There Are Rivers in the Sky is a rich, sweeping novel set between the 19th century and modern times, about love and loss, memory and erasure, hurt and healing. The story is centered around three enchanting characters living on the banks of the River Thames and the River Tigris, with their lives all curiously touched by the epic of Gilgamesh.

Bear is a mesmerizing novel of two sisters on a Pacific Northwest island whose lives are upended by an unexpected visitor—a tale of family, obsession, and a mysterious creature in the woods, by the celebrated, bestselling author of Disappearing Earth. They were sisters and they would last past the end of time. Sam and her sister, Elena, dream of another life. On the island off the coast of Washington where they were born and raised, they and their mother struggle to survive.

Sam works long days on the ferry that delivers wealthy mainlanders to their vacation homes while Elena bartends at the local golf club, but even together they can't earn enough to get by, stirring their frustration about the limits that shape their existence. Then one night on the boat, Sam spots a bear swimming the dark waters of the channel. Where is it going? What does it want?

When the bear turns up by their home, Sam, terrified, is more convinced than ever that it's time to leave the island. But Elena responds differently to the massive beast. Enchanted by its presence, she throws into doubt the plan to escape and puts their long-held dream in danger. A story about the bonds of sisterhood and the mysteries of the animals that live among us—and within us, Bear is a propulsive, mythical, rich novel from one of the most acclaimed young writers in America.

From the author of Margaret the First and SPRAWL comes a prose collection like no other, where different styles of writing and different spaces of experience create a collage of the depths and strangeness of contemporary life. Danielle Dutton's endlessly inventive books have been praised as "strikingly smart and daringly feminist" (Jenny Offill), "brilliantly odd" (The Irish Independent), and "beguiling" (The Wall Street Journal).

In Prairie, Dresses, Art, Other, four distinct sections operate like Joseph Cornell boxes, each offering its own vibrant proposal for what contemporary writing might be. "Prairie" is a cycle of stories set in the Midwest, a surreal landscape of wildflowers, ominous rivers, violence, virtual reality, art, fear, and loss. The conceptual work in "Dresses" reconsiders the canon through the lens of its garb, like a wild literary closet. "Art" turns to essay, examining how works of visual art and fiction relate to one another, a theme central to the whole book. The final section, "Other," collects pieces in irregular ("other") forms, stories-as-essays or essays-as-stories that defy category and are hilarious or heartbreaking for reasons as inexplicable as the abiding beauty and strangeness of all of Dutton's work.

I Cheerfully Refuse is a career-defining tour-de-force from New York Times bestselling, award-winning novelist Leif Enger. Set in a not-too-distant America, it is the tale of Rainy, a bereaved and pursued musician embarking under sail on a sentient Lake Superior in search of his departed, deeply beloved, bookselling wife.

An endearing bear of an Orphean narrator, Rainy seeks refuge in the harbors, fogs, and remote islands of the inland sea. Encountering lunatic storms and rising corpses from the warming depths, Rainy finds on land an increasingly desperate and illiterate people, a malignant billionaire ruling class, crumbled infrastructure, and a lawless society.

Amidst the Gulliver-like challenges of life at sea and no safe landings, Rainy is lifted by physical beauty, surprising humor, generous strangers, and an unexpected companion in a young girl who comes aboard. As his innate guileless nature begins to make an inadvertent rebel of him, Rainy's private quest for the love of his life grows into something wider and wilder, sweeping up friends and foes alike in his strengthening wake.

We Loved It All: A Memory of Life by Lydia Millet is an intimate evocation of the glory of nature, our vexed position in the animal kingdom, and the difficulty of adoring what we destroy. In her first work of nonfiction, acclaimed novelist Lydia Millet offers a genre-defying tour de force that makes an impassioned argument for people to see their emotional and spiritual lives as infinitely dependent on the lives of nonhuman beings.

Drawing on a quarter-century of experience as an advocate for endangered species at the Center for Biological Diversity, Millet offers intimate portraits of what she calls “the others”―the extraordinary animals with whom we still share the world, along with those already lost. Humans, too, fill this book, as Millet touches on the lives of her world-traveling parents, fascinating partners and friends, and colorful relatives, from diplomats to nut farmers―all figures in the complex tapestry each of us weaves with the surrounding world.

Written in the tradition of Annie Dillard or Robert Macfarlane, We Loved It All is an incantatory work that will appeal to anyone concerned about the future of life on earth―including our own.

You Are Here: Poetry In The Natural World, edited by the twenty-fourth Poet Laureate of the United States, Ada Limón, is a singular collection of poems that reflects on our relationship to the natural world. This book brings together fifty previously unpublished poems from some of the nation's most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more.

Contrary to the traditional images evoked by "nature poetry," this collection presents an updated and vibrant perspective. Each poem interacts with the author's local landscape, whether it's the vast array of flora in a national park or a resilient tree blooming by a bus stop. These works offer an intimate model of how we relate to the world around us.

