The co-host of the popular NPR podcast Planet Money provides a well-researched, entertaining, somewhat irreverent look at how money is a made-up thing that has evolved over time to suit humanity's changing needs. Money only works because we all agree to believe in it.
In Money, Jacob Goldstein shows how money is a useful fiction that has shaped societies for thousands of years, from the rise of coins in ancient Greece to the first stock market in Amsterdam to the emergence of shadow banking in the 21st century.
At the heart of the story are the fringe thinkers and world leaders who reimagined money. Kublai Khan, the Mongol emperor, created paper money backed by nothing, centuries before it appeared in the west. John Law, a professional gambler and convicted murderer, brought modern money to France (and destroyed the country's economy). The cypherpunks, a group of radical libertarian computer programmers, paved the way for bitcoin.
One thing they all realized: what counts as money (and what doesn't) is the result of choices we make, and those choices have a profound effect on who gets more stuff and who gets less, who gets to take risks when times are good, and who gets screwed when things go bad. Lively, accessible, and full of interesting details (like the 43-pound copper coins that 17th-century Swedes carried strapped to their backs), Money is the story of the choices that gave us money as we know it today.
Seiichi's aunt and uncle have arrived to confront Seiko, and the truth has come out at last. The lies—and his family—are falling apart, and Seiichi is left to pick up the pieces... But as he shakes off his mother's influence and faces police questioning, a shocking revelation about his past emerges!
After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She's not sure what she will find—her cousin's husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.
Noemí is also an unlikely rescuer: She's a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she's also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin's new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí's dreams with visions of blood and doom.
Her only ally in this inhospitable abode is the family's youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family's past. For there are many secrets behind the walls of High Place. The family's once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
From the creator who brought you notable works such as The Flowers of Evil, Happiness, and Inside Mari, comes his latest suspense drama centering on the theme of a toxic parent. Dive into this latest thriller by master storyteller, Shuzo Oshimi.
Seiichi's outburst has brought him and his mother closer together, but also served to deepen his aunt's suspicions. It's only a matter of time before the truth comes out...and before Seiichi's psychic tension erupts into violence!!
Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life is a dark and astonishing tale of love, chaos, scientific obsession, and—possibly—even murder, woven together in a wondrous debut by NPR reporter Lulu Miller.
David Starr Jordan, a taxonomist driven to bring order to the natural world, was on the verge of discovering nearly a fifth of the fish known to humans in his day. However, the universe seemed determined to challenge him, as his specimen collections were destroyed by a series of calamities, culminating in the 1906 San Francisco earthquake. His life's work in ruins, Jordan stood amidst the wreckage and, spotting the first fish he recognized, began the arduous task of rebuilding his collection. This time, he introduced an innovation to protect his work from chaos.
Lulu Miller's encounter with Jordan's story led her to question her own understanding of history, morality, and the world beneath her feet. Why Fish Don't Exist is not only a biography and a memoir but also a scientific adventure that reads like a fable, offering an inspiring reflection on how to persevere in a world where chaos always seems to prevail.
We Keep the Dead Close is a true crime narrative that delves into the unsolved murder of Jane Britton, a Harvard graduate student, in 1969. This book is not only a meticulous work of investigative journalism but also a reflection on the pervasive violence and misogyny within prestigious institutions. Becky Cooper, once a curious undergrad, unravels a complex tale of gender inequality, institutional power dynamics, and the haunting legacy of a story that refused to be forgotten.
Harvard's history is interwoven with the narrative, as the institution's legacy looms over the events that transpired. The initial rumors of a scandalous affair with a professor and a subsequent murder are debunked, but the truth that emerges is no less compelling. Cooper's decade-long investigation sheds light on the cowboy culture among male elites and the silencing effect of institutions, leading to a broader conversation about our collective narrative of female victims.
We Keep the Dead Close is a memoir that acts as a mirror to society's misogyny and murder, a ghost story that connects past and present, and a love story dedicated to a girl whose life was tragically cut short and lost to history.