Birnam Wood is Shakespearean in its drama, Austenian in its wit, and, like both influences, fascinated by what makes us who we are. It is an unflinching look at the surprising consequences of even our most well-intended actions, and an enthralling consideration of the human impulse to ensure our own survival.

A landslide has closed the Korowai Pass on New Zealand’s South Island, cutting off the town of Thorndike and leaving a sizable farm abandoned. The disaster has created an opportunity for Birnam Wood, an unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice. For years, the group has struggled to break even. Then Mira, Birnam Wood’s founder, stumbles on an answer: occupying the farm at Thorndike would mean a shot at solvency at last.

But Mira is not the only one interested in Thorndike. The enigmatic American billionaire Robert Lemoine has snatched it up to build his end-times bunker, or so he tells Mira when he catches her on the property. Intrigued by Mira and Birnam Wood, he makes them an offer that would set them up for the long term. But can they trust him? And, as their ideals and ideologies are tested, can they trust one another?

Traduttore, traditore: An act of translation is always an act of betrayal.

Babel is a profound exploration of the complexities of language, power, and colonialism, set against the backdrop of the British Empire's expansion.

When orphan Robin Swift is brought from Canton to London by Professor Lovell, he embarks on an intense education in languages and translation, aiming for a bright future at Oxford University's Royal Institute of Translation, known as Babel. This institution stands at the heart of the Empire's superiority, harnessing the mystical power of silver working to manifest the elusive meanings lost in translation.

As Robin becomes entrenched in the scholastic utopia of Babel, his ties to his heritage pull him into an inner conflict. When an aggressive war threatens China over silver and opium, Robin is torn between the comfort of academia and the call for justice. He must confront a crucial question: Can change come from within, or is violence an inevitable part of revolution?

Humankind: A Hopeful History challenges the belief that humans are fundamentally bad—a notion that has been a common thread uniting figures across the ideological spectrum from ancient philosophers to modern thinkers. Rutger Bregman questions this assumption and offers a new perspective on our species, arguing that we are innately kind, cooperative, and trustworthy.

Drawing on insights from evolutionary biology to historical events, such as the real-life story reminiscent of Lord of the Flies and the cooperation seen in the wake of the Blitz, Bregman presents compelling evidence of humanity's capacity for generosity. The book critically examines popular social science experiments, like the Stanford prison experiment, and historical contexts, arguing for a more optimistic view of human nature and its implications for politics and economics.

Using engaging storytelling and an accessible approach, Bregman makes the case that a belief in the better aspects of humanity can create a foundation for societal change. With a balance of wit and frankness, Humankind is not just an analysis of past behavior but a hopeful vision for the future of our species.

Jonathan Safran Foer spent much of his teenage and college years oscillating between enthusiastic carnivore and occasional vegetarian. On the brink of fatherhood, facing the prospect of having to make dietary choices on a child's behalf, his casual questioning took on an urgency.

His quest for answers required him to visit factory farms in the middle of the night, dissect the emotional ingredients of meals from his childhood, and probe some of his most primal instincts about right and wrong. Eating Animals explores the many fictions we use to justify our eating habits—from folklore to pop culture to family traditions—and how such tales can lull us into a brutal forgetting.

Marked by Foer's profound moral ferocity and unvarying generosity, as well as the vibrant style and creativity that made his previous books widely loved, Eating Animals is a celebration and a reckoning, a story about the stories we've told—and the stories we now need to tell.

It was January 2021, and Rick Deckard had a license to kill. Somewhere among the hordes of humans out there, lurked several rogue androids. Deckard's assignment--find them and then retire them. Trouble was, the androids all looked exactly like humans, and they didn't want to be found!

By 2021, the World War has killed millions, driving entire species into extinction and sending mankind off-planet. Those who remain covet any living creature, and for people who can't afford one, companies built incredibly realistic simulacra: horses, birds, cats, sheep. They've even built humans. Immigrants to Mars receive androids so sophisticated they are indistinguishable from true men or women. Fearful of the havoc these artificial humans can wreak, the government bans them from Earth. Driven into hiding, unauthorized androids live among human beings, undetected.

Rick Deckard, an officially sanctioned bounty hunter, is commissioned to find rogue androids and retire them. But when cornered, androids fight back--with lethal force.

El libro de los abrazos es una síntesis perfecta del imaginario más inspirado de su autor. Celebraciones, sucedidos, profecías, crónicas, sueños, memorias y desmemorias, deliciosos relatos breves en los que hasta las paredes hablan.

Un libro ilustrado por partida doble: a la mirada luminosa de Galeano se suman sus grabados.

“Lea una historia por día y será usted feliz la mitad del año. Lea una historia por día y estará usted triste la otra mitad. Cada página es tan hermosa como el libro.” (Koos Hageraats, HP/De Tijd, Holanda.)

The Ones Who Walk Away from Omelas is a thought-provoking short story that poses a powerful ethical question. It explores the concept of a seemingly utopian city, Omelas, where the prosperity and happiness of its citizens are contingent upon the perpetual misery of a single child. The narrative delves into the moral implications of this arrangement and the reaction of the citizens when confronted with the reality of the child's suffering.

Ursula K. Le Guin's masterful storytelling invites readers to ponder the sacrifices made for the greater good and the individual's role in confronting injustices. The tale's enduring relevance and its challenge to societal norms make it a compelling read that continues to inspire philosophical debate and reflection.

A pilot stranded in the desert awakes one morning to see, standing before him, the most extraordinary little fellow. "Please," asks the stranger, "draw me a sheep." And the pilot realizes that when life's events are too difficult to understand, there is no choice but to succumb to their mysteries. He pulls out pencil and paper... And thus begins this wise and enchanting fable that, in teaching the secret of what is really important in life, has changed forever the world for its readers.

Few stories are as widely read and as universally cherished by children and adults alike as The Little Prince. It will capture the hearts of readers of all ages.