One of the incidents that made a profound impression upon the minds of all: the meeting of eleven wagons returning and not a man left in the entire train; all had died, and been buried on the way, and the women returning alone.
From the journals of Ezra Meeker, 1852
Their lives would be tempered by adversity, expanded by faith, polished by perseverance.
For Madison "Mazy" Bacon, a young wife living in southern Wisconsin, the future appears every bit as promising as it is reassuringly predictable. A loving marriage, a well-organized home, the pleasure of planting an early spring garden—these are the carefully-tended dreams that sustain her heart and nourish her soul.
But when her husband of two years sells the homestead and informs her that they are heading west, Mazy's life is ripped down the middle like a poorly mended sheet forgotten in a midwestern storm. Her love is tried, her boundaries stretched, and the fabric of her faith tested.
At the same time, she and eleven extraordinary women are pulled toward an uncertain destiny—one that binds them together through reluctance and longing and into acceptance and renewal. Based on an actual 1852 Oregon Trail incident, All Together in One Place, Book One in the Kinship and Courage series, speaks to the strength in every woman and celebrates the promise of hope that unfailingly blooms amidst tragedy and challenge.
Plum Bun, written at the height of the Harlem Renaissance, is a captivating story by one of the movement's most important and prolific authors, Jessie Redmon Fauset.
The novel tells the story of Angela Murray, a young black girl who discovers she can pass for white. After the death of her parents, Angela moves to New York to escape the racism she believes is her only obstacle to opportunity.
What she soon discovers is that being a woman has its own burdens that don't fade with the color of one's skin, and that love and marriage might not offer her salvation.
Full of moments that underline the joy of everyday Black life, Plum Bun is a pertinent meditation on art, identity, and what it means to find community—as relevant today as ever before.
A meditation on the erotic life of women, an exploration of class prejudices, and most of all a portrayal of the thoughts and actions of an unforgettable young woman, Fortune's Rocks is a profound and moving story about unwise love and the choices that transform a life. On a beach in New Hampshire at the turn of the last century, a young woman is drawn into a rocky, disastrous passage to adulthood. Olympia Biddeford is the only child of a prominent Boston couple--a precocious and well-educated daughter, alive with ideas and flush with the first stirrings of maturity. Her summer at the family's vacation home in Fortune's Rocks is transformed by the arrival of a doctor, a friend of her father's, whose new book about mill-town laborers has caused a sensation. Olympia is captivated by his thinking, his stature, and his drive to do right--even as she is overwhelmed for the first time by irresistible sexual desire. She and the doctor--a married man, a father, and nearly three times her age--come together in an unthinkable, torturous, hopelessly passionate affair. Throwing aside propriety and self-preservation, Olympia plunges forward with cataclysmic results that are the price of straying in an unforgiving era. Olympia is cast out of the world she knows, and Fortune's Rocks is the story of her determination to reinvent her broken life--and claim the one thing she finds she cannot live without.
Helen Ross is a 29-year-old biologist, sent into a hostile place to protect the wolves from those who seek to destroy them. She struggles for survival and for self-esteem, embarking on a love affair with the 18-year-old son of her most powerful opponent, the brutal and charismatic rancher, Buck Calder.
A pack of wolves makes a sudden savage return to the Rocky Mountain ranching town of Hope, Montana, where a century earlier they were slaughtered by the thousands. Biologist Helen Ross has come to Hope from the East, fleeing a life in shambles, determined to save the wolves from those who seek to destroy them. But an ancient hatred awaits her in Hope, a hatred that will tear a family and ultimately the community apart.
And soon Helen is at the center of the storm, by loving the wrong man, by defying the wrong man... by daring to lead a town out of the violent darkness of its past.
