Introducing Bolu Babalola's dazzling debut novel, Honey and Spice, a story that brings together passion, humor, and heart, revolving around Kiki Banjo, a young Black British woman who has deliberately steered clear of love. However, she finds herself in an unexpected fake relationship with Malakai Korede, the very man she cautioned others about.

Sharp-tongued and secretly tender-hearted, Kiki is an expert in avoiding relationships. She's the voice behind the popular student radio show Brown Sugar, where she empowers the women of the African-Caribbean Society at Whitewell University to navigate away from the pitfalls of 'situationships', players, and heartbreak. But after a public mishap involving Malakai, dubbed 'The Wastemen of Whitewell', Kiki's show and reputation are at risk.

A novel that captures the essence of young love and self-discovery, Honey and Spice is a delightful blend of laughter, tension, and the thrill of romantic possibilities.

The Skin We're In: A Year of Black Resistance and Power is a bracing, provocative, and perspective-shifting book from one of Canada's most celebrated and uncompromising writers, Desmond Cole. This work is set to spark a national conversation, influence policy, and inspire activists.

In his 2015 cover story for Toronto Life magazine, Desmond Cole exposed the racist actions of the Toronto police force, detailing the dozens of times he had been stopped and interrogated under the controversial practice of carding. The story quickly came to national prominence, shaking the country to its core and catapulting its author into the public sphere. Cole used his newfound profile to draw insistent, unyielding attention to the injustices faced by Black Canadians on a daily basis.

Both Cole’s activism and journalism find vibrant expression in his first book, The Skin We’re In. Puncturing the bubble of Canadian smugness and naive assumptions of a post-racial nation, Cole chronicles just one year—2017—in the struggle against racism in this country. It was a year that saw calls for tighter borders when Black refugees braved frigid temperatures to cross into Manitoba from the States, Indigenous land and water protectors resisting the celebration of Canada’s 150th birthday, police across the country rallying around an officer accused of murder, and more.

The year also witnessed the profound personal and professional ramifications of Desmond Cole’s unwavering determination to combat injustice. In April, Cole disrupted a Toronto police board meeting by calling for the destruction of all data collected through carding. Following the protest, Cole, a columnist with the Toronto Star, was summoned to a meeting with the paper’s opinions editor and informed that his activism violated company policy. Rather than limit his efforts defending Black lives, Cole chose to sever his relationship with the publication. Then in July, at another police board meeting, Cole challenged the board to respond to accusations of a police cover-up in the brutal beating of Dafonte Miller by an off-duty police officer and his brother. When Cole refused to leave the meeting until the question was publicly addressed, he was arrested. The image of Cole walking out of the meeting, handcuffed and flanked by officers, fortified the distrust between the city’s Black community and its police force.

Month-by-month, Cole creates a comprehensive picture of entrenched, systemic inequality. Urgent, controversial, and unsparingly honest, The Skin We’re In is destined to become a vital text for anti-racist and social justice movements in Canada, as well as a potent antidote to the all-too-present complacency of many white Canadians.

Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined.

Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her center.

This stirring love story is a profoundly insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control. An American Marriage is a masterpiece of storytelling, an intimate look deep into the souls of people who must reckon with the past while moving forward—with hope and pain—into the future.

To Kill a Mockingbird is a timeless classic that delves into the heart of a sleepy Southern town, exposing the moral dilemmas that shake its foundation. First published in 1960 and awarded the Pulitzer Prize in 1961, Harper Lee's novel captures the essence of innocence and experience, kindness and cruelty, love and hatred, humor and pathos.

This compelling narrative is told through the eyes of a young girl named Scout, whose father, Atticus Finch, is a lawyer tasked with defending a black man unjustly accused of a terrible crime. Set against the backdrop of the mid-1930s Depression in Alabama, the story is a profound commentary on the virulent prejudice that plagues the town. Atticus's quiet heroism and the events that unfold challenge the conscience of a community steeped in hypocrisy and violence.

Lee herself described the book as a simple love story, yet it resonates with readers as much more—a reflection on human behavior and societal norms.