This book contains the complete Andersen's fairy tales and stories in audiobook and hardcopy format. Hans Christian Andersen was a Danish author and poet. Although a prolific writer of plays, travelogues, novels, and poems, Andersen is best remembered for his fairy tales, a literary genre he so mastered that he himself has become as mythical as the tales he wrote. Andersen's popularity is not limited to children; his stories - called eventyrs, or "fantastic tales" - express themes that transcend age and nationality.

During his lifetime he was acclaimed for having delighted children worldwide and was feted by royalty. Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature listeners/readers as well. They have inspired motion pictures, plays, ballets, and animated films.

King Lear by William Shakespeare is a profound theatrical exploration of familial conflict, honor, and madness. With its compelling narrative, the play delves into the heart of a kingdom divided by the whims of a flawed monarch and the machinations of his ambitious offspring.

The tragedy unfolds as Lear, the aging king, decides to divide his realm amongst his three daughters, leading to a treacherous power struggle that strips him of his authority and sanity. Through the tribulations of Lear and his court, Shakespeare examines themes of loyalty, betrayal, and the harsh consequences of vanity and pride.

At its core, King Lear is a poignant commentary on the human condition, the fragility of power, and the complex bonds that tie families together, often tightly interwoven with suffering and loss. It is a story that resonates as much today as it did when it was first performed, with timeless insights into the depths of human nature and the inevitable flow of fate.

Angels in America is a play in two parts by American playwright Tony Kushner. The play is a complex, often metaphorical, and at times symbolic examination of AIDS and homosexuality in America in the 1980s. Certain major and minor characters are supernatural beings (angels) or deceased persons (ghosts). The play contains multiple roles for several of the actors. Initially and primarily focusing on a gay couple in Manhattan, the play also has several other storylines, some of which occasionally intersect.

Postcards is the mesmerizing tale of Loyal Blood, a man who spends a lifetime running from a terrible crime that forever incapacitates him from forming intimate connections. Blood's journey begins in 1944, taking him from his hardscrabble Vermont hill farm across the vast landscapes of America.

From New York to California, passing through Ohio, Minnesota, Montana, British Columbia, North Dakota, Wyoming, and New Mexico, Loyal must live a hundred lives to survive. He delves into mining gold, growing beans, hunting fossils, prospecting for uranium, and ranching. Meanwhile, his family suffers great losses, particularly the hard-won values of endurance and pride, legacies of generations rooted in intimacy with the land.

Postcards chronicles the lives of the rural and the dispossessed, mapping their world with the historical accuracy and narrative skill reminiscent of Cather, Dreiser, and Faulkner. It stands as a new American classic.

In reality, Hiro Protagonist delivers pizza for Uncle Enzo's CosoNostra Pizza Inc., but in the Metaverse he's a warrior prince. Plunging headlong into the enigma of a new computer virus that's striking down hackers everywhere, he races along the neon-lit streets on a search-and-destroy mission for the shadowy virtual villain threatening to bring about infocalypse.

Snow Crash is a mind-altering romp through a future America so bizarre, so outrageous… you'll recognize it immediately.

In a gripping feat of storytelling, Anne Rice continues the extraordinary Vampire Chronicles that began with the now-classic Interview with the Vampire. For centuries, Lestat—vampire-hero, enchanter, seducer of mortals—has been a courted prince in the dark and flourishing universe of the living dead. Now he is alone. And in his overwhelming need to destroy his doubts and his loneliness, Lestat embarks on the most dangerous enterprise he has undertaken in all the years of his haunted existence.

Returning to Lestat as the main character, the fourth in the Vampire Chronicles series finds Lestat impulsive and careless in the pursuit of what he wants: a serial killer in Southern Florida. Lestat is surrounded by mortals in this tale, and a new worthy counterpoint character to Lestat is introduced, Raglan James. James is a vampire hunter, and a formidable adversary for Lestat. James offers Lestat the opportunity to switch bodies temporarily with a young mortal. Against Louis' advice, Lestat accepts and discovers he hates everything about being human. He also finds that James has disappeared with Lestat's powerful vampire body. Louis refuses to help Lestat become a vampire again, and he turns to another mortal to help him trick James into switching souls, and giving up Lestat's body.

