Un crimen real que conmovió a una sociedad entera. Un alegato contra el feminicidio, por una de las autoras más importantes en español.

El cuerpo de una niña es encontrado flotando en el agua en lo que parece un ritual. En el fondo de este episodio se encuentra el mundo superficial de unos jóvenes ricos y exitosos que mantienen desde la infancia una hermandad maligna y que contrasta con el de la víctima, pobre, sobreviviente de la violencia de su lugar de origen.

Los divinos es la recreación hecha desde la ficción de un crimen real pero, sobre todo, es la novela más importante de una de las mejores escritoras de Latinoamérica.

Una historia basada en uno de los crímenes más impactantes cometidos en Colombia en los últimos años.

From the award-winning author of We Should All Be Feminists and Half of a Yellow Sun, the story of two Nigerians making their way in the U.S. and the UK, raising universal questions of race, belonging, the overseas experience for the African diaspora, and the search for identity and a home.

Ifemelu and Obinze are young and in love when they depart military-ruled Nigeria for the West. Beautiful, self-assured Ifemelu heads for America, where despite her academic success, she is forced to grapple with what it means to be black for the first time. 

Quiet, thoughtful Obinze had hoped to join her, but with post-9/11 America closed to him, he instead plunges into a dangerous, undocumented life in London. Fifteen years later, they reunite in a newly democratic Nigeria, and reignite their passion--for each other and for their homeland.

When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness, and death that centres on the lives of the women and children of a hillside favela. Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, Nancy Scheper-Hughes follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage.

It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing – and controversial – is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live.

'It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.' Thus memorably begins Jane Austen's Pride and Prejudice, one of the world's most popular novels.

Pride and Prejudice is an 1813 novel of manners written by Jane Austen. The novel follows the character development of Elizabeth Bennet, the dynamic protagonist of the book who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness.

Mr. Bennet, owner of the Longbourn estate in Hertfordshire, has five daughters, but his property is entailed and can only be passed to a male heir. His wife also lacks an inheritance, so his family faces becoming very poor upon his death. Thus, it is imperative that at least one of the girls marry well to support the others, which is a motivation that drives the plot.