A tiger left behind. A goddess in need of an ally.

Stranded in a time and place he never wished for, Kishan Rajaram must carry out his destiny of assisting the beautiful yet extremely irritable goddess Durga. This daunting task is not made easy by the fact that he must also face the truth about the girl he loves and the brother who stole her away.

When the wily shaman Phet appears and tells Kishan that Kelsey needs him, he jumps at the chance to see her again. In his efforts to save her, Kishan discovers that the curse he thought was over is just beginning. As time unravels around him, Kishan realizes that the fates of all those he holds dear lie in his hands.

The goddess’s power hangs in the balance. Kishan has no choice but to sacrifice the unthinkable to fight the dark forces swirling around the woman he’s charged to protect. As he does, he discovers that love and loyalty create their own magic and accepts that he must decide his destiny once and for all.

Tiger’s Dream is the conclusion to the epic Tiger’s Curse fantasy romance series that will leave you breathless.

Five thousand years ago, there came to earth a magical being called Krishna, who brought about innumerable miracles for the good of mankind. Humanity despaired of its fate if the Blue God were to die but was reassured that he would return in a fresh avatar when needed in the eventual Dark Age—the Kaliyug.

In modern times, a poor little rich boy grows up believing that he is that final avatar. Only, he is a serial killer.

In this heart-stopping tale, the arrival of a murderer who executes his gruesome and brilliantly thought-out schemes in the name of God is the first clue to a sinister conspiracy to expose an ancient secret—Krishna’s priceless legacy to mankind.

Historian Ravi Mohan Saini must breathlessly dash from the submerged remains of Dwarka and the mysterious lingam of Somnath to the icy heights of Mount Kailash, in a quest to discover the cryptic location of Krishna’s most prized possession. From the sand-washed ruins of Kalibangan to a Vrindavan temple destroyed by Aurangzeb, Saini must also delve into antiquity to prevent a gross miscarriage of justice.

Ashwin Sanghi brings you yet another exhaustively researched whopper of a plot, while providing an incredible alternative interpretation of the Vedic Age that will be relished by conspiracy buffs and thriller-addicts alike.

Red Earth and Pouring Rain combines Indian myths, epic history, and the story of three college kids in search of America. This captivating narrative includes the monkey's story of an Indian poet and warrior and an American road novel of college students driving cross-country.

An Indian student, home from college in the U.S., shoots a monkey who turns out to be the reincarnation of a poet. Subsequently, the two take turns telling their stories. The poet recalls epic deeds of glory in fighting the British Raj, while the student narrates tales of materialism and boredom in America.

In this astonishing tale, the gods Hanuman, Ganesha, and Yama descend on a house in an Indian city to vie for the soul of a wounded monkey. A bargain is struck: the monkey must tell a story, and if he can keep his audience entertained, he shall live. The result is a tale of nineteenth-century India: of Sanjay, a poet, and Sikander, a warrior; of hoofbeats thundering through the streets of Calcutta and the birth of a luminous child; of great wars and love affairs and a city gone 'mad with poetry'.

Woven into this tapestry of stories is a second, totally modern narrative, the adventures of a young Indian criss-crossing America in a car with his friends and his eventual return to his homeland.

Mrityunjaya is an outstanding literary masterpiece by contemporary Marathi novelist Shivaji Sawant. It explores the eternal quest for the meaning of Being through the personae of the Mahabharata protagonists.

Mrityunjaya is the autobiography of Karna, and yet it is not just that. Sawant employs an exceptional stylistic innovation by combining six dramatic soliloquies to form the nine books of this novel of epic dimensions.

Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who hero-worships him), his wife Vrishali to whom he is like a god, and, last of all, Krishna.

Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creation of Vyasa.