Hum is an extraordinary novel by the National Book Award–longlisted author Helen Phillips. It tells the story of a wife and mother named May, who, after losing her job to artificial intelligence, undergoes a radical procedure that makes her invisible to surveillance systems.

Set in a city ravaged by climate change and inhabited by intelligent robots known as 'hums,' May's decision to alter her face to escape detection is driven by desperation to clear her family's debt and secure their future. The narrative follows her as she invests in a brief escape to the Botanical Garden, a sanctuary of natural beauty, hoping it will heal her family's reliance on technology.

However, the supposed tranquility is short-lived as her family's safety is compromised, pushing May to rely on a hum with dubious intentions. Hum is a riveting work of speculative fiction, examining themes of marriage, motherhood, and identity against a backdrop of environmental decay and rapid technological progress. It presents a world filled with both dystopian and utopian elements, compelling readers to confront the unsettling realities of our times.

The Wedding People is a propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help her start anew.

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe and Phoebe's plan—which makes it that much more surprising when the two women can’t stop confiding in each other. In turns absurdly funny and devastatingly tender, Alison Espach’s The Wedding People is ultimately an incredibly nuanced and resonant look at the winding paths we can take to places we never imagined—and the chance encounters it sometimes takes to reroute us.

From the New York Times bestselling author of Long Bright River, an immersive, propulsive novel about a missing child whose disappearance sends shockwaves through three very different worlds—an opulent Adirondack summer estate, the rustic teen summer camp that operates in its shadow, and the blue-collar community that serves them both.

When Barbara Van Laar is discovered missing from her summer camp bunk one morning in August 1975, it triggers a panicked, terrified search. Losing a camper is a horrific tragedy under any circumstances, but Barbara isn't just any camper; she's the daughter of the wealthy family that owns the camp—as well as the opulent nearby estate and most of the land in sight. And this isn't the first time a Van Laar child has disappeared in this region: Barbara's older brother also went missing fourteen years ago, never to be found. How could this have happened yet again?

Liz Moore weaves a richly textured drama, both emotionally nuanced and propelled by a double-barreled mystery. The God of the Woods is a story of love, inheritance, identity, and second chances, a thrillingly layered drama about the tensions between a family and a community, and a history of secrets that will not let any of them go.

A triumphant family story and sharply observed exploration of privilege, identity, and love in all its forms, following four estranged siblings whose lives collide in the lead-up to a family wedding, when new clues surface about their long-missing father.

April, May, June, and July Barber don’t have much in common anymore. An upcoming family wedding will place the four siblings in the same room for the first time in years. But shortly before, when April spots their father, who went missing while serving overseas a decade ago, their reunion becomes entirely more complicated.

While the siblings’ search for the truth about their father forces them back into each other’s lives, it also intensifies their private dramas. April loves her husband, but seeks excitement outside their marriage. May had big dreams for the future, but she’s still stuck living at home. June is eager to marry her girlfriend, so why does she need a drink at every wedding-related event? And then there’s baby brother July, whose unrequited love for his straight roommate has him more confused than ever.

Confronting the past together, April, May, June, and July will find not only answers about their father, but new romance, hope, and understanding as they learn to embrace the beauty of their shared history.

Why grassroots data activists in Latin America count feminicide—and how this vital social justice work challenges mainstream data science. What isn’t counted doesn’t count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women.

Against this failure, Counting Feminicide brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work. Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D’Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account.

Individuals, researchers, and journalists—these data activists scour news sources to assemble spreadsheets and databases of women killed by gender-related violence, then circulate those data in a variety of creative and political forms. Their work reveals the potential of restorative/transformative data science—the use of systematic information to, first, heal communities from the violence and trauma produced by structural inequality and, second, envision and work toward the world in which such violence has been eliminated.

Specifically, D’Ignazio explores the possibilities and limitations of counting and quantification—reducing complex social phenomena to convenient, sortable, aggregable forms—when the goal is nothing short of the elimination of gender-related violence. Counting Feminicide showcases the incredible power of data feminism in practice, in which each murdered woman or girl counts, and, in being counted, joins a collective demand for the restoration of rights and a transformation of the gendered order of the world.

James, by Percival Everett, is a brilliant and action-packed reimagining of The Adventures of Huckleberry Finn, told from the perspective of the enslaved character Jim. This novel is both harrowing and ferociously funny, showcasing Jim's agency, intelligence, and compassion in a radically new light.

When Jim overhears that he is about to be sold and separated from his wife and daughter, he decides to hide on Jackson Island to plan his next move. Meanwhile, Huck Finn, seeking to escape his violent father, fakes his own death. Together, they embark on a dangerous and transcendent journey down the Mississippi River, facing floods, storms, and scam artists, all while navigating the promise and peril of the Free States and beyond.