A moving, exciting, and heartfelt American saga inspired by the author's own family memoirs, "These Is My Words" belongs to Sarah Prine, a woman of spirit and fire who forges a full and remarkable existence in a harsh, unfamiliar frontier. Scrupulously recording her steps down the path Providence has set her upon--from child to determined young adult to loving mother--she shares the turbulent events, both joyous and tragic, that molded her and recalls the enduring love with cavalry officer Captain Jack Elliot that gave her strength and purpose.
Rich in authentic everyday details and alive with truly unforgettable characters, "These Is My Words" brilliantly brings a vanished world to breathtaking life again.
In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel. A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of Mrs Dalloway. And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party she is hosting for a dying friend.
The Hours recasts the classic story of Woolf's Mrs Dalloway in a startling new light. Moving effortlessly across the decades and between England and America, this exquisite novel intertwines the worlds of three unforgettable women.
Bigamy, child abandonment, deception, theft, murder, and insanity all take part in Mary Elizabeth Braddon's novel. Her over-the-top drama was one of the most popular novels of the mid-1800s and provides an interesting portrayal of both class and gender issues as they intersect within the domestic sphere.
Lady Audley's Secret was one of the first and most successful sensation novels of the late 19th century. A young gentleman of leisure, Robert Audley, is spurred into action when his friend George Talboys goes missing from Audley Court. As an amateur detective, Robert travels the length and breadth of the country, only to discover that the answer to the mystery lies in the true identity of his uncle's wife, Lady Audley. True to its genre, the novel brings danger home to the private sphere of the country house and questions the unassailable boundaries of class. It is also a strident feminine criticism of the times, though debate still rages as to whether Braddon tidies her questions away too neatly at the end of the novel.
When beautiful young Lucy Graham accepts the hand of Sir Michael Audley, her fortune and her future look secure. But Lady Audley's past is shrouded in mystery, and Sir Michael's nephew Robert has vague forebodings. When Robert's good friend George Talboys suddenly disappears, he is determined to find him, and to unearth the truth. His quest reveals a tangled story of lies and deception, crime and intrigue, whose sensational twists turn the conventional picture of Victorian womanhood on its head. Can Robert's darkest suspicions really be true?
Talk about unlucky sevens. An hour ago, seventeen-year-old, seven months pregnant Novalee Nation was heading for California with her boyfriend. Now she finds herself stranded at a Wal-Mart in Sequoyah, Oklahoma, with just $7.77 in change.
But Novalee is about to discover hidden treasures in this small Southwest town--a group of down-to-earth, deeply caring people willing to help a homeless, jobless girl living secretly in a Wal-Mart. From Bible-thumping blue-haired Sister Thelma Husband to eccentric librarian Forney Hull who loves Novalee more than she loves herself, they are about to take her--and you, too--on a moving, funny, and unforgettable journey to... Where the Heart Is.
One Thousand White Women is the story of May Dodd and a colorful assembly of pioneer women who, under the auspices of the U.S. government, travel to the western prairies in 1875 to intermarry among the Cheyenne Indians. The covert and controversial Brides for Indians program, launched by the administration of Ulysses S. Grant, is intended to help assimilate the Indians into the white man's world. Toward that end May and her friends embark upon the adventure of their lifetime.
Jim Fergus has so vividly depicted the American West that it is as if these diaries are a capsule in time.
For eighteen years, Fran Benedetto kept her secret and hid her bruises. She stayed with Bobby because she wanted her son to have a father, and because, in spite of everything, she loved him. Then one night, when she saw the look on her ten-year-old son's face, Fran finally made a choice—and ran for both their lives.
Now she is starting over in a city far from home, far from Bobby. In this place, she uses a name that isn't hers, cradles her son in her arms, and tries to forget. For the woman who now calls herself Beth, every day is a chance to heal, to put together the pieces of her shattered self. And every day she waits for Bobby to catch up to her. Because Bobby always said he would never let her go. Despite the flawlessness of her escape, Fran Benedetto is certain of one thing: It is only a matter of time...
