Cecilia is a surreal novella that delves deep into the intensity and eroticism of girlhood friendships, the ecstasy of desire and disgust, and matriarchal mythmaking. The story unfolds with Seven, who works as a cleaner at a chiropractor's office, reencountering Cecilia, a woman who has captivated her since their school days. As they coincidentally board the same bus, with each claiming not to be following the other, their chance meeting spurs a series of intensely vivid and corporeal memories.

In the midst of this defamiliarization, the narrator begins to see queerness itself as an alienation from normative time. Smart, subversive, and gripping, Cecilia takes readers on a winding, misty road trip through bodily transformation, inextricable histories of desire and violence, diaspora, and obsessive love.

My First Book, by debut author Honor Levy, presents a collection of stories that both delight and ensnare. Levy's prose navigates the delicate balance between imagination and confession, capturing the essence of our cultural moment and the experience of growing up in a post-internet world.

Laden with digital interfaces, Levy's characters confront the formative political, existential, and romantic experiences of a reality that is at once hyper-real, hyper-performative, and teetering on the edge of collapse. In a world where a sense of impending disaster looms, a fragile self strives to take shape.

The stories in My First Book are wildly inventive, ambitious, and often surreal, reflecting the world as it stands. Levy's writing shines a light on what it means to be adorable, special, heavily medicated, consistently panicked, and utterly sincere. Through the eyes of various protagonists, readers encounter musings on modern life, the infinite nature of love, and even God in a downtown video game arcade.

As the characters seek to find and maintain faith, Levy offers a key to understanding Generation Z from the inside. My First Book not only captures the experience of an entire generation but also heralds the arrival of an electrifying new talent.

Ours: A Novel by Phillip B. Williams is a beautifully-written and ambitious epic about the complexity of freedom, set in mid-nineteenth-century America. This ingenious, sweeping novel introduces us to an enigmatic woman named Saint, a fearsome conjuror who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there.

She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours. It is in this miraculous place that Saint’s grand experiment—a truly secluded community where her people may flourish—takes root. But although Saint does her best to protect the inhabitants of Ours, over time, her conjuring and memories begin to betray her, leaving the town vulnerable to intrusions by newcomers with powers of their own.

As the cracks in Saint’s creation are exposed, some begin to wonder whether the community’s safety might be yet another form of bondage. Set over the course of four decades and steeped in a rich tradition of American literature informed by Black surrealism, mythology, and spirituality, Ours is a stunning exploration of the possibilities and limitations of love and freedom by a writer of capacious vision and talent.

From the New York Times bestselling author of Jonathan Strange & Mr. Norrell, Susanna Clarke delivers an intoxicating, hypnotic new novel set in a dreamlike alternative reality with Piranesi.

Piranesi's house is no ordinary building; its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls, an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.

There is one other person in the house--a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

Janey lived in the locked room. Twice a day the Persian slave trader came in and taught her to be a whore. Otherwise, there was nothing. One day she found a pencil stub and scrap of paper in a forgotten corner of the room. She began to write down her life, starting with "Parents stink" (her father, who is also her boyfriend, has fallen in love with another woman and is about to leave her).

With Blood and Guts in High School, Kathy Acker, whose work has been labeled everything from post-punk porn to post-punk feminism, has created a brilliantly subversive narrative built from conversation, description, conjecture, and moments snatched from history and literature.

Boris Vian was a jack of all trades, although unfortunately his name was Boris and "Boris of all trades" never took off as a turn of phrase. Nevertheless, Vian was a great songwriter, playwright, singer, jazz critic, and, of course, novelist. Vian's 1947 novel Autumn in Peking (L'Automne à Pékin) is perhaps Vian's most slapstick work, with an added amount of despair in its exotic recipe for a violent cocktail drink.

The story takes place in the imaginary desert called Exopotamie where all the leading characters take part in the building of a train station with tracks that go nowhere. Houses and buildings are destroyed to build this unnecessary structure - and in Vian's world, waste not, make not.