Centering on the themes of body and soul and soul migration, The Tale of the Body Thief is a novel of action.

In a weedy lot on the outskirts of Memphis, two boys watch a shiny Lincoln pull up to the curb. Eleven-year-old Mark Sway and his younger brother were sharing a forbidden cigarette when a chance encounter with a suicidal lawyer left Mark knowing a bloody and explosive secret: the whereabouts of the most sought-after dead body in America. Now Mark is caught between a legal system gone mad and a mob killer desperate to cover up his crime. And his only ally is a woman named Reggie Love, who has been a lawyer for all of four years. Prosecutors are willing to break all the rules to make Mark talk. The mob will stop at nothing to keep him quiet. And Reggie will do anything to protect her client—even take a last, desperate gamble that could win Mark his freedom... or cost them both their lives.

Gore Vidal's Narratives of Empire series spans the history of the United States from the Revolution to the post-World War II years. With their broad canvas and large cast of fictional and historical characters, the novels in this series present a panorama of the American political and imperial experience as interpreted by one of its most worldly, knowing, and ironic observers.

To most Americans, Abraham Lincoln is a monolithic figure, the Great Emancipator and Savior of the Union, beloved by all. In Gore Vidal's Lincoln we meet Lincoln the man and Lincoln the political animal, the president who entered a besieged capital where most of the population supported the South and where even those favoring the Union had serious doubts that the man from Illinois could save it. Far from steadfast in his abhorrence of slavery, Lincoln agonizes over the best course of action and comes to his great decision only when all else seems to fail. As the Civil War ravages his nation, Lincoln must face deep personal turmoil, the loss of his dearest son, and the harangues of a wife seen as a traitor for her Southern connections.

Brilliantly conceived, masterfully executed, Gore Vidal's Lincoln allows the man to breathe again.

The war for survival of the planet Lusitania will be fought in the heart of a child named Gloriously Bright. On Lusitania, Ender found a world where humans and pequininos and the Hive Queen could all live together; where three very different intelligent species could find common ground at last. Or so he thought.

Lusitania also harbors the descolada, a virus that kills all humans it infects, but which the pequininos require in order to become adults. The Starways Congress so fears the effects of the descolada, should it escape from Lusitania, that they have ordered the destruction of the entire planet, and all who live there. The Fleet is on its way, and a second xenocide seems inevitable.

Martin Vail, the brilliant "bad-boy" lawyer every prosecutor and politician love to hate, is defending Aaron Stampler, a man found holding a bloody butcher's knife near a murdered archbishop. Vail is certain to lose, but Vail uses his unorthodox ways to good advantage when choosing his legal team—a tight group of men and women who must uncover the extraordinary truth behind the archbishop's slaughter. They do, in a heart-stopping climax unparalleled for the surprise it springs on the reader...

Vikram Seth's novel is, at its core, a love story: Lata and her mother, Mrs. Rupa Mehra, are both trying to find—through love or through exacting maternal appraisal—a suitable boy for Lata to marry. Set in the early 1950s, in an India newly independent and struggling through a time of crisis, A Suitable Boy takes us into the richly imagined world of four large extended families and spins a compulsively readable tale of their lives and loves. A sweeping panoramic portrait of a complex, multiethnic society in flux, A Suitable Boy remains the story of ordinary people caught up in a web of love and ambition, humor and sadness, prejudice and reconciliation, the most delicate social etiquette and the most appalling violence.

In me are the memories of a boy's life, spent in that realm of enchantments. These are the things I want to tell you.... Robert McCammon delivers a tour de force of storytelling in his award-winning masterpiece, a novel of Southern boyhood, growing up in the 1960s, that reaches far beyond that evocative landscape to touch readers universally. Boy's Life is a richly imagined, spellbinding portrait of the magical worldview of the young -- and of innocence lost.

Zephyr, Alabama, is an idyllic hometown for eleven-year-old Cory Mackenson -- a place where monsters swim the river deep and friends are forever. Then, one cold spring morning, Cory and his father witness a car plunge into a lake -- and a desperate rescue attempt brings his father face-to-face with a terrible, haunting vision of death. As Cory struggles to understand his father's pain, his eyes are slowly opened to the forces of good and evil that surround him. From an ancient mystic who can hear the dead and bewitch the living, to a violent clan of moonshiners, Cory must confront the secrets that hide in the shadows of his hometown -- for his father's sanity and his own life hang in the balance....