Cat's Eye is the story of Elaine Risley, a controversial painter who returns to Toronto, the city of her youth, for a retrospective of her art. Engulfed by vivid images of the past, she reminisces about a trio of girls who initiated her into the fierce politics of childhood and its secret world of friendship, longing, and betrayal. Elaine must come to terms with her own identity as a daughter, a lover, an artist, and a woman—but above all she must seek release from her haunting memories.
Disturbing, humorous, and compassionate, Cat's Eye is a breathtaking novel of a woman grappling with the tangled knots of her life.
This revolutionary play by lauded playwright and poet Ntozake Shange is a fearless portrayal of the experiences of women of color. Since its inception in California in 1974, and its highly acclaimed success at Joseph Papp's Public Theater and on Broadway, it has excited, inspired, and transformed audiences nationwide.
Passionate and fearless, Shange's words reveal what it is to be of color and female in the twentieth century. This groundbreaking dramatic prose poem is written in vivid and powerful language that resonates with unusual beauty and delivers a fierce message to the world.
Paula Spencer is a thirty-nine-year-old working-class woman struggling to reclaim her dignity after a marriage to an abusive husband and a worsening drinking problem. Paula recalls her contented childhood, the audacity she learned as a teenager, the exhilaration of her romance with Charlo, and the marriage to him that left her feeling powerless.
Capturing both her vulnerability and her strength, Roddy Doyle gives Paula a voice that is real and unforgettable. This novel is a poignant exploration of a woman's struggle to regain control over her life, marked by moments of humor and deep insight into the human condition.
City of Darkness, City of Light is a compelling historical novel by Marge Piercy that brings to life the tumultuous and bloody era of the French Revolution through the eyes of three remarkable women.
Claire Lacombe, a defiantly independent woman, tests her theory that if men can make things happen, perhaps women can too. Manon Philipon discovers her political talents, albeit as the ghostwriter of her husband's speeches, while Pauline Léon is determined that women must apply pressure or their male colleagues will let them starve.
While illuminating the lives of famous figures like Robespierre, Danton, and Condorcet, Piercy also opens a window into the minds and hearts of women who are prepared to live their ideals and die for them. Through vivid storytelling, Piercy reveals how the contributions of these courageous women, though lesser-known, were no less important in shaping the course of the revolution.
City of Darkness, City of Light is a riveting portrayal of an extraordinary era and the women who helped shape an important chapter in history.
At an astonishingly young age, Edwidge Danticat has become one of our most celebrated new writers. She is an artist who evokes the wonder, terror, and heartache of her native Haiti—and the enduring strength of Haiti's women—with a vibrant imagery and narrative grace that bear witness to her people's suffering and courage.
When Haitians tell a story, they say "Krik?" and the eager listeners answer "Krak!" In Krik? Krak!, Danticat establishes herself as the latest heir to that narrative tradition with nine stories that encompass both the cruelties and the high ideals of Haitian life.
They tell of women who continue loving behind prison walls and in the face of unfathomable loss; of a people who resist the brutality of their rulers through the powers of imagination. The result is a collection that outrages, saddens, and transports the reader with its sheer beauty.
Paula es el libro más conmovedor, más personal y más íntimo de Isabel Allende. Junto al lecho en que agonizaba su hija Paula, la gran narradora chilena escribió la historia de su familia y de sí misma con el propósito de regalársela a Paula cuando ésta superara el dramático trance. El resultado se convirtió en un autorretrato de insólita emotividad y en una exquisita recreación de la sensibilidad de las mujeres de nuestra época.
Schoolgirls: Young Women, Self Esteem, and the Confidence Gap is a groundbreaking book by Peggy Orenstein that explores the decline in confidence among young girls as they reach adolescence.
Inspired by an American Association of University Women survey, Orenstein investigates the obstacles girls face in school, at home, and within our culture. Through months of observation and interviews with eighth-graders from diverse communities, she uncovers the causes behind traditional patterns of self-censorship and self-doubt.
