Why grassroots data activists in Latin America count feminicide—and how this vital social justice work challenges mainstream data science. What isn’t counted doesn’t count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women.

Against this failure, Counting Feminicide brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work. Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D’Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account.

Individuals, researchers, and journalists—these data activists scour news sources to assemble spreadsheets and databases of women killed by gender-related violence, then circulate those data in a variety of creative and political forms. Their work reveals the potential of restorative/transformative data science—the use of systematic information to, first, heal communities from the violence and trauma produced by structural inequality and, second, envision and work toward the world in which such violence has been eliminated.

Specifically, D’Ignazio explores the possibilities and limitations of counting and quantification—reducing complex social phenomena to convenient, sortable, aggregable forms—when the goal is nothing short of the elimination of gender-related violence. Counting Feminicide showcases the incredible power of data feminism in practice, in which each murdered woman or girl counts, and, in being counted, joins a collective demand for the restoration of rights and a transformation of the gendered order of the world.

Why grassroots data activists in Latin America count feminicide—and how this vital social justice work challenges mainstream data science. What isn’t counted doesn’t count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women. Against this failure, Counting Feminicide brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work.

Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D’Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account. Individuals, researchers, and journalists—these data activists scour news sources to assemble spreadsheets and databases of women killed by gender-related violence, then circulate those data in a variety of creative and political forms. Their work reveals the potential of restorative/transformative data science—the use of systematic information to, first, heal communities from the violence and trauma produced by structural inequality and, second, envision and work toward the world in which such violence has been eliminated.

Specifically, D’Ignazio explores the possibilities and limitations of counting and quantification—reducing complex social phenomena to convenient, sortable, aggregable forms—when the goal is nothing short of the elimination of gender-related violence. Counting Feminicide showcases the incredible power of data feminism in practice, in which each murdered woman or girl counts, and, in being counted, joins a collective demand for the restoration of rights and a transformation of the gendered order of the world.

The Limits is a stunning new novel by the best-selling and prize-winning author Nell Freudenberger. Set across the vibrant landscapes of French Polynesia and the bustling intensity of New York City, this novel explores the lives of three characters who experience profound transformations over the span of a single year.

From the tiny volcanic island of Mo'orea, off the coast of Tahiti, a French biologist dedicated to preserving the endangered coral reefs sends her teenage daughter Pia to live with her ex-husband in New York. Upon arrival at her father Stephen's luxurious Manhattan apartment, Pia, who is fluent in French and intellectually advanced, meets his new, younger wife, Kate. Pia's life has been a constant shuttle between her parents' contrasting worlds: her father's demanding role as a surgeon in a New York hospital and her mother's urgent efforts against ecological destruction.

As COVID-19 imposes near total isolation, Pia is set on a path of rebellion, while Kate, a New York City schoolteacher, struggles to forge a connection with a teenager whose potential for havoc rivals her privilege. Meanwhile, Kate's sixteen-year-old student Athyna grapples with the weight of caring for her toddler nephew, Marcus, as she tries to complete her senior year online.

As Athyna's fears of the outside world grow, a crisis at home drives her to the brink of desperation. The lives of Pia and Athyna converge, leading them down parallel yet fundamentally different paths of tragedy.

The Limits is an emotionally charged narrative that delves into themes of nation, race, class, and family. It is a heart-wrenching and humane portrait of contemporary life, reflecting the stark inequalities of the 21st century and the enduring impact of colonial history.

From a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world.

Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on “gender” that have become central to right-wing movements today.

The aim of Who’s Afraid of Gender? is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, and transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects and displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, and leaves millions of people vulnerable to subjugation.

An essential intervention into one of the most fraught issues of our moment, Who’s Afraid of Gender? is a bold call to refuse the alliance with authoritarian movements and to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless.

An urgent examination of how disruptive politics, technology, and art are capsizing old assumptions in a great wave of change breaking over today’s world, creating both opportunity and peril—from the Pulitzer Prize–winning critic and author of the New York Times bestseller The Death of Truth.

The twenty-first century is experiencing a watershed moment defined by chaos and uncertainty, as one emergency cascades into another, underscoring the larger dynamics of change that are fueling instability across the world.

Since the global financial crisis of 2008, people have increasingly lost trust in institutions and elites, while seizing upon new digital tools to sidestep traditional gatekeepers. As a result, powerful new voices—once regarded as radical, unorthodox, or marginal—are disrupting the status quo in politics, business, and culture. Meanwhile, social and economic inequalities are stoking populist rage across the world, toxic partisanship is undermining democratic ideals, and the internet and AI have become high-speed vectors for the spread of misinformation.

Writing with a critic’s understanding of cultural trends and a journalist’s eye for historical detail, Michiko Kakutani looks at the consequences of these new asymmetries of power. She maps the migration of ideas from the margins to the mainstream and explores the growing influence of outsiders—those who have sown chaos and fear (like Donald Trump), and those who have provided inspirational leadership (like Ukraine’s president Volodymyr Zelensky).

Kakutani argues that today’s crises are not only signs of an interconnected globe’s profound vulnerabilities, but also stress tests pointing to the essential changes needed to survive this tumultuous era and build a more sustainable future.

A timely, in-depth, and vital exploration of the American labor movement and its critical place in our society and politics by acclaimed labor reporter Hamilton Nolan. Nolan is an expert who has covered labor and politics for more than a decade, and has helped to unionize his own industry.

The thesis is simple: Inequality is America's biggest problem. Unions are the single strongest tool that working people have to fix this problem. But the labor movement of today has failed to enable enough individuals to join unions. Thus, organized labor's powerful potential is being wielded incompetently. And what is happening inside of organized labor will—far more than most people realize—determine the economic and social course of American life for years to come.

In deeply reported chapters that span the country, Nolan shows readers how organized labor can and does wield power effectively—in spots—but also why it has long been unable to build itself into the powerful institution that the working class needs. These narratives both inspire by example and motivate by counter-example. Whether it's a union that has succeeded in a single city, and is trying to scale that effectiveness nationally, or the ins and outs of a historically large and transformative union campaign, or the human face of a strike, or a profile of the most anti-union state in America, Nolan highlights the actual mechanisms that connect labor to politics to real change. Throughout, Nolan follows Sara Nelson, the powerful and charismatic head of the flight attendants union, as she struggles with how (and whether) to assert herself as a national leader of the labor movement, to try to fix what is broken about it. The Hammer draws the line from forgotten workplaces to Washington's halls of power, and shows how labor can utterly transform American politics—if it can first transform itself.