Through a beautifully diverse range of voices from across the United States, You Are Here challenges our preconceptions about nature and poetry. The collection is both joyful and provocative, wondrous and urgent, offering a lyrical reimagining of what "nature" and "poetry" signify in the current era, and inviting readers to experience both in a fresh, new light.

The Extinction of Irena Rey is an utterly beguiling novel about eight translators and their search for a world-renowned author who goes missing in a primeval Polish forest. These translators, coming from eight different countries, share a deep reverence for their beloved author, Irena Rey. They gather at her house on the border of Belarus, with an assignment to translate her magnum opus, Gray Eminence.

But the plot thickens when Irena disappears without a trace. The translators embark on an investigation into her whereabouts while continuing their work on her masterpiece. As they delve into the ancient woods filled with intoxicating slime molds, lichens, and her exotic belongings, they uncover shocking secrets and deceptions they never anticipated.

Amidst a fever dream of isolation and obsession, the translators' unity is tested as they are driven by rivalries and desire. The stakes are high as their actions threaten not only the translation project but also the fate of Irena Rey herself. Jennifer Croft's hilarious and thought-provoking debut novel examines themes of art, celebrity, the natural world, and the transformative power of language. It's an unforgettable journey set in one of Europe's last great wildernesses, where a small but global cast of characters grapple with the tumultuous forces of love, destruction, and creation.

H Is for Hawk meets Joan Didion in the Pyrocene in this arresting combination of memoir, natural history, and literary inquiry that chronicles one woman's experience of life in Northern California during the worst fire season on record. Told in luminous, perceptive prose, The Last Fire Season is a deeply incisive inquiry into what it really means—now—to live in relationship to the elements of the natural world.

When Manjula Martin moved from the city to the woods of Northern California, she wanted to be closer to the wilderness that she had loved as a child. She was also seeking refuge from a health crisis that left her with chronic pain, and found a sense of healing through tending her garden beneath the redwoods of Sonoma County. But the landscape that Martin treasured was an ecosystem already in crisis. Wildfires fueled by climate change were growing bigger and more frequent: each autumn, her garden filled with smoke and ash, and the local firehouse siren wailed deep into the night.

In 2020, when a dry lightning storm ignited hundreds of simultaneous wildfires across the West and kicked off the worst fire season on record, Martin, along with thousands of other Californians, evacuated her home in the midst of a pandemic. Both a love letter to the forests of the West and an interrogation of the colonialist practices that led to their current dilemma, The Last Fire Season, follows her from the oaky hills of Sonoma County to the redwood forests of coastal Santa Cruz, to the pines and peaks of the Sierra Nevada, as she seeks shelter, bears witness to the devastation, and tries to better understand fire's role in the ecology of the West. As Martin seeks a way to navigate the daily experience of living in a damaged body on a damaged planet, she comes to question her own assumptions about nature and the complicated connections between people and the land on which we live.

A master of rural noir returns with a fierce, mesmerizing novel about exceptional women and the soul of a small town.

On an island in the Great Massasauga Swamp—an area known as “The Waters” to the residents of nearby Whiteheart, Michigan—herbalist Hermine “Herself” Zook has healed the local women of their ailments for generations. As stubborn as her tonics are powerful, Herself inspires reverence and fear in the people of Whiteheart, and even in her own three daughters. The youngest, beautiful and inscrutable Rose Thorn, has left her own daughter, eleven-year-old Dorothy “Donkey” Zook, to grow up wild.

Donkey spends her days searching for truths in the lush landscape and in her math books, waiting for her wayward mother and longing for a father, unaware that family secrets, passionate love, and violent men will flood through the swamp and upend her idyllic childhood.

With a “ruthless and precise eye for the details of the physical world” (New York Times Book Review), Bonnie Jo Campbell presents an elegant antidote to the dark side of masculinity, celebrating the resilience of nature and the brutality and sweetness of rural life.

In present-day Greece, deep in an ancient forest, lives a family: Irini, a musician, who teaches children to read and play music; her husband, Tasso, who paints pictures of the forest, his greatest muse; and Chara, their young daughter, whose name means joy. On the fateful day that will forever alter the trajectory of their lives, flames chase fleeing birds across the sky. The wildfire that will consume their home, and their lives as they know it, races toward them.

Months later, as the village tries to rebuild, Irini stumbles upon the man who started the fire, a land speculator who had intended only a small, controlled burn to clear forestland to build on but instead ignited a catastrophe. He is dying, although the cause is unclear, and in her anger at all he took from them, Irini makes a split-second decision that will haunt her.

As the local police investigate the suspicious death, Tasso mourns his father, who has not been seen since before the fire. Tasso's hands were burnt in the flames, leaving him unable to paint, and he struggles to cope with the overwhelming loss of his artistic voice and his beloved forest. Only his young daughter, who wants to repair the damage that's been done, gives him hope for the future.

Gorgeously written, sweeping in scope and intimate in tone, The Book of Fire is a masterful work about the search for meaning in the wake of tragedy, as well as the universal ties that bind people together, and to the land that they call home.