Kevine Walcott's 'All of Me' is a holistic, boundless collection of poetry that puts life under a microscope and compels readers to examine every facet of their existence. From relationships and mother earth to intimacy, what it means to belong to a country and everything else in between, Walcott weaves together a beautiful tapestry of humanity.

As a property professional by trade, Kevine Walcott frequently comes in contact with the sheer breadth of humanity's cross-section. It's a series of collective experiences that have inspired her to turn to poetry, and capture her life, those she meets and the things that please and disgruntle her.

In 'All of Me', Walcott's latest book, no subject's stone is left unturned in an attempt to capture the universe, its people and their emotions through a fascinating collection of verses.

A straight from the shoulder look at life in which the author asks some awkward questions: Who am I? What is this life really about? What is the mind? Why do we resist change?

This isn’t a book of answers; it’s a book of self-reflective questions that have fascinated the author all of her life. Reflecting on them has given new meaning and purpose to her life and changed not only the way she sees the world, but the way she sees others too.

When we change our mind, we also change our world. This book brings you face to face with yourself, but not the one you see when you look in the mirror. If you've locked yourself up in protective custody and thrown away the key, this book could well pick the lock and let you out again.

There’s something wonderful waiting to be discovered if we care to take a look. If you're prepared to be brutally honest when thinking about the questions raised in this book and to be your own harshest critic, then go for it. You're not alone, and help is always available, far closer than you can imagine.

That Old Cape Magic is a novel of deep introspection and every family feeling imaginable, with a middle-aged man confronting his parents and their failed marriage, his own troubled one, his daughter’s new life and, finally, what it was he thought he wanted and what in fact he has.

Following Bridge of Sighs—a national best seller hailed by The Boston Globe as “an astounding achievement” and “a masterpiece”—Richard Russo gives us the story of a marriage, and of all the other ties that bind, from parents and in-laws to children and the promises of youth.

Griffin has been tooling around for nearly a year with his father’s ashes in the trunk, but his mother is very much alive and not shy about calling on his cell phone. She does so as he drives down to Cape Cod, where he and his wife, Joy, will celebrate the marriage of their daughter Laura’s best friend. For Griffin, this is akin to driving into the past, since he took his childhood summer vacations here, his parents’ respite from the hated Midwest. And the Cape is where he and Joy honeymooned, in the course of which they drafted the Great Truro Accord, a plan for their lives together that’s now thirty years old and has largely come true. He’d left screenwriting and Los Angeles behind for the sort of New England college his snobby academic parents had always aspired to in vain; they’d moved into an old house full of character; and they’d started a family. Check, check, and check.

But be careful what you pray for, especially if you manage to achieve it. By the end of this perfectly lovely weekend, the past has so thoroughly swamped the present that the future suddenly hangs in the balance. And when, a year later, a far more important wedding takes place, their beloved Laura’s, on the coast of Maine, Griffin’s chauffeuring two urns of ashes as he contends once more with Joy and her large, unruly family, and both he and she have brought dates along. How in the world could this have happened?

The storytelling is flawless throughout, moments of great comedy and even hilarity alternating with others of rueful understanding and heart-stopping sadness, and its ending is at once surprising, uplifting, and unlike anything this Pulitzer Prize winner has ever written.

The Modern Library’s fifth volume of In Search of Lost Time contains both The Captive (1923) and The Fugitive (1925). In The Captive, Proust’s narrator describes living in his mother’s Paris apartment with his lover, Albertine, and subsequently falling out of love with her. In The Fugitive, the narrator loses Albertine forever.

Rich with irony, The Captive and The Fugitive inspire meditations on desire, sexual love, music, and the art of introspection.

For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu.

The Drama of the Gifted Child is a bestselling book that delves into childhood trauma and the enduring effects of repressed anger and pain. Why are many of the most successful people plagued by feelings of emptiness and alienation? This wise and profound book has provided millions of readers with an answer and has helped them to apply it to their own lives.

Far too many of us had to learn as children to hide our own feelings, needs, and memories skillfully in order to meet our parents' expectations and win their love. Alice Miller writes, "When I used the word 'gifted' in the title, I had in mind neither children who receive high grades in school nor children talented in a special way. I simply meant all of us who have survived an abusive childhood thanks to an ability to adapt even to unspeakable cruelty by becoming numb."

But merely surviving is not enough. The Drama of the Gifted Child helps us to reclaim our life by discovering our own crucial needs and our own truth.

Listen, Little Man! is a great physician's quiet talk to each one of us, the average human being, the Little Man. Written in 1946 in answer to the gossip and defamation that plagued his remarkable career, it tells how Reich watched, at first naively, then with amazement, and finally with horror, at what the Little Man does to himself; how he suffers and rebels; how he esteems his enemies and murders his friends; how, wherever he gains power as a representative of the people, he misuses this power and makes it crueler than the power it has supplanted.

Reich asks us to look honestly at ourselves and to assume responsibility for our lives and for the great untapped potential that lies in the depth of human nature.