Orenstein brings to life the struggles of real young women dealing with eating disorders, sexual harassment, and declining academic achievement. She skillfully highlights the adolescent roots of issues that remain significant throughout the lives of American women.
This book challenges us to rethink how we raise and educate girls, making it a must-read for anyone interested in empowerment and social change.
Acclaimed by critics, beloved by readers of all ages, taught everywhere from inner-city grade schools to universities across the country, and translated all over the world, The House on Mango Street is the remarkable story of Esperanza Cordero. Told in a series of vignettes – sometimes heartbreaking, sometimes deeply joyous–it is the story of a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Few other books in our time have touched so many readers.
"In English my name means hope," she says. "In Spanish it means too many letters. It means sadness, it means waiting." This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct.
In 1967, after a session with a psychiatrist she'd never seen before, eighteen-year-old Susanna Kaysen was put in a taxi and sent to McLean Hospital. She spent most of the next two years on the ward for teenage girls in a psychiatric hospital as renowned for its famous clientele--Sylvia Plath, Robert Lowell, James Taylor, and Ray Charles--as for its progressive methods of treating those who could afford its sanctuary. Kaysen's memoir encompasses horror and razor-edged perception while providing vivid portraits of her fellow patients and their keepers. It is a brilliant evocation of a "parallel universe" set within the kaleidoscopically shifting landscape of the late sixties. Girl, Interrupted is a clear-sighted, unflinching document that gives lasting and specific dimension to our definitions of sane and insane, mental illness and recovery.
Sent by her family to work in a silk factory just prior to World War II, young Pei grows to womanhood, working fifteen-hour days and sending her pay to the family who abandoned her.
In "Women of the Silk", Gail Tsukiyama takes her readers back to rural China in 1926, where a group of women forge a sisterhood amidst the reeling machines that reverberate and clamor in a vast silk factory from dawn to dusk. Leading the first strike the village has ever seen, the young women use the strength of their ambition, dreams, and friendship to achieve the freedom they could never have hoped for on their own.
Tsukiyama's graceful prose weaves the details of "the silk work" and Chinese village life into a story of courage and strength.
The Stone Diaries is one ordinary woman's story of her journey through life. Born in 1905, Daisy Stone Goodwill drifts through the roles of child, wife, widow, and mother, and finally into her old age. Bewildered by her inability to understand her place in her own life, Daisy attempts to find a way to tell her story within a novel that is itself about the limitations of autobiography. Her life is vivid with incident, and yet she feels a sense of powerlessness. She listens, she observes, and through sheer force of imagination she becomes a witness of her own life: her birth, her death, and the troubling missed connections she discovers between.
Daisy's struggle to find a place for herself in her own life is a paradigm of the unsettled decades of our era. A witty and compassionate anatomist of the human heart, Carol Shields has made distinctively her own that place where the domestic collides with the elemental. With irony and humor she weaves the strands of The Stone Diaries together in this, her richest and most poignant novel to date.
The Diviners is the culmination and completion of Margaret Laurence's Manawaka cycle. This is the powerful story of an independent woman who refuses to abandon her search for love.
For Morag Gunn, growing up in a small Canadian prairie town is a toughening process – putting distance between herself and a world that wanted no part of her. But in time, the aloneness that had once been forced upon her becomes a precious right – relinquished only in her overwhelming need for love.
Again and again, Morag is forced to test her strength against the world – and finally achieves the life she had determined would be hers.
The Diviners has been acclaimed by many critics as the outstanding achievement of Margaret Laurence’s writing career. In Morag Gunn, Laurence has created a figure whose experience emerges as that of all dispossessed people in search of their birthright, and one who survives as an inspirational symbol of courage and endurance.
When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness, and death that centres on the lives of the women and children of a hillside favela. Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, Nancy Scheper-Hughes follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage.
It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing – and controversial – is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live.
