Eileen Merriweather loves to get lost in a good happily-ever-after. The fictional kind, anyway. Because at least imaginary men don't leave you at the altar. She feels safe in a book. At home. Which might be why she's so set on going her annual book club retreat this year—she needs good friends, cheap wine, and grand romantic gestures—no matter what.

But when her car unexpectedly breaks down on the way, she finds herself stranded in a quaint town that feels like it's right out of a novel… Because it is. This place can't be real, and yet… she's here, in Eloraton, the town of her favorite romance series, where the candy store's honey taffy is always sweet, the local bar's burgers are always a little burnt, and rain always comes in the afternoon. It feels like home. It's perfect—and perfectly frozen, trapped in the late author's last unfinished story.

Elsy is sure that's why she must be here: to help bring the town to its storybook ending. Except there is a character in Eloraton that she can't place—a grumpy bookstore owner with mint-green eyes, an irritatingly sexy mouth and impeccable taste in novels. And he does not want her finishing this book. Which is a problem because Elsy is beginning to think the town's happily-ever-after might just be intertwined with her own.

Lucky is a soaring, soulful novel about a folk musician's rise to fame, penned by the best-selling, Pulitzer Prize–winning author Jane Smiley. Jodie Rattler, a girl growing up in St. Louis, discovers her love for music at a young age. A lucky day in 1955 at the racetrack with her Uncle Drew sets her on a path of chance and grit.

With a roll of two-dollar bills as her talisman, Jodie's hard work and serendipity spark a singing career that takes her from the heartland of America to the bustling streets of New York City, from the quaint English countryside to the sun-soaked beaches of St. Thomas, and from the cultural hubs of Cleveland and Los Angeles and back again.

As she matures in recording studios, backstage, and on tour, Jodie seeks to carve her own identity amidst the legends of her time—Janis Joplin, Joan Baez, Judy Collins, and Joni Mitchell. Yet, as her fame grows, she grapples with a longing for something more. Is it true love she seeks, or is there another quest at the heart of her journey?

Rich with atmosphere and brimming with longing, exuberance, romance, and rock'n'roll, Lucky paints a colorful portrait of one woman's journey to find herself. It is a narrative woven with the threads of chance, the sparkle of true talent, and the enduring question of what it means to be truly 'lucky'.

A Chance Meeting: Encounters Between American Writers And Artists by Rachel Cohen is a tapestry of creativity and circumstance, chronicling the many links and serendipitous meetings between giants of American culture. This inventive consideration of American culture evokes actual meetings between historical figures such as Henry James, Gertrude Stein, Zora Neale Hurston, and Marcel Duchamp.

The narrative reveals how these figures met in ordinary ways—a careful arrangement after long admiration, a friend's casual introduction, or simply standing near the drinks. They conversed for a few hours or for decades, and later, it seemed impossible that they could have missed each other. From a boyhood encounter between Henry James and Mathew Brady to the partnership of Avedon and James Baldwin, the book delves into the friendships, mentorships, and collaborations that sparked creativity and influenced American literature and art.

Cohen's work draws the reader into the mysterious process by which creativity has been sparked and passed on among iconoclastic American writers and artists, forming a long chain of influence stretching from the Civil War era through a century that profoundly affected contemporary culture.

James, by Percival Everett, is a brilliant and action-packed reimagining of The Adventures of Huckleberry Finn, told from the perspective of the enslaved character Jim. This novel is both harrowing and ferociously funny, showcasing Jim's agency, intelligence, and compassion in a radically new light.

When Jim overhears that he is about to be sold and separated from his wife and daughter, he decides to hide on Jackson Island to plan his next move. Meanwhile, Huck Finn, seeking to escape his violent father, fakes his own death. Together, they embark on a dangerous and transcendent journey down the Mississippi River, facing floods, storms, and scam artists, all while navigating the promise and peril of the Free States and beyond.

With electrifying humor and lacerating observations, James is set to be a major publishing event, redefining a cornerstone of twenty-first century American literature.

The Black Box: Writing The Race is a profound exploration of how Black Americans have wielded the power of the written word to carve out their identity, defy the falsehoods of racism, and engage in robust debates within their own community throughout American history.

Derived from the renowned introductory course in African American Studies at Harvard, led by Henry Louis Gates, Jr., this work narrates the journey of Black self-definition in America. It highlights the efforts of literary giants such as Phillis Wheatley, Frederick Douglass, W.E.B. Du Bois, Booker T. Washington, Zora Neale Hurston, Richard Wright, James Baldwin, and Toni Morrison. These figures have utilized literature to create a "home" for Black individuals in a society marred by virulent racism.

