Skillfully Probing the Attack on Women’s Rights
Opting-out, security moms, desperate housewives, the new baby fever—the trend stories of 2006 leave no doubt that American women are still being barraged by the same backlash messages that Susan Faludi brilliantly exposed in her 1991 bestselling book of revelations.
When it was first published, Backlash made headlines for puncturing such favorite media myths as the infertility epidemic and the man shortage, myths that defied statistical realities. These willfully fictitious media campaigns added up to an antifeminist backlash.
With passion and precision, Faludi shows how the creators of commercial culture distort feminist concepts to sell products while selling women downstream, how the feminist ethic of economic independence is twisted into the consumer ethic of buying power, and how the feminist quest for self-determination is warped into a self-centered quest for self-improvement.
Backlash is a classic of feminism, an alarm bell for women of every generation, reminding us of the dangers that we still face.
Jon Stewart, host of the Emmy and Peabody Award-winning The Daily Show, and his coterie of patriots, deliver a hilarious look at American government.
American-style democracy is the world's most beloved form of government, which explains why so many other nations are eager for us to impose it on them. But what is American democracy? In America (The Book), Jon Stewart and The Daily Show writing staff offer their insights into our unique system of government, dissecting its institutions, explaining its history and processes, and exploring the reasons why concepts like one man, one vote, government by the people, and every vote counts have become such popular urban myths.
Topics include: Ancient Rome: The First Republicans; The Founding Fathers: Young, Gifted, and White; The Media: Can it Be Stopped?; and more!
In this pathbreaking work, Edward S. Herman and Noam Chomsky show that, contrary to the usual image of the news media as cantankerous, obstinate, and ubiquitous in their search for truth and defense of justice, in their actual practice they defend the economic, social, and political agendas of the privileged groups that dominate domestic society, the state, and the global order.
Based on a series of case studies—including the media’s dichotomous treatment of “worthy” versus “unworthy” victims, “legitimizing” and “meaningless” Third World elections, and devastating critiques of media coverage of the U.S. wars against Indochina—Herman and Chomsky draw on decades of criticism and research to propose a Propaganda Model to explain the media’s behavior and performance.
Their new introduction updates the Propaganda Model and the earlier case studies, and it discusses several other applications. These include the manner in which the media covered the passage of the North American Free Trade Agreement and subsequent Mexican financial meltdown of 1994-1995, the media’s handling of the protests against the World Trade Organization, World Bank, and International Monetary Fund in 1999 and 2000, and the media’s treatment of the chemical industry and its regulation.
What emerges from this work is a powerful assessment of how propagandistic the U.S. mass media are, how they systematically fail to live up to their self-image as providers of the kind of information that people need to make sense of the world, and how we can understand their function in a radically new way.
How do we see the world around us?
Ways of Seeing is a groundbreaking work by John Berger that challenges the traditional ways of viewing art. First published in 1972, the book is based on the acclaimed BBC television series.
Berger explores the intricate relationship between what we see and what we know. "Seeing comes before words. The child looks and recognizes before it can speak." This fundamental idea sets the stage for a deeper understanding of visual culture.
The book emphasizes that seeing establishes our place in the world, and while we describe our world with words, they can never replace the visual experience.
Berger's work is celebrated for its ability to demystify the art world and empower readers to engage with images directly. It has been described as an "eye-opener," transforming how audiences perceive paintings and visual media.
Whether you're an art aficionado or a curious observer, Ways of Seeing invites you to see the world with fresh eyes and a liberated perspective.