Born into one of Pakistan's most influential families, Tehmina Durrani was raised in the privileged milieu of Lahore high society. Like all women of her rank, she was expected to marry a prosperous Muslim from a respectable family, bear him many children, and lead a sheltered life of leisure.
Her marriage to Mustafa Khar, one of Pakistan's most eminent political figures, soon turned into a nightmare. Violently possessive and pathologically jealous, Mustafa Khar succeeded in cutting her off from the outside world. For fourteen years, Tehmina suffered alone, in silence.
When she decided to rebel, the price she paid was extremely high: as a Muslim woman seeking a divorce, she signed away all financial support, lost the custody of her four children, and found herself alienated from her friends and disowned by her parents.
When this book was first published, it shook Pakistani society to its foundations. Here at last was someone who had succeeded in reconciling her faith in Islam with her ardent belief in women's rights. Tehmina Durrani's story provides extraordinary insights into the vulnerable position of women caught in the complex web of Muslim society.
Meet New York Times bestselling author Isabel Allende’s most enchanting creation, Eva Luna: a lover, a writer, a revolutionary, and above all a storyteller—available for the first time in ebook.
Eva Luna is the daughter of a professor’s assistant and a snake-bitten gardener—born poor, orphaned at an early age, and working as a servant. Eva is a naturally gifted and imaginative storyteller who meets people from all stations and walks of life. Though she has no wealth, she trades her stories like currency with people who are kind to her. In this novel, she shares the story of her own life and introduces readers to a diverse and eccentric cast of characters including the Lebanese émigré who befriends her and takes her in; her unfortunate godmother, whose brain is addled by rum and who believes in all the Catholic saints and a few of her own invention; a street urchin who grows into a petty criminal and, later, a leader in the guerrilla struggle; a celebrated transsexual entertainer who instructs her in the ways of the adult world; and a young refugee whose flight from postwar Europe will prove crucial to Eva's fate.
As Eva tells her story, Isabel Allende conjures up a whole complex South American nation—the rich, the poor, the simple, and the sophisticated—in a novel replete with character and incident, with drama and comedy and history, with battles and passions, rebellions and reunions, a novel that celebrates the power of imagination to create a better world.
An unforgettable story of courage and romance. Will Valancy Stirling ever escape her strict family and find true love?
Valancy Stirling is 29, unmarried, and has never been in love. Living with her overbearing mother and meddlesome aunt, she finds her only consolation in the "forbidden" books of John Foster and her daydreams of the Blue Castle--a place where all her dreams come true and she can be who she truly wants to be. After getting shocking news from the doctor, she rebels against her family and discovers a surprising new world, full of love and adventures far beyond her most secret dreams.
Selma a sept ans quand elle voit s'écrouler son empire. Condamnée à l'exil, la famille impériale s'installe au Liban. Selma, qui a perdu à la fois son pays et son père, y sera "la princesse aux bas reprisés".
C'est à Beyrouth qu'elle grandira et rencontrera son premier amour, un jeune chef druze ; amour tôt brisé. Selma acceptera alors d'épouser un raja indien qu'elle n'a jamais vu. Aux Indes, elle vivra les fastes des maharajas, les derniers jours de l'Empire britannique et la lutte pour l'indépendance.
Mais là, comme au Liban, elle reste "l'étrangère" et elle finira par s'enfuir à Paris où elle trouvera enfin le véritable amour. La guerre l'en séparera et elle mourra dans la misère, à vingt-neuf ans, après avoir donné naissance à une fille : l'auteur de ce récit.
Fried Green Tomatoes at the Whistle Stop Cafe is the story of two women in the 1980s: gray-headed Mrs. Threadgoode telling her life story to Evelyn, who is in the sad slump of middle age. The tale she tells is also of two women—of the irrepressibly daredevilish tomboy Idgie and her friend Ruth, who back in the thirties ran a little place in Whistle Stop, Alabama.