In Red Mars, award-winning author Kim Stanley Robinson presents the first installment of his acclaimed Mars Trilogy. The novel chronicles the ambitious endeavor of terraforming Mars, beginning in 2026 with the arrival of a group of 100 colonists. Among them are leaders such as John Boone, Maya Toitavna, Frank Chalmers, and Arkady Bogdanov, who carry the burden of their mission's success and the dreams of humanity.

The colonists embark on a monumental task to transform the barren, hostile climate of the red planet into a habitable environment. Their plans include orbiting giant satellite mirrors to reflect sunlight, sprinkling black dust on the polar caps to capture warmth, and drilling massive tunnels into the mantle to release hot gases.

Set against a backdrop of massive planetary changes, the narrative delves into the personal lives of the colonists, exploring their rivalries, loves, and friendships. As some become consumed by their passion for Mars, others see the planet as a chance for profit or a laboratory for genetic breakthroughs. However, not everyone is in favor of altering Mars, leading to conflicts that could jeopardize the entire mission.

Red Mars is a brilliant and imaginative epic that combines cutting-edge science with human drama, exploring the complexities of colonization and the ethical dilemmas of altering an entire world.

The Elephant Vanishes is a collection that showcases the imaginative genius of Haruki Murakami, an international literary icon. These stories blend the mundane with the extraordinary, creating a world where the surreal becomes the new normal.

A man witnesses the inexplicable disappearance of his favorite elephant, newlyweds find themselves driven by insatiable hunger to rob a McDonald's, and a young woman becomes the object of affection for a peculiar green monster. Each story takes the reader on a journey across the boundaries of reality, returning with remarkable treasures.

By turns haunting and hilarious, this collection includes the story Barn Burning, which inspired the major motion picture Burning.

In this best-selling new book, his first in seventeen years, Robert M. Pirsig, author of Zen and the Art of Motorcycle Maintenance, takes us on a poignant and passionate journey as mysterious and compelling as his first life-changing work. Instead of a motorcycle, a sailboat carries his philosopher-narrator Phaedrus down the Hudson River as winter closes in. Along the way he picks up a most unlikely traveling companion: a woman named Lila who in her desperate sexuality, hostility, and oncoming madness threatens to disrupt his life.

In Lila Robert M. Pirsig has crafted a unique work of adventure and ideas that examines the essential issues of the nineties as his previous classic did the seventies.

Deep in the African rain forest, near the legendary ruins of the Lost City of Zinj, an expedition of eight American geologists is mysteriously and brutally killed in a matter of minutes. Ten thousand miles away, Karen Ross, the Congo Project Supervisor, watches a gruesome video transmission of the aftermath: a camp destroyed, tents crushed and torn, equipment scattered in the mud alongside dead bodies — all motionless except for one moving image — a grainy, dark, man-shaped blur.

In San Francisco, primatologist Peter Elliot works with Amy, a gorilla with an extraordinary vocabulary of 620 “signs,” the most ever learned by a primate, and she likes to fingerpaint. But recently, her behavior has been erratic and her drawings match, with stunning accuracy, the brittle pages of a Portuguese print dating back to 1642 . . . a drawing of an ancient lost city. A new expedition — along with Amy — is sent into the Congo where they enter a secret world, and the only way out may be through a horrifying death.

Wake up and take control of your life! From the bestselling author of Inner Strength, Unlimited Power, and MONEY Master the Game, Anthony Robbins, the nation's leader in the science of peak performance, shows you his most effective strategies and techniques for mastering your emotions, your body, your relationships, your finances, and your life.

The acknowledged expert in the psychology of change, Anthony Robbins provides a step-by-step program teaching the fundamental lessons of self-mastery that will enable you to discover your true purpose, take control of your life, and harness the forces that shape your destiny.