In Alistair Rolls' pioneering study of Vian's novels, "The Flight of the Angels," he expresses that Exopotamie is a thinly disguised version of Paris, where after the war, the city started changing its previous centuries of architecture to something more modern. Yes, something dull to take the place of what was exciting and mysterious.

Vian, in a mixture of great humor and an unequal amount of disgust, introduces various 'eccentric' characters in this 'desert' adventure, such as Anne and Angel who are best friends; and Rochelle who is in love and sleeps with Anne, while Angel is madly in love with her. Besides the trio, there is also Doctor Mangemanche; the archeologist Athanagore Porphyroginite, his aide, Cuivre; and Pipo - all of them in a locality similar to Lewis Carroll's Alice in Wonderland, where there is a tinge of darkness and anything is possible, except for happiness.

Bestiario is a collection of eight captivating stories by Julio Cortázar, where the ordinary seamlessly transitions into the extraordinary. Each tale unveils a world where nightmares and revelations lurk just beneath the surface of everyday life.

These stories are crafted with precision and perfection, devoid of any youthful undertones or stumbling. As you delve into each narrative, you'll encounter a sense of surprise and unease, mingled with the indescribable pleasure of reading.

From the haunting "Casa Tomada" ("House Taken Over") to the enigmatic "Carta a una señorita en París" ("Letter to a Young Lady in Paris"), each story challenges your perception of reality and invites you to see the world through a different lens.

After experiencing these classics, your view of the world may never be the same. Enter a dimension where stories gaze back at you, waiting for something in return.

Blind Willow, Sleeping Woman is a captivating collection of twenty-four stories that generously showcases Haruki Murakami’s mastery of the short story form. From the surreal to the mundane, these stories exhibit his ability to transform the full range of human experience in ways that are instructive, surprising, and relentlessly entertaining.

Within these pages, you will encounter animated crows, a criminal monkey, and an iceman, as well as the dreams that shape us and the things we might wish for. Whether during a chance reunion in Italy, a romantic exile in Greece, a holiday in Hawaii, or in the grip of everyday life, Murakami’s characters confront grievous loss, sexuality, or the glow of a firefly, or the impossible distances between those who ought to be closest of all.

A surreal coming-of-age tale that establishes Ryu Murakami as one of the most inventive young writers in the world today. Abandoned at birth in adjacent train station lockers, two troubled boys spend their youth in an orphanage and with foster parents on a semi-deserted island before finally setting off for the city to find and destroy the women who first rejected them. Both are drawn to an area of freaks and hustlers called Toxitown. One becomes a bisexual rock singer, star of this exotic demimonde, while the other, a pole vaulter, seeks his revenge in the company of his girlfriend, Anemone, a model who has converted her condominium into a tropical swamp for her pet crocodile.

Together and apart, their journey from a hot metal box to a stunning, savage climax is a brutal funhouse ride through the eerie landscape of late-twentieth-century Japan.

His life was like a recurring nightmare: a train to nowhere. But an ordinary life has a way of taking an extraordinary turn. Add a girl whose ears are so exquisite that, when uncovered, they improve sex a thousand-fold, a runaway friend, a right-wing politico, an ovine-obsessed professor and a manic-depressive in a sheep outfit, implicate them in a hunt for a sheep, that may or may not be running the world, and the upshot is another singular masterpiece from Japan's finest novelist.

A New York Times bestselling author—and “a mythmaker for the millennium, a wiseacre wiseman” (New York Times Book Review)—delivers a surreal and elaborate quest that takes readers from Tokyo to the remote mountains of northern Japan, where the unnamed protagonist has a surprising confrontation with his demons. An advertising executive receives a postcard from a friend and casually appropriates the image for an advertisement. What he doesn’t realize is that included in the scene is a mutant sheep with a star on its back, and in using this photo he has unwittingly captured the attention of a man who offers a menacing ultimatum: find the sheep or face dire consequences.

