Hum is an extraordinary novel by the National Book Award–longlisted author Helen Phillips. It tells the story of a wife and mother named May, who, after losing her job to artificial intelligence, undergoes a radical procedure that makes her invisible to surveillance systems.

Set in a city ravaged by climate change and inhabited by intelligent robots known as 'hums,' May's decision to alter her face to escape detection is driven by desperation to clear her family's debt and secure their future. The narrative follows her as she invests in a brief escape to the Botanical Garden, a sanctuary of natural beauty, hoping it will heal her family's reliance on technology.

However, the supposed tranquility is short-lived as her family's safety is compromised, pushing May to rely on a hum with dubious intentions. Hum is a riveting work of speculative fiction, examining themes of marriage, motherhood, and identity against a backdrop of environmental decay and rapid technological progress. It presents a world filled with both dystopian and utopian elements, compelling readers to confront the unsettling realities of our times.

Goddess of the River is a powerful reimagining of the story of Ganga, goddess of the river, and her doomed mortal son. This tale weaves through the lives of a mother and a son, a goddess and a prince, exploring themes of curse and oath, and the river whose course will change the fate of the world.

Ganga, the joyful goddess of the river, serves as caretaker to the mischievous godlings who roam her banks. But when their antics incur the wrath of a powerful sage, Ganga is cursed to become mortal, bound to her human form until she fulfills the obligations of the curse.

As a mortal, Ganga weds King Shantanu and becomes a queen, determined to regain her freedom no matter the cost. Yet, in a cruel twist of fate, as she is freed from her binding, she must leave her infant son behind.

Her son, prince Devavrata, unwittingly carries the legacy of Ganga’s curse. His fateful oath to never claim his father’s throne sets in motion a chain of events leading to a terrible and tragic war.

As the years unfold, Ganga and Devavrata's paths cross time and again, each meeting another step on a path predestined by the stars. Goddess of the River is a deeply moving and masterful tale that delves into duty, destiny, and the unwavering bond between mother and son.

A young mother, in denial after the death of her sister, navigates the dizzying landscapes of desire, guilt, and grief in this darkly comic, highly anticipated debut novel from Kimberly King Parsons, author of the story collection, Black Light.

The trip was supposed to be fun. When Kit’s best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They’ll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she’s lost lately: her wildness, her independence, and—most heartbreaking of all—her sister, Julie, who died a few years ago.

When she returns to the Dallas suburbs, Kit tries to settle into her routine—long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother’s phone calls. But in the secret recesses of Kit’s mind, she’s reminiscing about the band she used to be in—and how they’d go out to the desert after shows and drop acid. She’s imagining an impossible threesome with her kid’s pretty gymnastics teacher and the cool playground mom. Keyed into everything that might distract from her surfacing pain, Kit spirals. As her already thin boundaries between reality and fantasy blur, she begins to wonder: Is Julie really gone?

We Were the Universe is an ambitious, inventive novel from a revelatory new voice in American fiction—a fearless exploration of sisterhood, motherhood, friendship, marriage, psychedelics, and the many strange, transcendent shapes love can take.

The Garden, a novel by Clare Beams, presents a psychologically thrilling tale that explores the deep yearnings of women to become mothers and the intricate ways in which the female body has been subjected to control and manipulation throughout history.

In the year 1948, Irene Willard, having endured five miscarriages in her pursuit to fulfill her husband's desire for a child and currently pregnant again, arrives at a secluded house in the Berkshires that doubles as a hospital. This establishment is run by a duo of doctors dedicated to pioneering a treatment for her condition. With caution, Irene commits to the Halls' methods aimed at 'rectifying the maternal environment', addressing both the physical and psychological aspects.

Amidst this, she stumbles upon an enigmatic walled garden on the property, a space infused with its own mystical forces. As the medical endeavors of the Halls begin to falter, Irene and the other patients are driven to tap into the garden's potential for their own ends. They are forced to confront the immense dangers that come with the promise of extraordinary benefits.

Evoking the atmospheric tension of works by Shirley Jackson and the unsettling themes of Rosemary's Baby, The Garden delves into the realms of motherhood, childbirth, the enigmas of the female anatomy, and the historical efforts to dominate it.

Award-winning author and critic Emily Raboteau uses the lens of motherhood to craft a powerfully moving meditation on race, climate, environmental justice —and what it takes to find shelter. Lessons For Survival is a probing series of pilgrimages from the perspective of a mother struggling to raise her children to thrive without coming undone in an era of turbulent intersecting crises.

With camera in hand, Raboteau goes in search of birds, fluttering in the air or painted on buildings, and ways her children may safely play in city parks while avoiding pollution, pandemics, and the police. She ventures abroad to learn from indigenous peoples, and in her own family and community discovers the most intimate meanings of resilience. Raboteau bears witness to the inner life of Black women/motherhood, and to the brutalities and possibilities of cities, while celebrating the beauty and fragility of nature.

This innovative work of reportage and autobiography will appeal to readers of the bestseller All We Can Save and Joan Didion’s The White Album alike. Lessons For Survival stitches together multiple stories of protection, offering a profound sense of hope.

India Allwood grew up wanting to be an actor. From an awkward sixteen-year-old to Broadway ingenue to TV superhero, her journey through the world of acting is as vibrant as it is challenging. Her latest role in a movie about adoption presents a narrative she knows all too well, but one she believes is fraught with stereotypes and misconceptions.

As an adoptive mom in real life, India is determined to dispel the myths that surround adoption, to showcase the love and complexity that comes with it. In a bold move, she speaks her truth to a journalist, criticizing the movie's one-dimensional portrayal of adoptive families. This act of candor catapults her into a whirlwind of controversy, with media storms, public scrutiny, and ideological battles on all sides.

Amidst the chaos, India's twin ten-year-olds realize that they need support. Naturally, they turn to their family. Yet, family is more than a simple construct of blood relations or legal bonds; for India, it's a tapestry woven with diverse threads, each with its own story.

The narrative of Family Family delves into the heart of what truly constitutes a family, navigating the intricate and often messy web of relationships that define our closest connections. At its core, this is a tale of understanding, acceptance, and the universal quest to find one's place in the fabric of family life.

This is definitely not a ghost story.

But for a while after you’re gone, I see you everywhere. Every ragged young person sitting huddled on a pavement, every stretched-out body under cardboard in a shop doorway. Two parents stand by powerlessly as their only child seems intent on destroying herself.

As the mother—a novelist—attempts to understand her daughter, she finds herself revisiting her own uneasy, unresolved relationship with her mother. Weaving between childhoods past and present, laced with temptation and betrayal, Nonfiction is an unflinching account of a mother, daughter, wife, and author reckoning with the world around her. But can a writer ever be trusted with the truth of her own story?

Clear-eyed, lacerating, and fearless, Julie Myerson’s A Novel explores maternal love as an emotional foundation to both crave and fear. A hauntingly beautiful and deeply moving love letter from a mother to a daughter, this is a tale of damage and addiction, recovery and creativity, compassion and love.