Jesus' Son, the first collection of stories by Denis Johnson, presents a unique, hallucinatory vision of contemporary American life unmatched in power and immediacy and marks a new level of achievement for this acclaimed writer. In their intensity of perception, their neon-lit evocation of a strange world brought uncomfortably close to our own, the stories in Jesus' Son offer a disturbing yet eerily beautiful portrayal of American loneliness and hope.

Contains:

• Car Crash While Hitchhiking
• Two Men
• Out on Bail
• Dundun
• Work
• Emergency
• Dirty Wedding
• The Other Man
• Happy Hour
• Steady Hands at Seattle General
• Beverly Home

This now classic book revealed Flannery O'Connor as one of the most original and provocative writers to emerge from the South. Her apocalyptic vision of life is expressed through grotesque, often comic situations in which the principal character faces a problem of salvation: the grandmother, in the title story, confronting the murderous Misfit; a neglected four-year-old boy looking for the Kingdom of Christ in the fast-flowing waters of the river; General Sash, about to meet the final enemy.

Stories include:
A Good Man Is Hard to Find
The River
The Life You Save May Be Your Own
A Stroke of Good Fortune
A Temple of the Holy Ghost
The Artificial Nigger
A Circle in the Fire
A Late Encounter with the Enemy
Good Country People
The Displaced Person

Join New York Times bestselling author Douglas Adams and zoologist Mark Carwardine as they take off around the world in search of exotic, endangered creatures. Encounter the animal kingdom in its stunning beauty, astonishing variety, and imminent peril: from the giant Komodo dragon of Indonesia, the helpless but loveable Kakapo of New Zealand, to the blind river dolphins of China, and the white rhinos of Zaire. Hilarious and poignant—as only Douglas Adams can be—Last Chance to See is an entertaining and arresting odyssey through the Earth’s magnificent wildlife galaxy.

It’s easy to get disheartened when your planet has been blown up, the woman you love has vanished due to a misunderstanding about space/time, the spaceship you are on crashes on a remote and Bob-fearing planet, and all you have to fall back on are a few simple sandwich-making skills. However, instead of being disheartened, Arthur Dent makes the terrible mistake of starting to enjoy life a bit–and immediately all hell breaks loose.Hell takes a number of forms: there’s the standard Ford Prefect version, in the shape of an all-new edition of The Hitchhiker’s Guide to the Galaxy, and a totally unexpected manifestation in the form of a teenage girl who startles Arthur Dent by being his daughter when he didn’t even know he had one.Can Arthur save the Earth from total multidimensional obliteration? Can he save the Guide from a hostile alien takeover? Can he save his daughter, Random, from herself? Of course not. He never works out exactly what is going on. Will you?

The fables of Aesop have become one of the most enduring traditions of European culture, ever since they were first written down nearly two millennia ago. Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature.

First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?

The Love Affair between Scarlett and Rhett comes to a startling culmination.

Come back to Tara...to Scarlett and Rhett...and to the greatest love story in all fiction. This is the book whose initial publication was an instant sensation: selling out immediately, setting new records, and enthralling readers all over the world. This is the book everyone wants to read, savor, and enjoy.

Scarlett is a 1991 novel by Alexandra Ripley, written as a sequel to Margaret Mitchell's 1936 novel, Gone with the Wind. The book debuted on The New York Times bestsellers list, but both critics and fans of the original novel found Ripley's version to be inconsistent with the literary quality of Gone with the Wind.

The Pulitzer Prize-winning epic of the Great Depression, The Grapes of Wrath chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads—driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity.

A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s powerful landmark novel is perhaps the most American of American Classics.

The Stinky Cheese Man and Other Fairly Stupid Tales is a unique collection that takes a playful jab at the traditional fairy tale format. With its unconventional page arrangement and eclectic, frenetic mix of text and pictures, the book is a spoof on the art of book design as well as the art of the fairy tale itself.

The individual tales, such as The Really Ugly Duckling and Little Red Running Shorts, offer a fresh and humorous take on the classic stories we all know and love. Extracted for telling aloud, these tales promise great success and laughter. This masterpiece comes from the team that brought you The True Story of the Three Little Pigs.

