A small girl is sent to live with foster parents on a farm in rural Ireland, without knowing when she will return home. In the strangers' house she finds affection she has not known before, and slowly she begins to blossom in their care. But when a secret is suddenly revealed, she realizes how fragile her idyll is.

Welcome to the Scattered Pearls Belt, a collection of ring habitats and orbitals ruled by exiled human scholars and powerful families, and held together by living mindships who carry people and freight between the stars. In this fluid society, human and mindship avatars mingle in corridors and in function rooms, and physical and virtual realities overlap, with the appearance of environments easily modified and adapted to interlocutors or current mood.

A transport ship discharged from military service after a traumatic injury, The Shadow's Child now ekes out a precarious living as a brewer of mind-altering drugs for the comfort of space-travellers. Meanwhile, abrasive and eccentric scholar Long Chau wants to find a corpse for a scientific study. When Long Chau walks into her office, The Shadow's Child expects an unpleasant but easy assignment. When the corpse turns out to have been murdered, Long Chau feels compelled to investigate, dragging The Shadow's Child with her.

As they dig deep into the victim's past, The Shadow's Child realises that the investigation points to Long Chau's own murky past--and, ultimately, to the dark and unbearable void that lies between the stars...

Binti: The Night Masquerade is the concluding part of Nnedi Okorafor's highly-acclaimed science fiction trilogy that began with her Hugo- and Nebula Award-winning Binti. After returning to her home planet, Binti believes the violence of the Meduse has been left behind. However, the Khoush continue to fan the flames of their ancient rivalry with the Meduse, threatening the peace of her people.

Far from her village when the conflicts start, Binti hurries home, only to find that anger and resentment have already claimed lives. Once again, Binti, with the help of her new friend Mwinyi, must intervene. Despite the elders' mistrust of her motives, she must prevent a war that could destroy her people. This volume is an unmissable finale to the Binti trilogy.

"As a heartless killing machine, I was a complete failure."

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.

On a distant planet, a team of scientists is conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is. But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.

Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.

Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.

The Word for World is Forest by Ursula K. Le Guin is a profound narrative set in a future where Terrans have established a logging colony and military base named 'New Tahiti' on a planet inhabited by the Athsheans—a species with a culture deeply intertwined with lucid dreaming.

Terran exploitation clashes with the Athsheans' way of life, leading to a spiraling overturn of the ancient society. Interstellar travel has become commonplace amongst humans, and the novel introduces the ansible—a device enabling instantaneous communication across light years—and the formation of the League of All Worlds.

The peaceful Athsheans call their world 'Athshe,' meaning 'forest,' a stark contrast to the Terrans' 'dirt.' The Terran colonists' approach to colonization mirrors the destructive patterns of the 19th century, including deforestation, farming, mining, and enslavement. Without a cultural understanding of tyranny, slavery, or war, the Athsheans initially offer no resistance—until a single act of violence ignites a rebellion that forever alters the inhabitants of both worlds.

The Girl Who Was Plugged In by James Tiptree, Jr. (aka Alice Sheldon) is a critically acclaimed work, celebrated for its compelling short fiction. The novella, awarded the Hugo for best novella in 1974, presents a dystopian future dominated by corporate power, where traditional advertising is obsolete and life itself becomes a form of commercial influence through celebrities and product placements.

In this world, Philadelphia ("P.") Burke, a seventeen-year-old girl with profound deformities, is given a second chance at life after a suicide attempt. She is selected to become one of these pivotal celebrities, operating a flawless, brainless body engineered specifically for this role. As she steps into her new persona, a public figure whose sole responsibility is to be seen purchasing products, she becomes entangled in the complexities of fame, identity, and unexpected love.