Same Bed Different Dreams is a wild, sweeping novel that imagines an alternate secret history of Korea and the traces it leaves on the present. Loaded with assassins, mad poets, RPGs, slasher films, pop bands, and the perils of social media, this book challenges your view of twentieth-century history and offers a vision akin to A Gravity's Rainbow for another war, an unfinished war.

In 1919, Korean patriots establish the Korean Provisional Government (KPG) to protest the Japanese occupation. This government-in-exile proves mostly symbolic, but what if the KPG still existed today, clandestinely working toward a unified Korea? The novel weaves together three distinct narrative voices with an archive of mysterious images, twisting reality and blending Korean history with American pop culture.

The protagonist, Soon Sheen, a former writer now working for the tech giant GLOAT, stumbles upon an unfinished manuscript seemingly penned by the KPG. This revisionist history connects both well-known figures and lesser-known individuals to the KPG's grand project, from Syngman Rhee and architect-poet Yi Sang to Jack London and Marilyn Monroe. Even the television series M*A*S*H, the Moonies, and a history of violence from the assassination of President McKinley to the downing of a passenger plane that almost sparked a war are woven into the narrative.

Authored by Ed Park, acclaimed for Personal Days, Same Bed Different Dreams is a raucously funny achievement of imagination. A thrilling blend of history and fiction, it pulls readers into another dimension—one in which utopia is not just a dream, but a possibility.

Rome—metropolis and monument, suspended between past and future, multi-faceted and metaphysical—is the protagonist, not the setting, of these nine stories. This collection marks the first short story compilation by the Pulitzer Prize–winning master since the number one New York Times bestseller Unaccustomed Earth, and is heralded as a major literary event.

In “The Boundary,” a family vacations in the Roman countryside, yet we glimpse their lives through the perspective of the caretaker’s daughter, who harbors a scar from her family’s immigrant history. “P’s Parties” recounts how a Roman couple, now without children at home, discover solace and fellowship with internationals at their friend’s annual birthday celebration—until the husband oversteps a boundary. “The Steps” introduces us to a public staircase bridging two communities and the individuals traversing it, showcasing Italy’s capital in its full social and cultural spectrum, brimming with the dynamics of an evolving city: visibility and invisibility, spontaneous acts of aggression, the dilemma of navigating different worlds and cultures, and the essence of home.

These are magnificent, inquisitive tales, penned in Jhumpa Lahiri’s chosen language of Italian and impeccably translated by the author alongside Knopf editor Todd Portnowitz. The stories are imbued with the atmospheres of Italian virtuoso Alberto Moravia and in the final narrative, are led by the unavoidable spirit of Dante Alighieri, whose verses steer the protagonist towards an altered path of life.

From James McBride, author of the bestselling Oprah’s Book Club pick Deacon King Kong and the National Book Award–winning The Good Lord Bird, comes a novel about small-town secrets and the people who keep them.

In 1972, workers in Pottstown, Pennsylvania, were digging the foundations for a new development when they unexpectedly discovered a skeleton at the bottom of a well. The skeleton's identity and how it ended up there were long-held secrets kept by the residents of Chicken Hill—a dilapidated neighborhood where immigrant Jews and African Americans lived side by side, sharing ambitions and sorrows.

Chicken Hill was home to Moshe and Chona Ludlow, where Moshe integrated his theater and Chona ran the Heaven & Earth Grocery Store. When the state sought to institutionalize a deaf boy, it was Chona and Nate Timblin, the Black janitor at Moshe’s theater and the unofficial leader of the Black community on Chicken Hill, who conspired to keep the boy safe.

As the characters' stories intertwine and deepen, it becomes clear how much those living on the margins of white, Christian America struggle and what they must do to survive. The revelation of what truly happened on Chicken Hill and the role played by the town’s white establishment, McBride reveals that even in the darkest times, it is love and community—heaven and earth—that sustain us.

James McBride brings his masterful storytelling skills and deep faith in humanity to The Heaven & Earth Grocery Store, crafting a novel as compassionate as Deacon King Kong and as inventive as The Good Lord Bird.

Ultra-Processed People: Why We Can't Stop Eating Food That Isn't Food is an eye-opening investigation into the science, economics, history, and production of ultra-processed food, also known as UPF. Medical doctor and broadcaster Chris van Tulleken takes us through the hard facts about our food intake and its links to various diseases such as metabolic disease, depression, inflammation, anxiety, and cancer. He also discusses the environmental damage caused by the production, distribution, and disposal of UPF.

Van Tulleken reframes the conversation around healthy eating by providing both shocking and empathetic insights into our eating habits. He delves into the concept of the 'third age of eating' characterized by the abundance of ultra-processed eating options and provides guidance on making informed choices amidst this landscape. This book is not just about diet trends or individual willpower; it's about our right to know what we eat and its effects on our bodies and our environment.

A bold, evocative new novel from the award-winning author Isabella Hammad that follows actress Sonia as she returns to Palestine and takes a role in a West Bank production of Hamlet.

After years away from her family's homeland, and reeling from a disastrous love affair, actress Sonia Nasir returns to Haifa to visit her older sister Haneen. This is her first trip back since the second intifada and the deaths of their grandparents: while Haneen made a life here commuting to Tel Aviv to teach at the university, Sonia stayed in London to focus on her acting career and now dissolute marriage. On her return, she finds her relationship to Palestine is fragile, both bone-deep and new.