A Fire Upon the Deep is the big, breakout book that fulfills the promise of Vinge's career to date: a gripping tale of galactic war told on a cosmic scale. Thousands of years hence, many races inhabit a universe where a mind's potential is determined by its location in space, from superintelligent entities in the Transcend, to the limited minds of the Unthinking Depths, where only simple creatures and technology can function. Nobody knows what strange force partitioned space into these "regions of thought," but when the warring Straumli realm use an ancient Transcendent artifact as a weapon, they unwittingly unleash an awesome power that destroys thousands of worlds and enslaves all natural and artificial intelligence.

Fleeing the threat, a family of scientists, including two children, are taken captive by the Tines, an alien race with a harsh medieval culture, and used as pawns in a ruthless power struggle. A rescue mission, not entirely composed of humans, must rescue the children-and a secret that may save the rest of interstellar civilization.

In Naked Lunch, William S. Burroughs revealed his genius. In The Soft Machine he begins an adventure that will take us even further into the dark recesses of his imagination, a region where nothing is sacred, nothing taboo. Continuing his ferocious verbal assault on hatred, hype, poverty, war, bureaucracy, and addiction in all its forms, Burroughs gives us a surreal space odyssey through the wounded galaxies in a book only he could create.

The Wheel of Time turns and Ages come and go, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again.

In the Third Age, an Age of Prophecy, the World and Time themselves hang in the balance. What was, what will be, and what is, may yet fall under the Shadow. The seals of Shayol Ghul are weak now, and the Dark One reaches out. The Shadow is rising to cover humankind. In Tar Valon, Min sees portents of hideous doom. Will the White Tower itself be broken?

In the Two Rivers, the Whitecloaks ride in pursuit of a man with golden eyes, and in pursuit of the Dragon Reborn. In Cantorin, among the Sea Folk, High Lady Suroth plans the return of the Seanchan armies to the mainland. In the Stone of Tear, the Lord Dragon considers his next move. It will be something no one expects, not the Black Ajah, not Tairen nobles, not Aes Sedai, not Egwene or Elayne or Nynaeve. Against the Shadow rising stands the Dragon Reborn...

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality, they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

Out of Africa is Isak Dinesen's memoir of her years in Africa, from 1914 to 1931, on a four-thousand-acre coffee plantation in the hills near Nairobi. She had come to Kenya from Denmark with her husband, and when they separated she stayed on to manage the farm by herself, visited frequently by her lover, the big-game hunter Denys Finch-Hatton, for whom she would make up stories like Scheherazade. In Africa, "I learned how to tell tales," she recalled many years later. "The natives have an ear still. I told stories constantly to them, all kinds." Her account of her African adventures, written after she had lost her beloved farm and returned to Denmark, is that of a master storyteller, a woman whom John Updike called "one of the most picturesque and flamboyant literary personalities of the century."

Acclaimed as a quiet triumph and a brutally moving work of art, Maus II: A Survivor's Tale: And Here My Troubles Began introduces readers to Vladek Spiegleman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist trying to come to terms with his father, his father's terrifying story, and History itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events described, approaching, as it does, the unspeakable through the diminutive.

This second volume, subtitled And Here My Troubles Began, moves us from the barracks of Auschwitz to the bungalows of the Catskills. Genuinely tragic and comic by turns, it attains a complexity of theme and a precision of thought new to comics and rare in any medium. Maus ties together two powerful stories: Vladek's harrowing tale of survival against all odds, delineating the paradox of daily life in the death camps, and the author's account of his tortured relationship with his aging father. At every level, this is the ultimate survivor's tale - and that too of the children who somehow survive even the survivors.

This powerful twentieth-century reimagining of Shakespeare’s King Lear centers on a wealthy Iowa farmer who decides to divide his farm between his three daughters. When the youngest objects, she is cut out of his will. This sets off a chain of events that brings dark truths to light and explodes long-suppressed emotions. Ambitiously conceived and stunningly written, A Thousand Acres takes on themes of truth, justice, love, and pride—and reveals the beautiful yet treacherous topography of humanity.

Philip Marlowe's about to give up on a completely routine case when he finds himself in the wrong place at the right time to get caught up in a murder that leads to a ring of jewel thieves, another murder, a fortune-teller, a couple more murders, and more corruption than your average graveyard.

