In a world of presumptuous people, irony is alive and well, concludes James Morrison, the narrator of this touching coming of age novel. A view Shannie Ortolan - James’s longtime friend, sometimes lover, and full-time obsession - wouldn’t argue. From their first encounter as teenagers until Shannie’s death, experience the twists, turns, and enthralling characters that populate Cemetery Street.

On the cusp of the new millennium, James fulfills a promise. Reenacting a childhood ritual, he places a mud pie upon a grave. This simple act triggers powerful memories.

Meet the people that shaped James’s life. Shannie, who among other things, introduces him to the sport of dodging freight trains. Count, the cemetery caretaker's son, helps James navigate the minefields of adolescence until destiny is met in Desert Storm. Russell, an aging blind African-American, guards a horrifying secret behind a cloud of cigar smoke. Diane, Shannie’s mother, a college professor, dispels the notion of tweed jackets and elbow patches. Steve Lucas, a mortician’s son, who despite bizarre obsessions, stands by James during his most challenging times.

Laugh, cry, and blush as James recounts events of late twentieth-century American life.

The Manchurian Candidate meets South Park—Chuck Palahniuk’s finest novel since the generation-defining Fight Club.

"Begins here first account of operative me, agent number 67 on arrival Midwestern American airport greater _____ area. Flight _____. Date _____. Priority mission top success to complete. Code name: Operation Havoc."

Thus speaks Pygmy, one of a handful of young adults from a totalitarian state sent to the United States, disguised as exchange students, to live with typical American families and blend in, all the while planning an unspecified act of massive terrorism.

Palahniuk depicts Midwestern life through the eyes of this thoroughly indoctrinated little killer, who hates Americans with a passion, in this cunning double-edged satire of an American xenophobia that might, in fact, be completely justified. For Pygmy and his fellow operatives are cooking up something big, something truly awful, that will bring this big dumb country and its fat dumb inhabitants to their knees.

It’s a comedy. And a romance.

In what is perhaps her richest and most deeply searching novel, Anne Tyler gives us a story about what it is to be an American, and about Maryam Yazdan, who after thirty-five years in this country must finally come to terms with her “outsiderness.”

Two families, who would otherwise never have come together, meet by chance at the Baltimore airport—the Donaldsons, a very American couple, and the Yazdans, Maryam’s fully assimilated son and his attractive Iranian American wife. Each couple is awaiting the arrival of an adopted infant daughter from Korea. After the babies from distant Asia are delivered, Bitsy Donaldson impulsively invites the Yazdans to celebrate with an “arrival party,” an event that is repeated every year as the two families become more deeply intertwined.

Even independent-minded Maryam is drawn in. But only up to a point. When she finds herself being courted by one of the Donaldson clan, a good-hearted man of her vintage, recently widowed and still recovering from his wife’s death, suddenly all the values she cherishes—her traditions, her privacy, her otherness—are threatened. Somehow this big American takes up so much space that the orderly boundaries of her life feel invaded.

A luminous novel brimming with subtle, funny, and tender observations that cast a penetrating light on the American way as seen from two perspectives, those who are born here and those who are still struggling to fit in.

In a small neighborhood, atop a hill in Pittsburgh, thrives a world where neighbors don't move away, where friends become family, and where community takes on a deeper meaning. Welcome to the inviting and intriguing neighborhood of Troy Hill. Unlike nearby towns, the families of Troy Hill have lived in the same neighborhood for generations, providing continuity in these women's lives and depth in their relationships. They christened babies, raised children, and even buried their loved ones together. Now in their seventies and eighties, the women of Troy Hill form a community of independent souls, who find joy in each other and solace in service.

Troy Hill and these women resonate beyond this hilltop, providing insight into bonds between mothers and daughters, husbands and wives, sisters and friends. From them we learn to shape our lives with love and humor.

Veteran reporter Clare Ansberry brings to life these vibrant women, and offers some invaluable lessons about acceptance, faith, and family. A portrait of American life and a hymn to the durability of the human spirit, The Women of Troy Hill is an inspiration for us all.

Independence Day is a visionary account of American life and the long-awaited sequel to one of the most celebrated novels of the past decade. This novel reveals a man and our country with unflinching comedy and the specter of hope and permanence. Richard Ford evokes these themes with keen intelligence, perfect emotional pitch, and a voice invested with absolute authority.

Frank Bascombe is no longer a sportswriter, yet he's still living in Haddam, New Jersey, selling real estate. He's still divorced, though his ex-wife has remarried and moved to Connecticut with their children. Frank is happy enough in his work and is pursuing various civic and entrepreneurial sidelines. He has high hopes for this Fourth of July weekend: a search for a house for clients relocating to Vermont, a rendezvous on the Jersey shore with his girlfriend, and a trip to Connecticut to pick up his troubled teenage son for a tour of sports halls of fame.

Frank's Independence Day turns out not as planned, and this decent, bewildered, and profoundly observant man is wrenched out of his private refuge. Independence Day captures the mystery of life in all its conflicted glory with grand humor, intense compassion, and transfixing power.