Only Georges Bataille could write, of an eyeball removed from a corpse, that "the caress of the eye over the skin is so utterly, so extraordinarily gentle, and the sensation is so bizarre that it has something of a rooster's horrible crowing." Bataille has been called a "metaphysician of evil," specializing in blasphemy, profanation, and horror.

Story of the Eye, written in 1928, is his best-known work; it is unashamedly surrealistic, both disgusting and fascinating, and packed with seemingly endless violations. It's something of an underground classic, rediscovered by each new generation. Most recently, the Icelandic pop singer Björk Guðdmundsdóttir cites Story of the Eye as a major inspiration: she made a music video that alludes to Bataille's erotic uses of eggs, and she plans to read an excerpt for an album.

Warning: Story of the Eye is graphically sexual, and is only suited for adults who are not easily offended.

In this bitterly funny novel by the renowned Polish author Witold Gombrowicz, a writer finds himself tossed into a chaotic world of schoolboys by a diabolical professor who wishes to reduce him to childishness.

Originally published in Poland in 1937, Ferdydurke became an instant literary sensation and catapulted the young author to fame. Deemed scandalous and subversive by Nazis, Stalinists, and the Polish Communist regime in turn, the novel (as well as all of Gombrowicz's other works) was officially banned in Poland for decades.

It has nonetheless remained one of the most influential works of twentieth-century European literature. Ferdydurke is translated here directly from the Polish for the first time. Danuta Borchardt deftly captures Gombrowicz's playful and idiosyncratic style, and she allows English speakers to experience fully the masterpiece of a writer whom Milan Kundera describes as "one of the great novelists of our century."

The Street of Crocodiles in the Polish city of Drogobych is a street of memories and dreams where recollections of Bruno Schulz's uncommon boyhood and of the eerie side of his merchant family's life are evoked in a startling blend of the real and the fantastic.

Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one.

Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass.

Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted and influential writers.

Japan's most highly regarded novelist, Haruki Murakami, vaults into the first ranks of international fiction writers with this heroically imaginative novel. The Wind-Up Bird Chronicle is a detective story, an account of a disintegrating marriage, and an excavation of the buried secrets of World War II.

In a Tokyo suburb, a young man named Toru Okada searches for his wife's missing cat. Soon he finds himself looking for his wife as well in a netherworld that lies beneath the placid surface of Tokyo. As these searches intersect, Okada encounters a bizarre group of allies and antagonists: a psychic prostitute; a malevolent yet mediagenic politician; a cheerfully morbid sixteen-year-old-girl; and an aging war veteran who has been permanently changed by the hideous things he witnessed during Japan's forgotten campaign in Manchuria.

Gripping, prophetic, and suffused with comedy and menace, The Wind-Up Bird Chronicle is a tour de force equal in scope to the masterpieces of Mishima and Pynchon. It includes three books in one volume: The Thieving Magpie, Bird as Prophet, and The Birdcatcher. This translation by Jay Rubin is in collaboration with the author.

The Elephant Vanishes is a collection that showcases the imaginative genius of Haruki Murakami, an international literary icon. These stories blend the mundane with the extraordinary, creating a world where the surreal becomes the new normal.

A man witnesses the inexplicable disappearance of his favorite elephant, newlyweds find themselves driven by insatiable hunger to rob a McDonald's, and a young woman becomes the object of affection for a peculiar green monster. Each story takes the reader on a journey across the boundaries of reality, returning with remarkable treasures.

By turns haunting and hilarious, this collection includes the story Barn Burning, which inspired the major motion picture Burning.

Invitation to a Beheading embodies a vision of a bizarre and irrational world, akin to Kafka's The Castle. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude", an imaginary crime that defies definition. Cincinnatus spends his last days in an absurd jail, visited by chimerical jailers, an executioner who masquerades as a fellow prisoner, and his in-laws, who lug their furniture with them into his cell.

As Cincinnatus is led out to be executed, he simply wills his executioners out of existence. They disappear, along with the whole world they inhabit, leaving a narrative that is both unsettling and utterly captivating.