Lang Leav presents a completely new collection of poetry with a celestial theme in The Universe of Us. Planets, stars, and constellations feature prominently in this beautiful, original poetry collection from Lang Leav. Inspired by the wonders of the universe, the best-selling poetess writes about love and loss, hope and hurt, being lost and found. Lang's poetry encompasses the breadth of emotions we all experience and evokes universal feelings with her skillfully crafted words.

Low-life writer and unrepentant alcoholic Henry Chinaski was born to survive. After decades of slacking off at low-paying dead-end jobs, blowing his cash on booze and women, and scrimping by in flea-bitten apartments, Chinaski sees his poetic star rising at last. Now, at fifty, he is reveling in his sudden rock-star life, running three hundred hangovers a year, and maintaining a sex life that would cripple Casanova.

With all of Bukowski's trademark humor and gritty, dark honesty, this 1978 follow-up to Post Office and Factotum is an uncompromising account of life on the edge.

Newbery Honor winner Joan Bauer's new novel will touch your heart. When twelve-year-old Sugar's grandfather dies and her gambling father takes off yet again, Sugar and her mother lose their home in Missouri. They head to Chicago for a fresh start, only to discover that fresh starts aren't so easy to come by for the homeless.

Nevertheless, Sugar's mother has taught her to be grateful no matter what, so Sugar does her best. With the help of a rescue dog, Shush; a foster family; a supportive teacher; a love of poetry; and her own grace and good humor, Sugar comes to understand that while she can't control the hand life deals her, she can control how she responds.

Platero y yo es una narración de Juan Ramón Jiménez que recrea poéticamente la vida y muerte del burro Platero.

Platero es pequeño, peludo, suave; tan blando por fuera, que se diría todo de algodón, que no lleva huesos. Sólo los espejos de azabache de sus ojos son duros cual dos escarabajos de cristal negro. Lo dejo suelto y se va al prado y acaricia tibiamente, rozándolas apenas, las florecillas rosas, celestes y gualdas... Lo llamo dulcemente: ¿Platero?, y viene a mi con un trotecillo alegre, que parece que se ríe, en no sé que cascabeleo ideal...

La primera edición se publicó en 1914 y en 1917 se publicó la edición completa, compuesta por 138 capítulos. Aunque es un texto adulto, su sencillez y transparencia lo hacen adecuado para la imaginación y el gusto de los niños. Algunos capítulos encierran una cierta crítica social, revelando una dimensión del autor que muchos tardaron en advertir.

El propio Juan Ramón Jiménez, en un prologuillo a la edición, aclaraba: “Yo nunca he escrito ni escribiré nada para niños porque creo que el niño puede leer los libros que lee el hombre, con determinadas excepciones que a todos se le ocurren.”

El poeta tenía la intención de ampliar el texto hasta los 190 capítulos; de hecho, existen tres adicionales, escritos en la década de 1920. Juan Ramón Jiménez planeó también una segunda parte, denominada Otra vida de Platero, de la que incluso esbozó algunos títulos. Un proyecto que no llegaría nunca a ver la luz.

Milan Kundera initially intended to call this novel The Lyrical Age. The lyrical age, according to Kundera, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry.

Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed, and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile"!), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud. Rimbaud entrapped by the communist revolution, entrapped in a sombre farce.