Sam Spade is hired by the fragrant Miss Wonderley to track down her sister, who has eloped with a louse called Floyd Thursby. But Miss Wonderley is in fact the beautiful and treacherous Brigid O'Shaughnessy, and when Spade's partner Miles Archer is shot while on Thursby's trail, Spade finds himself both hunter and hunted: can he track down the jewel-encrusted bird, a treasure worth killing for, before the Fat Man finds him?

In Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love. It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud. In this death-filled setting, the movement from love at first sight to the lovers' final union in death seems almost inevitable.

And yet, this play set in an extraordinary world has become the quintessential story of young love. In part because of its exquisite language, it is easy to respond as if it were about all young lovers.

Regarded by many as the finest, and funniest, comic novel of the twentieth century, Lucky Jim remains as trenchant, withering, and eloquently misanthropic as when it first scandalized readers in 1954. This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.

More than just a merciless satire of cloistered college life and stuffy postwar manners, Lucky Jim is an attack on the forces of boredom, whatever form they may take, and a work of art that at once distills and extends an entire tradition of English comic writing, from Fielding and Dickens through Wodehouse and Waugh. As Christopher Hitchens has written, “If you can picture Bertie or Jeeves being capable of actual malice, and simultaneously imagine Evelyn Waugh forgetting about original sin, you have the combination of innocence and experience that makes this short romp so imperishable.”

Thomas Mann's last great novel, first published in 1947 and now rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and nihilism. It is also Mann's most profound meditation on the German genius—both national and individual—and the terrible responsibilities of the truly great artist.

The vast majority of Americans have, at one point or another, gotten drunk, smoked, dabbled with drugs, gambled, sworn, or engaged in adultery. During the 1800s, "respectable" people struggled to control these behaviors, labeling them "bad" and the people who indulged in them unrespectable. In the twentieth century, these minor vices were transformed into a societal complex of enormous and pervasive influence. Yet the general belief persists that these activities remain merely harmless "bad habits," individual transgressions more than social problems. Not so, argues distinguished historian John C. Burnham in this pioneering study.

In Bad Habits, Burnham traces the growth of a veritable minor vice-industrial complex. As it grew, activities that might have been harmless, natural, and sociable fun resulted in fundamental social change. When Burnham set out to explore the influence of these bad habits on American society, he sought to discover why so many "good" people engaged in activities that many, including themselves, considered "bad." What he found, however, was a coalition of economic and social interests in which the single-minded quest for profit allied with the values of the Victorian saloon underworld and bohemian rebelliousness. This combination radically inverted common American standards of personal conduct.

Bad Habits, then, describes, in words and pictures, how more and more Americans learned to value hedonism and self-gratification—to smoke and swear during World War I, to admire cabaret night life, and to reject schoolmarmish standards in the age of Prohibition. Tracing the evolution of each of the bad habits, Burnham tells how liquor control boards encouraged the consumption of alcohol; how alcoholic beverage producers got their workers deferred from the draft during World War II; how convenience stores and accounting firms pursued profits by pushing legalized gambling; how "swinging" Playboy bankrolled a drug advocacy group; how advertising and television made the Marlboro Man a national hero; how drug paraphernalia was promoted by national advertisers; how a practical joker/drug addict caused a shortage of kitty litter on Long Island; and how the evolution of an entire sex therapy industry helped turn sexual experience into a new kind of commodity. Altogether, a lot of people made a lot of money. But what, the author asks, did these changes cost American society?

This illustrated tour de force by one of the most distinctive and important voices in social history reveals John C. Burnham at his provocative and controversial best.

Big Sur is a poignant masterpiece of wrenching personal expression from the author of On the Road and The Dharma Bums. In this 1962 novel, Kerouac's alter ego Jack Duluoz, overwhelmed by success and excess, gravitates back and forth between wild binges in San Francisco and an isolated cabin on the California coast where he attempts to renew his spirit and clear his head of madness and alcohol. Only nature seems to restore him to a sense of balance.

In the words of Allen Ginsberg, Big Sur "reveals consciousness in all its syntactic elaboration, detailing the luminous emptiness of his own paranoiac confusion."

In the 1960s, political tension forces the García family away from Santo Domingo and towards the Bronx. The sisters all hit their strides in America, adapting and thriving despite cultural differences, language barriers, and prejudice.

