My Name Is Barbra, the long-awaited memoir by the superstar of stage, screen, recordings, and television, is a testament to a career that spans six decades. Barbra Streisand, a living legend and one of the few EGOT winners, has one of the most recognizable voices in the history of popular music. Her story unfolds from her beginnings in Brooklyn to her ascension to stardom in New York nightclubs, her iconic performance in Funny Girl, and her myriad of successes thereafter.

Streisand's narrative is as frank, funny, opinionated, and charming as the woman herself. She shares her early challenges in acting, her venture into singing, the recording of her acclaimed albums, the painstaking journey of creating Yentl, and her directorial work on The Prince of Tides. The book also delves into her friendships with notable figures, her political activism, and the joy she's found in her marriage to James Brolin.

With a story as captivating as her performances, Barbra Streisand's memoir is a celebration of an extraordinary life in entertainment, eagerly awaited by her legions of fans.

The Woman in Me is a brave and astonishingly moving story about freedom, fame, motherhood, survival, faith, and hope. In June 2021, the whole world was listening as Britney Spears spoke in open court. The impact of sharing her voice—her truth—was undeniable, and it changed the course of her life and the lives of countless others.

The Woman in Me reveals for the first time her incredible journey—and the strength at the core of one of the greatest performers in pop music history. Written with remarkable candor and humor, Spears's groundbreaking book illuminates the enduring power of music and love—and the importance of a woman telling her own story, on her own terms, at last.

A well-known writer, activist, and disability rights advocate, Henrietta Bollinger's debut essay collection speaks to their experiences as a queer, disabled person, and as a twin. Articulations is a timely, personal, and poignant appraisal of life in Aotearoa New Zealand.

Soundtracked by the Topp Twins, Anika Moa, Woody Guthrie and more, Bollinger's essays take us on a journey from first crushes and first periods to parliamentary reform and Disability Pride. They challenge the norms of our ableist society, asking us to consider better ways of being with each other and ourselves.

August Blue, a mesmerising new novel from the twice Booker-shortlisted author Deborah Levy, delves into the life of Elsa M. Anderson, a piano virtuoso and former child prodigy, now in her thirties, who finds herself in a moment of crisis. At the pinnacle of her career, Elsa walks off the stage in Vienna, mid-performance, setting off on a journey to escape her talent and her past.

Her odyssey takes her to Athens, where she encounters a woman so familiar, she could be her double. This woman purchases a pair of mechanical dancing horses at a flea market—objects Elsa herself desires but cannot have. This encounter sparks Elsa's trek across Europe, haunted by the presence of the woman who seems to share her soul.

August Blue paints a dazzling portrait of melancholy and metamorphosis, exploring the ways we attempt to rewrite our life stories and the pursuit to reinvent ourselves.

Arrangements in Blue is a poignant memoir that delves into the life of poet Amy Key, who, in her forties, embarks on an exploration of living without romantic love. With expectations of love shaped by Joni Mitchell's album Blue, Key reflects on a life that has unfolded differently than she imagined.

Key's journey is one of self-discovery, as she builds a home, travels solo, contemplates motherhood, and learns to recognize her personal milestones. She uncovers the often overlooked forms of connection and care, while also confronting the challenging emotions of loneliness, envy, grief, and failure.

This memoir is not just Key's story but an invitation to live and love more honestly, honoring the life one leads completely by oneself. Arrangements in Blue is a testament to the expansive potential of self-friendship and the importance of candidly embracing the full spectrum of human experience.

In an unnamed South American country, a world-renowned soprano sings at a birthday party in honor of a visiting Japanese industrial titan. Alas, in the opening sequence, a ragtag band of 18 terrorists enters the vice-presidential mansion through the air conditioning ducts. Their quarry is the president, who has unfortunately stayed home to watch a favorite soap opera. And thus, from the beginning, things go awry.

Among the hostages are Russian, Italian, and French diplomatic types. Swiss Red Cross negotiator Joachim Messner comes and goes, wrangling over terms and demands. Days stretch into weeks, the weeks into months. Joined by no common language except music, the 58 international hostages and their captors forge unexpected bonds. Time stands still, priorities rearrange themselves. Ultimately, of course, something has to give.

Hearing opera sung live for the first time, a young priest reflects: 'Never had he thought, never once, that such a woman existed, one who stood so close to God that God's own voice poured from her. How far she must have gone inside herself to call up that voice. It was as if the voice came from the center part of the earth and by the sheer effort and diligence of her will she had pulled it up through the dirt and rock and through the floorboards of the house, up into her feet, where it pulled through her, reaching, lifting, warmed by her, and then out of the white lily of her throat and straight to God in heaven.'

Many famed music producers are known for a particular sound that has its day and then ages out. Rick Rubin is known for something else: creating a space where artists of all different genres and traditions can home in on who they really are and what they really offer. He has made a practice of helping people transcend their self-imposed expectations in order to reconnect with a state of innocence from which the surprising becomes inevitable.

Over the years, as he has thought deeply about where creativity comes from and where it doesn't, he has learned that being an artist isn't about your specific output; it's about your relationship to the world. Creativity has a place in everyone's life, and everyone can make that place larger. In fact, there are few more important responsibilities.

The Creative Act is a beautiful and generous course of study that illuminates the path of the artist as a road we all can follow. It distils the wisdom gleaned from a lifetime's work into a luminous reading experience that puts the power to create moments - and lifetimes - of exhilaration and transcendence within closer reach for all of us.