This Southern kind of Cafe Wobegon offered good barbecue and good coffee and all kinds of love and laughter, even an occasional murder. As the story unfolds, readers are transported to a time and place where the past's warmth colors the present.
Mary Ingles was twenty-three, happily married, and pregnant with her third child when Shawnee Indians invaded her peaceful Virginia settlement in 1755 and kidnapped her, leaving behind a bloody massacre. For months they held her captive. But nothing could imprison her spirit.
With the rushing Ohio River as her guide, Mary Ingles walked one thousand miles through an untamed wilderness no white woman had ever seen. Her story lives on—extraordinary testimony to the indomitable strength of one pioneer woman who risked her life to return to her own people.
Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now . . .
Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.
...And Ladies of the Club is a captivating novel that explores the lives of the members of a book club. Set against the backdrop of a tumultuous world, it delves into their personal struggles and relationships.
This groundbreaking bestseller, with over two and a half million copies in print, continues to enchant, enthrall, and intrigue readers. It's a true classic that offers a deep understanding of the characters and their journey through life.
New adventures lie ahead as Anne Shirley packs her bags, waves good-bye to childhood, and heads for Redmond College. With her old friend Prissy Grant waiting in the bustling city of Kingsport and her frivolous new friend Philippa Gordon at her side, Anne tucks her memories of rural Avonlea away and discovers life on her own terms, filled with surprises . . . including a marriage proposal from the worst fellow imaginable, the sale of her very first story, and a tragedy that teaches her a painful lesson.
But tears turn to laughter when Anne and her friends move into an old cottage and an ornary black cat steals her heart. Little does Anne know that handsome Gilbert Blythe wants to win her heart, too. Suddenly Anne must decide whether she's ready for love.
This book is a confession, a document, and a record of people's memory. More than 200 women share their stories, describing how young girls, who dreamed of becoming brides, became soldiers in 1941. Over 500,000 Soviet women participated alongside men in the Second World War, the most terrible conflict of the 20th century.
Women not only rescued and bandaged the wounded but also fired sniper rifles, blew up bridges, went on reconnaissance missions, and killed... They killed the enemy who, with unprecedented cruelty, attacked their land, homes, and children.
Soviet writer of Belarus, Svetlana Alexievich, spent four years working on this book, visiting over 100 cities, towns, settlements, and villages to record the stories and reminiscences of women war veterans.
The most important aspect of the book is not merely the front-line episodes but the heart-rending experiences of women during the war. Through their testimony, the past makes an impassioned appeal to the present, denouncing yesterday's and today's fascism.
From one of our most important scholars and civil rights activist icons, this powerful study delves into the women’s liberation movement and the complex web of oppression facing Black women.
Angela Davis provides a comprehensive history of the social and political influence of whiteness and elitism in feminism, tracing back from abolitionist days to the present. She demonstrates how the racist and classist biases of its leaders have consistently hampered collective ambitions.
While Black women found support from activists like Sarah and Angelina Grimke, and unwavering backing from Frederick Douglass for the suffrage cause, many women leveraged the fears of white supremacists for political gain, rather than adopting an intersectional approach to liberation.
In this bold and indispensable work, Davis not only contextualizes the legacy and pitfalls of civil and women’s rights activists but also discusses the roles of Communist women, the tragic murder of Emmitt Till, and Margaret Sanger’s racism. She highlights how the inequalities between Black and white women continue to influence contemporary issues such as rape, reproductive freedom, housework, and child care.
One of Sidney Sheldon's most popular and bestselling titles, repackaged and reissued for a new generation of fans. Kate Blackwell is one of the richest and most powerful women in the world. She is an enigma, a woman surrounded by a thousand unanswered questions. Her father was a diamond prospector who struck it rich beyond his wildest dreams. Her mother was the daughter of a crooked Afrikaaner merchant. Her conception was itself an act of hate-filled vengeance.