At Haneen's, Sonia meets the charismatic and candid Mariam, a local director, and finds herself roped into a production of Hamlet in the West Bank. Sonia is soon rehearsing Gertrude's lines in classical Arabic and spending more time in Ramallah than in Haifa, along with a dedicated group of men from all over historic Palestine who, in spite of competing egos and priorities, each want to bring Shakespeare to that side of the wall. As opening night draws closer, it becomes clear just how many violent obstacles stand before a troupe of Palestinian actors. Amidst it all, the life Sonia once knew starts to give way to the daunting, exhilarating possibility of finding a new self in her ancestral home.

A stunning rendering of present-day Palestine, Enter Ghost is a story of diaspora, displacement, and the connection to be found in family and shared resistance. Timely, thoughtful, and passionate, Isabella Hammad's highly anticipated second novel is an exquisite feat, an unforgettable story of artistry under occupation.

Imagine a world where your brain can be interrogated to learn your political beliefs, thought crimes are punishable by law, and your own feelings can be used against you. Where perfumers create customized fragrances to perfectly suit your emotions, and social media titans bypass your conscious mind to hook you to their products. A world where people who suffer from epilepsy receive alerts moments before a seizure, and the average person can peer into their own mind to eliminate painful memories or cure addictions.

Neuroscience has already made all of the above possible today, and neurotechnology will soon become the universal controller for all of our interactions with technology. This can benefit humanity immensely, but without safeguards, it can severely threaten our fundamental human rights to privacy, freedom of thought, and self-determination. Companies, governments, and militaries are all in: from contemplative neuroscience to consumer-based EEG technology, there have never been more ways to hack and track our brains.

The Battle for Your Brain by Nita A. Farahany dives deeply into the promises and perils of the coming dawn of brain access and alteration. Written by one of the world's foremost experts on neuroscience as it intersects with law and ethics, this highly original book offers a pathway forward to navigate the complex ethical dilemmas that neurotechnology presents, which will fundamentally impact our freedom to understand, shape, and define ourselves.

In her first book, How to Do Nothing, Jenny Odell wrote about the importance of disconnecting from the "attention economy" to spend time in quiet contemplation. But what if you don't have time to spend? In order to answer this seemingly simple question, Odell took a deep dive into the fundamental structure of our society and found that the clock we live by was built for profit, not people. This is why our lives, even in leisure, have come to seem like a series of moments to be bought, sold, and processed ever more efficiently.

Odell shows us how our painful relationship to time is inextricably connected not only to persisting social inequities but to the climate crisis, existential dread, and a lethal fatalism. This dazzling, subversive, and deeply hopeful book offers us different ways to experience time—inspired by pre-industrial cultures, ecological cues, and geological timescales—that can bring within reach a more humane, responsive way of living. As planet-bound animals, we live inside shortening and lengthening days alongside gardens growing, birds migrating, and cliffs eroding; the stretchy quality of waiting and desire; the way the present may suddenly feel marbled with childhood memory; the slow but sure procession of a pregnancy; the time it takes to heal from injuries.

Odell urges us to become stewards of these different rhythms of life in which time is not reducible to standardized units and instead forms the very medium of possibility. Saving Time tugs at the seams of reality as we know it—the way we experience time itself—and rearranges it, imagining a world not centered on work, the office clock, or the profit motive. If we can "save" time by imagining a life, identity, and source of meaning outside these things, time might also save us.

Enseñar a Hablar a un Monstruo es una indagación literaria sobre el gran misterio que nos hace humanos: el lenguaje. Es el primer libro de no ficción del novelista, traductor y profesor de linguística José C. Vales. Este ensayo narrativo y literario nos propone un viaje al origen del lenguaje, la evolución de las lenguas y el milagro de la escritura.

Armado con múltiples preguntas y reflexiones, el autor plantea las diferentes teorías que explican por qué estamos dotados de lenguaje, cómo evoluciona y de qué manera empieza a transcribirse. El texto es una lectura deliciosa, amena, interesante y sugerente respecto a un tema universal, explicado con afán didáctico y libre de tecnicismos.

Con el estilo que caracteriza a José C. Vales, repleto de lucidez, sabiduría y siempre con su toque irónico pero amable, descubriremos el fascinante mundo de la comunicación humana.

In an unnamed South American country, a world-renowned soprano sings at a birthday party in honor of a visiting Japanese industrial titan. Alas, in the opening sequence, a ragtag band of 18 terrorists enters the vice-presidential mansion through the air conditioning ducts. Their quarry is the president, who has unfortunately stayed home to watch a favorite soap opera. And thus, from the beginning, things go awry.

Among the hostages are Russian, Italian, and French diplomatic types. Swiss Red Cross negotiator Joachim Messner comes and goes, wrangling over terms and demands. Days stretch into weeks, the weeks into months. Joined by no common language except music, the 58 international hostages and their captors forge unexpected bonds. Time stands still, priorities rearrange themselves. Ultimately, of course, something has to give.

Hearing opera sung live for the first time, a young priest reflects: 'Never had he thought, never once, that such a woman existed, one who stood so close to God that God's own voice poured from her. How far she must have gone inside herself to call up that voice. It was as if the voice came from the center part of the earth and by the sheer effort and diligence of her will she had pulled it up through the dirt and rock and through the floorboards of the house, up into her feet, where it pulled through her, reaching, lifting, warmed by her, and then out of the white lily of her throat and straight to God in heaven.'