of genre-defying verse as it is a candid self-exploration.

In this series of thirty-eight autobiographical pieces, Purnell is at his unapologetic best. He vividly recounts events ranging from a ferocious altercation at a poetry conference to the challenges of navigating TV writers' rooms while dealing with personal trauma. Purnell grapples with the legacies inherited from his family, both curses and gifts, and lays bare a whirlwind of experiences that include misadventures and intimate encounters.

Throughout the memoir, Purnell's musings extend to a diverse array of subjects, from love and loneliness to the intricacies of capitalism and Blackness, as well as reflections on physical exercise and the ethics of artistic creation. His writing, marked by a balance of humor and insight that garnered acclaim for 100 Boyfriends, thrives on its unpredictability and fluidity. Ten Bridges I've Burnt stands as yet another testament to Purnell's boundary-pushing creativity, offering a book as original and thrilling as the author himself.

Spectral Evidence is a profound exploration by Gregory Pardlo, the Pulitzer Prize-winning author of Digest and Air Traffic. In this major collection of poetry, Pardlo's words flow seamlessly through a variety of themes, from the life of pro-wrestler Owen Hart to Tituba, the only Black woman accused during the Salem witch trials, and the MOVE organization's confrontations with Philadelphia Police.

The collection invites readers to ponder on topics such as Blackness, beauty, faith, and the impact of law. It is both cerebral and intimate, urging us to reflect on our notions of devotion and art, the criminalization and mortality of Black bodies, and the quest for justice. These themes are intricately woven into our current societal fabric, our history, and the Western literary tradition. Pardlo's poetry acts as a bridge connecting the past and present, challenging us to consider the role of art in interpreting and understanding the world around us.