At the extravagant celebrations of her ninetieth birthday, there are toasts from a Supreme Court Judge and a telegram from the White House. And for Kate there are ghosts, ghosts of absent friends and of enemies. Ghosts from a life of blackmail and murder. Ghosts from an empire spawned by naked ambition!
Sidney Sheldon is one of the most popular storytellers in the world. This is one of his best-loved novels, a compulsively readable thriller, packed with suspense, intrigue and passion. It will recruit a new generation of fans to his writing.
A young woman harnesses her newfound power to challenge the ruthless man who controls her, in this brilliant and provocative novel from the award-winning author of Parable of the Sower.
Mary is a treacherous experiment. Her creator, an immortal named Doro, has molded the human race for generations, seeking out those with unusual talents like telepathy and breeding them into a new subrace of humans who obey his every command. The result is a young black woman living on the rough outskirts of Los Angeles in the 1970s, who has no idea how much power she will soon wield. Doro knows he must handle Mary carefully or risk her ending like his previous dead, either by her own hand or Doro's. What he doesn't suspect is that Mary's maturing telepathic abilities may soon rival his own power. By linking telepaths with a viral pattern, she will create the potential to break free of his control once and for all-and shift the course of humanity.
Laura Ingalls Wilder embarks on a new chapter in her life with her husband, Almanzo, in their own little house. As a young pioneer wife, Laura works tirelessly alongside Almanzo, farming the land around their home on the South Dakota prairie.
Soon, their baby daughter, Rose, is born, and the young family faces the hardships and triumphs that so many American pioneers encountered. Laura's adventure as a little pioneer girl concludes, and a new journey as a pioneer wife and mother begins.
This book offers a unique glimpse into America's frontier past, providing a heartwarming and unforgettable story cherished by generations.
Considerada una obra maestra, esta novela supuso el reconocimiento de Simin Daneshvar como una autora indispensable de la moderna literatura persa. Reeditada en numerosas ocasiones, Suvashun fue una novela valiente, la primera escrita por una mujer iraní y narrada por su protagonista femenina. Ambientada en el Irán de la Segunda Guerra Mundial durante la ocupación de los Aliados, la historia está narrada por Zahra, una joven ama de casa que es testigo de los acontecimientos.
El amor que siente por su marido, sus tres hijos, su casa y su jardín, a los que considera su país, y la educación en el colegio de los misioneros ingleses han hecho de ella una mujer culta pero sumisa, tolerante ante las injusticias que ve a su alrededor, una actitud que choca frontalmente con la personalidad de su marido, Yusef, que se rebela frente a los invasores, como el mítico héroe persa Suvashun.
Dolls: red or black; capsules or tablets; washed down with vodka or swallowed straight—for Anne, Neely, and Jennifer, it doesn't matter, as long as the pill bottle is within easy reach. These three women become best friends when they are young and struggling in New York City and then climb to the top of the entertainment industry—only to find that there is no place left to go but down—into the Valley of the Dolls.
Jaded by the numbing politeness of Restoration London, Lady Dona St. Columb revolts against high society. She rides into the countryside, guided only by her restlessness and her longing to escape.
But when chance leads her to meet a French pirate, hidden within Cornwall's shadowy forests, Dona discovers that her passions and thirst for adventure have never been more aroused. Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.
Frenchman's Creek is the breathtaking story of a woman searching for love and adventure who embraces the dangerous life of a fugitive on the seas.
La casa de Bernarda Alba es la obra teatral más conocida de Federico Garcíaa Lorca. Escrita en 1936, no pudo ser estrenada ni publicada hasta 1945, en Buenos Aires y gracias a la iniciativa de Margarita Xirgu. La obra expone la historia de Bernarda Alba, quien tras haber enviudado por segunda vez a los 60 años, decide vivir los siguientes ocho años en el más riguroso luto.
