Sam Hill always saw the world through different eyes. Born with red pupils, he was often called “Devil Boy” by his classmates; “God’s will” is what his mother called his ocular albinism. Her words were of little comfort, but Sam persevered, buoyed by his mother's devout faith, his father's practical wisdom, and his two other misfit friends.

Sam believed it was God who sent Ernie Cantwell, the only African American kid in his class, to be the friend he so desperately needed. And that it was God's idea for Mickie Kennedy to storm into Our Lady of Mercy like a tornado, uprooting every rule Sam had been taught about boys and girls.

Forty years later, Sam, a small-town eye doctor, is no longer certain anything was by design—especially not the tragedy that caused him to turn his back on his friends, his hometown, and the life he’d always known. Running from the pain, eyes closed, served little purpose. Now, as he looks back on his life, Sam embarks on a journey that will take him halfway around the world. This time, his eyes are wide open—bringing into clear view what changed him, defined him, and made him so afraid, until he can finally see what truly matters.

Spoon River Anthology by Edgar Lee Masters was an immediate commercial success when it was published in 1915. Unconventional in both style and content, it shattered the myths of small town American life. This collection of epitaphs of residents of a small town requires the reader to piece together narratives from fragments contained in individual poems.

In these pages, no less than 214 individual voices are heard — each voice distinct, yet universal in its resonance. The voices of Spoon River, although distinctively small-town Americans, evoke themes of love and hope, disappointment and despair that are universal in their resonance.