With electrifying humor and lacerating observations, James is set to be a major publishing event, redefining a cornerstone of twenty-first century American literature.

Martyr! by Kaveh Akbar is an electrifying, funny, and wholly original novel that heralds the arrival of an essential new voice in contemporary fiction. The story follows Cyrus Shams, a newly sober, orphaned son of Iranian immigrants, who is guided by the voices of artists, poets, and kings on a remarkable search for a family secret. This journey leads him to a terminally ill painter living out her final days in the Brooklyn Museum.

Cyrus grapples with an inheritance of violence and loss: his mother's plane was shot down over the skies of the Persian Gulf in a senseless accident, and his father's life in America was circumscribed by his work at a factory farm. As a drunk, an addict, and a poet, Cyrus's obsession with martyrs drives him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the angel of death and toward his mother, through a painting that suggests she may not have been who or what she seemed.

Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, and others.

"Unmasking AI: My Mission to Protect What Is Human in a World of Machines" is a compelling exploration into the evolution of artificial intelligence and its implications on human rights and society. Penned by Dr. Joy Buolamwini, a leading figure in the field of AI research, this book is a call to action to mitigate the harms caused by unchecked technological development.

Starting from her early engagement with robotics in high school to her groundbreaking research at MIT, Buolamwini unfolds her journey of unmasking the "coded gaze"—a term she coined to describe the encoded discrimination within tech products. Through her work with the Algorithmic Justice League, she has been a pivotal force in the movement against AI-induced biases, advocating for a future where technology serves all of humanity equally.

With an intersectional approach, Buolamwini highlights the overlapping issues of racism, sexism, colorism, and ableism in the tech industry, urging for a collective effort towards algorithmic justice. "Unmasking AI" is not just a critique of the current state of artificial intelligence but a hopeful vision for a more inclusive and equitable technological future.

Julia: A Novel is an imaginative, feminist, and brilliantly relevant-to-today retelling of Orwell's 1984, from the point of view of Winston Smith's lover, Julia, by critically acclaimed novelist Sandra Newman. Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It's 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania.

Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell's 1984. All her life, Julia has known only Oceania, and, until she meets Winston Smith, she has never imagined anything else.

She is an ideal citizen: cheerfully cynical, always ready with a bribe, piously repeating every political slogan while believing in nothing. She routinely breaks the rules, but also collaborates with the regime when necessary. Everyone likes Julia. Then one day she finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story.

Julia takes us on a surprising journey through Orwell's now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe. This unique perspective lays bare our own world in haunting and provocative ways, just as the original did almost seventy-five years ago.

From the award-winning, bestselling author of No Logo, The Shock Doctrine, and This Changes Everything, Naomi Klein presents a revelatory analysis of the collapsed meanings, blurred identities, and uncertain realities of the mirror world.

Naomi Klein takes a more personal turn, braiding together elements of tragicomic memoir, chilling political reportage, and cobweb-clearing cultural analysis, as she dives deep into what she calls the Mirror World—our destabilized present rife with doubles and confusion, where far right movements playact solidarity with the working class, AI-generated content blurs the line between genuine and spurious, New Age wellness entrepreneurs turned anti-vaxxers further scramble our familiar political allegiances, and so many of us project our own carefully curated digital doubles out into the social media sphere.

Klein begins this richly nuanced intellectual adventure story by grappling with her own doppelganger—a fellow author and public intellectual whose views are antithetical to Klein’s own, but whose name and public persona are sufficiently similar that many people have confused the two over the years. From there, she turns her gaze both inward to our psychic landscapes—drawing on the work of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks—and outward, to our intersecting economic, environmental, medical, and political crises.

Ultimately seeking to escape the Mirror World and chart a path beyond confusion and despair, Klein delivers a treatment of the way many of us think and feel now, offering an intellectual adventure story for our times.

Banyan Moon is a sweeping, evocative debut novel following three generations of Vietnamese American women reeling from the death of their matriarch, revealing the family's inherited burdens and buried secrets.

When Ann Tran gets the call that her beloved grandmother, Minh, has passed away, her life is already at a crossroads. Ann has built a seemingly perfect life. She lives in a beautiful lake house and has a charming professor boyfriend, but it all crumbles away with one positive pregnancy test. With both her relationship and carefully planned future now in question, Ann returns home to Florida to face her estranged mother, Hu'o'ng. Under the same roof for the first time in years, mother and daughter must face the simmering questions of their past, while trying to rebuild their relationship without the one person who's always held them together.