Con Bernarda viven sus cinco hijas (Angustias, Magdalena, Amelia, Martirio y Adela), su madre y sus dos criadas. La obra, de gran belleza lírica y fuerza dramática, describe la España profunda de principios del siglo XX, caracterizada por una sociedad tradicional en la que el papel que la mujer jugaba era muy secundario. Lorca destaca por su capacidad de aunar la tradición y la vanguardia, presentando temas, personajes y géneros de la tradición teatral desde inusitadas perspectivas y filtrándolos por el tamiz de unas modernas técnicas expresivas.
En 1928 a Virginia Woolf le propusieron dar una serie de charlas sobre el tema de la mujer y la novela. Lejos de cualquier dogmatismo o presunción, planteó la cuestión desde un punto de vista realista, valiente y muy particular. Una pregunta: ¿qué necesitan las mujeres para escribir buenas novelas? Una sola respuesta: independencia económica y personal, es decir, Una habitación propia. Sólo hacía nueve años que se le había concedido el voto a la mujer y aún quedaba mucho camino por recorrer.
Son muchos los repliegues psicológicos y sociales implicados en este ensayo de tan inteligente exposición; fascinantes los matices históricos que hacen que el tema de la condición femenina y la enajenación de la mujer en la sociedad no haya perdido ni un ápice de actualidad.
Partiendo de un tratamiento directo y empleando un lenguaje afilado, irónico e incisivo, Virginia Woolf narra una parábola cautivadora para ilustrar sus opiniones. Un relato de lectura apasionante, la contribución de una exquisita narradora al siempre polémico asunto del feminismo desde una perspectiva inevitablemente literaria.
Louisa May Alcott's classic tale of four sisters.
Grown-up Meg, tomboyish Jo, timid Beth, and precocious Amy. The four March sisters couldn't be more different. But with their father away at war, and their mother working to support the family, they have to rely on one another. Whether they're putting on a play, forming a secret society, or celebrating Christmas, there's one thing they can't help wondering: Will Father return home safely?
It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.
'It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.' Thus memorably begins Jane Austen's Pride and Prejudice, one of the world's most popular novels.
Pride and Prejudice is an 1813 novel of manners written by Jane Austen. The novel follows the character development of Elizabeth Bennet, the dynamic protagonist of the book who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness.
Mr. Bennet, owner of the Longbourn estate in Hertfordshire, has five daughters, but his property is entailed and can only be passed to a male heir. His wife also lacks an inheritance, so his family faces becoming very poor upon his death. Thus, it is imperative that at least one of the girls marry well to support the others, which is a motivation that drives the plot.
Bidadari-Bidadari Surga bercerita tentang pengorbanan seorang kakak, Laisa, untuk adik-adiknya - Dalimunte, Ikanuri, Wibisana, dan Yashinta - di Lembah Lahambay agar adik-adiknya dapat melanjutkan pendidikan mereka. Meski ia harus bekerja di terik matahari setiap hari, mengolah gula aren setiap jam 4 pagi, serta di malam hari menganyam rotan, Laisa tetap berjuang.
Meski pada dasarnya keempat adik-adiknya tersebut berasal dari darah yang berbeda dengan dirinya, Laisa digambarkan sebagai kakak yang galak dan tegas, mengejar-ngejar adiknya yang bolos sekolah dengan rotan dan ranting kayu. Di sisi lain, kontradiktif dengan fisiknya yang gempal, gendut, berkulit hitam, wajah yang tidak proporsional, ditambah dengan rambut gimbal serta ukuran tubuhnya yang tidak normal, lebih pendek, Laisa sesungguhnya adalah tipe kakak yang mendukung adik-adiknya.
Laisa rela mengorbankan diri untuk keselamatan ‘dua anak nakal’ Ikanuri dan Wibisana dari siluman Gunung Kendeng, serta mati-matian mencari obat bagi kesembuhan adiknya Yashinta yang diserang demam panas hingga kejang pada suatu malam.