Cartoonist Zoe Thorogood records 6 months of her own life as it falls apart in a desperate attempt to put it back together again in the only way she knows how. It's Lonely at the Centre of the Earth is an intimate and metanarrative look into the life of a selfish artist who must create for her own survival.

From National Book Award and National Book Critics Circle Award finalist Ada Limón comes The Carrying—her most powerful collection yet.

Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. “Fine then, / I’ll take it,” she writes. “I’ll take it all.”

In Bright Dead Things, Limón showed us a heart “giant with power, heavy with blood”—“the huge beating genius machine / that thinks, no, it knows, / it’s going to come in first.” In her follow-up collection, that heart is on full display—even as The Carrying continues further and deeper into the bloodstream, following the hard-won truth of what it means to live in an imperfect world.

Az is the gripping tale of young Derdâ, the daughter of a ranger, married at the tender age of 11 to the son of a religious sect leader. Her path crosses with Derda, a boy of the same age, known as the 'cemetery child', whose father is imprisoned for robbery. Their lives intersect in a cemetery, and over the course of forty years, they are shaped by every form of violence, preparing them for each other.

This story explores the violence of childhood, the violence of life, the violence of love, the violence of faith, and the violence of ambition. It is a narrative that delves from A to Z into the essence of violence, woven with the language and script's own brutality.

Finding Home is a compelling narrative about the journey of self-discovery and emotional growth. This heartwarming tale takes readers on an unforgettable adventure, exploring the challenges of life and the solace found in unexpected places.

Join the protagonist as they navigate through life's twists and turns, uncovering new beginnings and embracing the changes that come their way. With each step, they find strength and comfort in the most unlikely of places, redefining what it truly means to find a home.

Me Before You unfolds the story of Louisa Clark, an ordinary girl living an exceedingly ordinary life—steady boyfriend, close family—who has barely been farther afield than their tiny village. She takes a badly needed job working for ex–Master of the Universe Will Traynor, who is wheelchair-bound after an accident. Will has always lived a huge life—big deals, extreme sports, worldwide travel—and now he's pretty sure he cannot live the way he is.

Will is acerbic, moody, bossy—but Lou refuses to treat him with kid gloves, and soon his happiness means more to her than she expected. When she learns that Will has shocking plans of his own, she sets out to show him that life is still worth living.

A Love Story for this generation, Me Before You brings to life two people who couldn't have less in common—a heartbreakingly romantic novel that asks, What do you do when making the person you love happy also means breaking your own heart?

#1 bestselling author Karen Kingsbury tells the heartwrenching story of Cody Gunner, a widower fighting for stability, and the woman who wants to help him trust again—even when trust is the most terrifying thing of all.

Still aching over his wife's death, Cody Gunner can't bear the thought of also letting go of his Down's Syndrome brother, Carl Joseph. Cody wants his brother home, where he will be safe and cared for, not out on his own in a world that Cody knows all too well can be heartless and insecure.

So when Carl Joseph's teacher, Elle, begins championing his independence, she finds herself at odds with Cody. But even as these two battle it out, they can't deny the instinctive connection they share, and Cody faces a crisis of the heart. What if Elle is the one woman who can teach Cody that love is still possible? If Cody can let go of his lingering anger, he might just see that sometimes the brightest hope of all lies just beyond the clouds.

Stijn en Carmen behoren tot de hip, healthy and wealthy. Ze hebben beiden een eigen bedrijf en zijn de trotse ouders van de eenjarige Luna. Aan geld en vrienden geen gebrek. Ze leven als God in Amsterdam.

Totdat bij de mooie en optimistische Carmen borstkanker wordt geconstateerd. Op slag verandert hun wereld in een rollercoaster-rit langs artsen en ziekenhuizen.

De hedonistische Stijn gaat trouw mee naar Carmen's chemokuren en bestralingen, maar stort zich ’s avonds in het nachtleven en op de vrouwen van Amsterdam, Miami en Breda.

Rohinton Mistry’s enthralling novel is at once a domestic drama and an intently observed portrait of present-day Bombay in all its vitality and corruption. At the age of seventy-nine, Nariman Vakeel, already suffering from Parkinson’s disease, breaks an ankle and finds himself wholly dependent on his family. His step-children, Coomy and Jal, have a spacious apartment (in the inaptly named Chateau Felicity), but are too squeamish and resentful to tend to his physical needs.

Nariman must now turn to his younger daughter, Roxana, her husband, Yezad, and their two sons, who share a small, crowded home. Their decision will test not only their material resources but, in surprising ways, all their tolerance, compassion, integrity, and faith. Sweeping and intimate, tragic and mirthful, Family Matters is a work of enormous emotional power.

Memento je román o narkomanech. Tato věta říká sice to nejdůležitější, ale zdaleka ne všechno. Především nevypovídá o tom, že autor pojal svou prózu jako svědeckou výpověď - nikoli jako příběh "o nich", ale jako "jejich" příběh.

Čtenář se dostává do středu dění, do života těch, kteří propadli droze, po něž se stává fetování hlavním či spíše jediným smyslem života, kteří se sesouvají na šikmé ploše sebezničující vášně k naprosté zkáze.

V Mementu nečteme poučení, varování, výstrahy, ale pronikáme do lidských osudů, bytostně cítíme, jak málo stačí, aby se život člověka zhroutil do marného a bezútěšného živoření.