Running parallel to this is Minh's story, as she goes from a lovestruck teenager living in the shadow of the Vietnam War to a determined young mother immigrating to America in search of a better life. And when Ann makes a shocking discovery in the Banyan House's attic, long-buried secrets come to light as it becomes clear how decisions Minh made in her youth affected the rest of her life and her family.

Spanning decades and continents, from 1960s Vietnam to the wild swamplands of the Florida coast, Banyan Moon is a stunning and deeply moving story of mothers and daughters, the things we inherit, and the lives we choose to make out of that inheritance.

The Rachel Incident, brilliantly funny novel about friends, lovers, Ireland in chaos, and a young woman desperately trying to manage all three.

Rachel is a student working at a bookstore when she meets James, and it’s love at first sight. Effervescent and insistently heterosexual, James soon invites Rachel to be his roommate and the two begin a friendship that changes the course of both their lives forever. Together, they run riot through the streets of Cork city, trying to maintain a bohemian existence while the threat of the financial crash looms before them.

When Rachel falls in love with her married professor, Dr. Fred Byrne, James helps her devise a reading at their local bookstore, with the goal that she might seduce him afterwards. But Fred has other desires. So begins a series of secrets and compromises that intertwine the fates of James, Rachel, Fred, and Fred’s glamorous, well-connected, bourgeois wife. Aching with unrequited love, shot through with delicious, sparkling humor, The Rachel Incident is a triumph.

Con un par de golpecitos en la pantalla, tu smartphone puede colocar delante de ti un automóvil. Esta sencilla operación pone en funcionamiento toda una maquinaria extractiva que se aprovecha de la infraestructura urbana, de los bienes y recursos de los trabajadores e incluso de los datos personales de los usuarios, para poner en contacto a un conductor marginado del mercado laboral formal y a un viajero deseoso de escapar de las penurias del transporte público. Esta plataformización del trabajo revela una nueva lógica empresarial, en la que se enhebran la innovación informática y el abuso patronal, la reinvención de los servicios urbanos y el canto de las sirenas del autoempleo. ¡Bienvenidos todos al cappitalismo!

Con las sutiles herramientas de la antropología contemporánea, tanto de gabinete como de campo, Natalia Radetich se lanzó a la jungla de concreto para conocer desde dentro la mecánica por la que Uber, quizá la más emblemática de las aplicaciones para el transporte de pasajeros, crea sus mensajes para convencer —y mantener enganchados— a conductores y usuarios, y para, con total descaro, eludir su responsabilidad fiscal y patronal. Escrito con rigor y sagacidad, ricamente documentado y nutrido de observaciones en el terreno, este libro desmenuza los elementos de un novedoso fenómeno que está ocurriendo delante de nosotros, lo mismo en la movilidad, el reparto de alimentos o la mensajería: la uberización del trabajo. En ese escenario despiadado ha surgido, sin embargo, un ánimo solidario entre quienes sufren la precarización laboral.

Este libro resultará clave para entender la actual etapa del capitalismo y los mecanismos de la apropiación empresarial.

Crying in H Mart is an exquisite story of family, food, grief, and endurance. Michelle Zauner, known as the indie rock sensation Japanese Breakfast, proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up as one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother’s particular, high expectations of her; and of a painful adolescence.

Zauner shares treasured months spent in her grandmother’s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band—and meeting the man who would become her husband—her Koreanness began to feel ever more distant, even as she found the life she wanted to live.

It was her mother’s diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her. Vivacious and plainspoken, lyrical and honest, Zauner’s voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, Crying in H Mart is a book to cherish, share, and reread.

Fresh Water for Flowers is a delightful, atmospheric, absorbing fairy tale full of poetry, generosity, and warmth. Violette Toussaint is the caretaker at a cemetery in a small town in Bourgogne. Random visitors, regulars, and, most notably, her colleagues—three gravediggers, three groundskeepers, and a priest—visit her as often as possible to warm themselves in her lodge, where laughter, companionship, and occasional tears mix with the coffee that she offers them. Her daily life is lived to the rhythms of their hilarious and touching confidences.

Violette’s routine is disrupted one day by the arrival of a man—Julien Sole, local police chief—who insists on depositing the ashes of his recently departed mother on the gravesite of a complete stranger. It soon becomes clear that the grave Julien is looking for belongs to his mother’s one-time lover, and that his mother’s story of clandestine love is intertwined with Violette’s own secret past.

With Fresh Water for Flowers, Valérie Perrin has given readers a funny, moving, intimately told story of a woman who believes obstinately in happiness. Perrin has the rare talent of illuminating what is exceptional and poetic in what seems ordinary.

Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined.

Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her center.

This stirring love story is a profoundly insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control. An American Marriage is a masterpiece of storytelling, an intimate look deep into the souls of people who must reckon with the past while moving forward—with hope and pain—into the future.

It is 1866, and young Walter Moody has come to make his fortune upon the New Zealand goldfields. On the stormy night of his arrival, he stumbles across a tense gathering of twelve local men who have met in secret to discuss a series of unexplained events: A wealthy man has vanished, a prostitute has tried to end her life, and an enormous fortune has been discovered in the home of a luckless drunk.

Moody is soon drawn into the mystery: a network of fates and fortunes that is as complex and exquisitely ornate as the night sky. The Luminaries is a brilliantly constructed, fiendishly clever ghost story and a gripping page-turner, richly evoking a mid-nineteenth-century world of shipping, banking, and gold rush boom and bust.

The summer that Nixon resigns, six teenagers at a summer camp for the arts become inseparable. Decades later the bond remains powerful, but so much else has changed.

In The Interestings, Wolitzer follows these characters from the height of youth through middle age, as their talents, fortunes, and degrees of satisfaction diverge. The kind of creativity that is rewarded at age fifteen is not always enough to propel someone through life at age thirty; not everyone can sustain, in adulthood, what seemed so special in adolescence. Jules Jacobson, an aspiring comic actress, eventually resigns herself to a more practical occupation and lifestyle. Her friend Jonah, a gifted musician, stops playing the guitar and becomes an engineer. But Ethan and Ash, Jules’s now-married best friends, become shockingly successful—true to their initial artistic dreams, with the wealth and access that allow those dreams to keep expanding.

The friendships endure and even prosper, but also underscore the differences in their fates, in what their talents have become and the shapes their lives have taken. Wide in scope, ambitious, and populated by complex characters who come together and apart in a changing New York City, The Interestings explores the meaning of talent; the nature of envy; the roles of class, art, money, and power; and how all of it can shift and tilt precipitously over the course of a friendship and a life.

Entre la narrativa detectivesca, la novela «de carretera», el relato biográfico y la crónica, Los detectives salvajes está considerada por la crítica y el público de todo el mundo como una de las mejores y más originales ficciones escritas en las últimas décadas.

Dos jóvenes poetas latinoamericanos, Arturo Belano y Ulises Lima, emprenden una aventura que transcurrirá durante varias décadas y cruzará distintos países. Símbolo de la rebeldía y la necesidad de ruptura con la realidad establecida, sus vidas representan los anhelos de toda una generación. La búsqueda en 1975 de la misteriosa escritora mexicana Cesárea Tinajero, desaparecida y olvidada en los años posteriores a la revolución, sirve de inicio a un viaje sin descanso marcado por el amor, la muerte, el deseo de libertad, el humor y la literatura.

En esta novela está esbozado, como si de un juego de cajas chinas se tratara, todo el deslumbrante universo literario y personal de Roberto Bolaño.

In 2025, with the world descending into madness and anarchy, one woman begins a fateful journey toward a better future.

Lauren Olamina and her family live in one of the only safe neighborhoods remaining on the outskirts of Los Angeles. Behind the walls of their defended enclave, Lauren’s father, a preacher, and a handful of other citizens try to salvage what remains of a culture that has been destroyed by drugs, disease, war, and chronic water shortages. While her father tries to lead people on the righteous path, Lauren struggles with hyperempathy, a condition that makes her extraordinarily sensitive to the pain of others.

When fire destroys their compound, Lauren’s family is killed and she is forced out into a world that is fraught with danger. With a handful of other refugees, Lauren must make her way north to safety, along the way conceiving a revolutionary idea that may mean salvation for all mankind.

En 1963, cuatro años antes de la publicación de Cien años de soledad, apareció en México una novela singular, historia de amor sombría, misteriosa, que cambió el tono de la narrativa mexicana de tan profunda y sorprendente manera como Pedro Páramo de Juan Rulfo: Los recuerdos del porvenir.

La asombrosa novela de Elena Garro es gótica y barroca. Más que una crónica -que sí lo es, de la Revolución Mexicana y de la guerra de los Cristeros- es una nostalgia y una soledad, es la voz de un pueblo iluminado, hallado y perdido, que habla en una primera persona desesperanzada y triste.

Una familia y otra familia, más las amantes solitarias, el loco del pueblo, las cuscas, los soldados, las beatas, un cura y un sacristán, más un campanario y una joven endemoniada de amor por el general Francisco Rosas, constituyen los solistas, las parejas y las comparsas de esta bella, ebria y condenada Danza de la Muerte.