At its core, the book celebrates the paradox that a community, initially shaped by oppressors to rationalize inhumane enslavement, has reinvented itself through literature. This transformation has been an act of defiance, leading to the emergence of a culture that is resilient, creative, and powerful, despite internal disagreements about the essence of being "Black" and the crafting of a past that fosters a more equitable future.

The Black Box: Writing The Race is an epic tale that documents how a multitude of creative minds have revealed and resisted the confines of the metaphorical "black box"—a label imposed upon them, often arbitrarily, since the nation's inception. This book captures the saga of a people's creation through their essays, speeches, novels, plays, and poems, chronicling their persistent struggle and triumph.

The Moon That Turns You Back is a new collection of poetry by Hala Alyan, the author of The Arsonists' City and The Twenty-Ninth Year. This collection explores the fragmentation of memory, archive, and family across different times and places. Alyan delves into the experiences of displacement and war, creating a tapestry of memories that interlink Brooklyn, Beirut, and Jerusalem.

The poems challenge the boundaries between space and time, intermingling daily life with the brutalities of geopolitical strife. Alyan examines the forces that can displace an individual from home and body, and conversely, the resilience and love that can anchor a person back into their essence and familial legacy. The work raises poignant questions about transformation and stability for those who have led a life in constant change.

Ghost Dogs: On Killers And Kin is a collection of essays from the literary master and bestselling author of Townie, Andre Dubus III. In this work, Dubus reflects on a life filled with challenges, contradictions, and fulfillments. The narrative takes readers on an intimate journey through the author's personal experiences, thoughts, and emotions.

Parasol Against the Axe, a novel by the prize-winning, bestselling author Helen Oyeyemi, takes readers on an adventurous and kaleidoscopic journey into the heart of Prague, a city portrayed as a living entity capable of welcoming or rejecting its visitors.

Hero Tojosoa, upon accepting an invitation to a bachelorette weekend hosted by her estranged friend Sofie, finds herself in the intriguing and often deceptive embrace of Prague. A mysterious book she carries distorts her perception, its content shifting with each reader and each reading, unveiling a tapestry of fictional tales from Prague's history. Throughout the weekend, unexpected figures join the festivities, imparting their wisdom, humor, and hints of betrayal.

The sudden arrival of a third woman from Hero and Sofie's shared past intensifies the tension and challenges their differing recollections. As the lines between illusion and delusion, fact and interpretation become blurred, Hero must navigate the treacherous waters of friendship and storytelling.

Parasol Against the Axe probes the influence of the reader on a narrative and the narrative on the reader, posing the ultimate question: in a clash between friends, is it wiser to be the shield or the weapon?

Carson McCullers: A Life is the first major biography in more than twenty years of one of America's greatest writers. Drawing from newly available letters and journals, this biography paints a full picture of a brilliant and complex artist, Carson McCullers, whose literary stature has endured over time.

Carson McCullers, born Lula Carson Smith in Columbus, Georgia, aspired to become a concert pianist, but her talent for writing, evident since she was sixteen, led her to a different path. The influence of music can be seen throughout her work, and her personal life was as rich and complex as her novels. At the age of twenty, she married Reeves McCullers, and their tumultuous twelve-year marriage ended tragically with his suicide in 1953.

McCullers' debut novel, The Heart Is a Lonely Hunter, published when she was just twenty-three, catapulted her to literary stardom. Despite her public success, her private life remained enigmatic. Now, with access to a wealth of materials that have surfaced in recent years, Mary V. Dearborn gives us an unprecedented look into the life of a writer who was decades ahead of her time, capturing the heart and longing of the outcast.

An account of the emergence of creative nonfiction, written by the "godfather" of the genre. In the 1970s, Lee Gutkind, a leather-clad hippie motorcyclist and former public relations writer, fought his way into the academy. Then he took on his colleagues. His goal: to make creative nonfiction an accepted academic discipline, one as vital as poetry, drama, and fiction.

In this book, Gutkind tells the true story of how creative nonfiction became a leading genre for both readers and writers. Creative nonfiction--true stories enriched by relevant ideas, insights, and intimacies--offered liberation to writers, allowing them to push their work in freewheeling directions. The genre also opened doors to outsiders--doctors, lawyers, construction workers--who felt they had stories to tell about their lives and experiences.

Gutkind documents the evolution of the genre, discussing the lives and work of such practitioners as Joan Didion, Tom Wolfe, Norman Mailer, James Baldwin, Zora Neale Hurston, Rachel Carson, Upton Sinclair, Janet Malcolm, and Vivian Gornick. Gutkind also highlights the ethics of writing creative nonfiction, including how writers handle the distinctions between fact and fiction. Gutkind's book narrates the story not just of a genre but of the person who brought it to the forefront of the literary and journalistic world.