But Mami and Papi are more traditional, and they have far more difficulty adjusting to their new country. Making matters worse, the girls—frequently embarrassed by their parents—find ways to rebel against them.

The García sisters—Carla, Sandra, Yolanda, and Sofía—tell their stories about being at home—and not at home—in America. Uprooted from their family home in the Dominican Republic, they arrive in New York City in 1960 to find a life far different from the genteel existence of maids, manicures, and extended family they left behind.

What they have lost—and what they find—is revealed in the fifteen interconnected stories that make up this exquisite novel from one of the premier novelists of our time.

They're back: Calvin, the six-year-old dirty tricksmeister and master of indignation and his warm, cuddly philosopher sidekick, Hobbes. A tiger whose idea of adventure is to lie on his back by the fire and have his stomach rubbed. In six short years, this unlikely duo has captured the hearts, the minds, and, most of all, the funny bones of America.

This treasury collection contains a never-before-published full-color section, as well as the cartoons appearing in The Revenge of the Baby-Sat and Scientific Progress Goes "Boink." All Sunday cartoons are presented full-page and full-color.

Miecz przeznaczenia is a collection of short stories that serves as a continuation of the adventures of Geralt from Ostatnie życzenie (The Last Wish), and at the same time precedes the story described in Saga o wiedźminie (The Witcher Saga). Generally, the stories included in this collection are no different from those written earlier. Geralt, with his strength, courage, and intelligence, fights monsters or in other ways tries to help people. The world in which the action takes place is depicted in a highly vivid manner, allowing readers to easily imagine it. The book is imbued with emotions, dreams, and values. On the pages of the stories, we see love, sacrifice, honor, determination driven by the intention to help a loved one, and attachment to one's own land.

Fatherland is set in a universe where Nazi Germany won World War II. In this alternate history, the story's lead protagonist, an SS officer, embarks on an investigation into the murder of a Nazi government official who was one of the participants at the Wannsee Conference. Through his investigation, he uncovers a plot to eliminate all attendees of the conference in order to help Germany gain better political accommodations with the United States.

When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness, and death that centres on the lives of the women and children of a hillside favela. Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, Nancy Scheper-Hughes follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage.

It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing – and controversial – is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live.

The Yearling, by Marjorie Kinnan Rawlings, is an American classic—and Pulitzer Prize–winning story that epitomizes the love between a child and a pet. Young Jody adopts an orphaned fawn he calls Flag and makes it a part of his family and his best friend. But life in the Florida backwoods is harsh, and so, as his family fights off wolves, bears, and even alligators, and faces failure in their tenuous subsistence farming, Jody must finally part with his dear animal friend.

This compelling novel has as its protagonist Cornelius Suttree, living alone and in exile in a disintegrating houseboat on the wrong side of the Tennessee River close by Knoxville. He stays at the edge of an outcast community inhabited by eccentrics, criminals, and the poverty-stricken. Rising above the physical and human squalor around him, his detachment and wry humor enable him to survive dereliction and destitution with dignity.

A rousing call to arms whose influence is still felt today Originally published on the eve of the 1848 European revolutions, The Communist Manifesto is a condensed and incisive account of the worldview Marx and Engels developed during their hectic intellectual and political collaboration. Formulating the principles of dialectical materialism, they believed that labor creates wealth, hence capitalism is exploitive and antithetical to freedom.

This new edition includes an extensive introduction by Gareth Stedman Jones, Britain's leading expert on Marx and Marxism, providing a complete course for students of The Communist Manifesto, and demonstrating not only the historical importance of the text, but also its place in the world today.

Too Loud a Solitude is a tender and funny story of Haňťa - a man who has lived in a Czech police state - for 35 years, working as compactor of wastepaper and books. In the process of compacting, he has acquired an education so unwitting he can't quite tell which of his thoughts are his own and which come from his books. He has rescued many from the jaws of the hydraulic press and now his house is filled to the rooftops. Destroyer of the written word, he is also its perpetrator.

But when a new automatic press makes his job redundant, there's only one thing he can do - go down with his ship. This is an eccentric romp celebrating the indestructibility - against censorship, political oppression, etc - of the written word.