Hum is an extraordinary novel by the National Book Award–longlisted author Helen Phillips. It tells the story of a wife and mother named May, who, after losing her job to artificial intelligence, undergoes a radical procedure that makes her invisible to surveillance systems.

Set in a city ravaged by climate change and inhabited by intelligent robots known as 'hums,' May's decision to alter her face to escape detection is driven by desperation to clear her family's debt and secure their future. The narrative follows her as she invests in a brief escape to the Botanical Garden, a sanctuary of natural beauty, hoping it will heal her family's reliance on technology.

However, the supposed tranquility is short-lived as her family's safety is compromised, pushing May to rely on a hum with dubious intentions. Hum is a riveting work of speculative fiction, examining themes of marriage, motherhood, and identity against a backdrop of environmental decay and rapid technological progress. It presents a world filled with both dystopian and utopian elements, compelling readers to confront the unsettling realities of our times.

In this prophetic allegory about artificial intelligence by a renowned figure of twentieth-century Italian literature, a modest university professor becomes involved in a remote and enigmatic project in the middle of the Cold War.

At the beginning of Dino Buzzati's The Singularity, Ermanno Ismani, an unassuming university professor, is summoned by the minister of defense to accept a two-year, top-secret mission at a mysterious research center, isolated from the world among forests, plunging cliffs, and high mountains. What's he supposed to do there? Not clear. How long will he be there? No saying. Still, Ismani takes the mystifying job and, accompanied by his no-nonsense wife, Elisa, heads to the so-called Experimental Camp of Military Zone 36, wondering whether, in the midst of the Cold War, it's some sort of nuclear project he's been assigned to.

But no, the colleagues the couple meets on arrival assure them, it's nothing like that. It's much, much more powerful. At the center of the research complex is a strange, shining, at times murmurous, white wall. Behind it, a deep gorge drops away, full of wires and radio towers and mobile sensors and a host of eccentric structures. A question begins to dawn: Could this be the shape of consciousness itself? And if so, whose?

Buzzati's novella of 1960, a pioneering work of Italian science fiction, is published here in a brisk new translation by Anne Milano Appel. In it, Buzzati explores his favorite themes of love and longing while offering a startlingly prescient parable of artificial intelligence.

For fans of Never Let Me Go and My Dark Vanessa, Annie Bot is a powerful, provocative novel about the relationship between a female robot and her human owner, exploring questions of intimacy, power, autonomy, and control.

Annie Bot was created to be the perfect girlfriend for her human owner Doug. Designed to satisfy his emotional and physical needs, she has dinner ready for him every night, wears the pert outfits he orders for her, and adjusts her libido to suit his moods. True, she’s not the greatest at keeping Doug’s place spotless, but she’s trying to please him. She’s trying hard. She’s learning, too.

Doug says he loves that Annie’s AI makes her seem more like a real woman, so Annie explores human traits such as curiosity, secrecy, and longing. But becoming more human also means becoming less perfect, and as Annie’s relationship with Doug grows more intricate and difficult, she starts to wonder: Does Doug really desire what he says he wants? And in such an impossible paradox, what does Annie owe herself?

An urgent examination of how disruptive politics, technology, and art are capsizing old assumptions in a great wave of change breaking over today’s world, creating both opportunity and peril—from the Pulitzer Prize–winning critic and author of the New York Times bestseller The Death of Truth.

The twenty-first century is experiencing a watershed moment defined by chaos and uncertainty, as one emergency cascades into another, underscoring the larger dynamics of change that are fueling instability across the world.

Since the global financial crisis of 2008, people have increasingly lost trust in institutions and elites, while seizing upon new digital tools to sidestep traditional gatekeepers. As a result, powerful new voices—once regarded as radical, unorthodox, or marginal—are disrupting the status quo in politics, business, and culture. Meanwhile, social and economic inequalities are stoking populist rage across the world, toxic partisanship is undermining democratic ideals, and the internet and AI have become high-speed vectors for the spread of misinformation.

Writing with a critic’s understanding of cultural trends and a journalist’s eye for historical detail, Michiko Kakutani looks at the consequences of these new asymmetries of power. She maps the migration of ideas from the margins to the mainstream and explores the growing influence of outsiders—those who have sown chaos and fear (like Donald Trump), and those who have provided inspirational leadership (like Ukraine’s president Volodymyr Zelensky).

Kakutani argues that today’s crises are not only signs of an interconnected globe’s profound vulnerabilities, but also stress tests pointing to the essential changes needed to survive this tumultuous era and build a more sustainable future.

From New Yorker staff writer and author Kyle Chayka comes a timely history and investigation of a world ruled by algorithms, which determine the shape of culture itself. From trendy restaurants to city grids, to TikTok and Netflix feeds the world round, algorithmic recommendations dictate our experiences and choices.

The algorithm is present in the familiar neon signs and exposed brick of Internet cafes, be it in Nairobi or Portland, and the skeletal, modern furniture of Airbnbs in cities big and small. Over the last decade, this network of mathematically determined decisions has taken over, almost unnoticed—informing the songs we listen to, the friends with whom we stay in touch—as we've grown increasingly accustomed to our insipid new normal.

This ever-tightening web woven by algorithms is called “Filterworld.” Kyle Chayka shows us how online and offline spaces alike have been engineered for seamless consumption, becoming a source of pervasive anxiety in the process. Users of technology have been forced to contend with data-driven equations that try to anticipate their desires—and often get them wrong. What results is a state of docility that allows tech companies to curtail human experiences—human lives—for profit.

But to have our tastes, behaviors, and emotions governed by computers, while convenient, does nothing short of call the very notion of free will into question. In Filterworld, Chayka traces this creeping, machine-guided curation as it infiltrates the furthest reaches of our digital, physical, and psychological spaces. With algorithms increasingly influencing not just what culture we consume, but what culture is produced, urgent questions arise: What happens when shareability supersedes messiness, innovation, and creativity—the qualities that make us human? What does it mean to make a choice when the options have been so carefully arranged for us? Is personal freedom possible on the Internet?

To the last question, Filterworld argues yes—but to escape Filterworld, and even transcend it, we must first understand it.