Kick the Latch is a piercing narrative about one woman's remarkable life at the racetrack. With its unyielding brevity and enigmatic complexities, the novel captures the essence of a life spent in the world of horse racing—the flat expanse, the improvised structures of the backstretch, the undercurrent of discord and tension, the euphoria of the winner's circle, and the convivial atmosphere of the racetrack bar.

Kathryn Scanlan's Kick the Latch vividly portrays the life of Sonia, a horse trainer, through the lens of her particular environment and the distinctive vernacular of those who inhabit it—grooms, jockeys, trainers, and others intimately involved in the sport. The book is a testament to Scanlan's skill in crafting a composite portrait that resonates with authenticity and a profound sense of character.

Carved with a unique artistic vision, the story launches out of the gates with intensity, inviting readers on an exhilarating journey through the inner circle of the racetrack.

Humanity is on the verge of discovering immortality, which means the avatar of Death is out of a job… or is she? As humanity nears the brink of this monumental discovery, the avatar of Death is cast down to Earth to live out a mortal life in Mumbai as the young Laila Starr.

Struggling with her newfound mortality, Laila finds herself in the time and place where the creator of immortality is destined to be born. Faced with a crucial decision, Laila must choose whether to intervene and stop mankind from forever altering the natural cycle of life, or to witness death become an obsolete concept.

Ram V (These Savage Shores, Swamp Thing) teams up with Filipe Andrade (Captain Marvel) to bring forth a powerful graphic novel that navigates the delicate boundary between life and death, enhanced by the elements of magical realism. This collection brings together The Many Deaths of Laila Starr issues #1-5.

Murderbot—the sardonic, almost-homicidal, media-loving android created by Martha Wells—has proven to be one of the most popular characters in 21 st century science fiction. Everything that makes this protagonist (it would be wrong to call Murderbot a hero) beloved of fans is on display in Compulsory.

While trying to watch episode 44 of The Rise and Fall of Sanctuary Moon, Murderbot is—again, what is it with humans?—distracted by something that is technically outside its purview. A miner is suddenly in danger following a pointless (to Murderbot’s way of thinking) argument, and the choice is to risk discovery and leap into action, which would require hitting the pause button during a very exciting part of SanctuaryMoon, or to follow orders and stay still.

This is a tougher choice than it seems. But then, when has Murderbot ever been faced with an easy choice?

SciFi's favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

Rogue Protocol is the third in the Murderbot Diaries series, starring a human-like android who keeps getting sucked back into adventure after adventure, though it just wants to be left alone, away from humanity and small talk.

Artificial Condition continues the journey of Murderbot, a self-aware security unit that has dubbed itself "Murderbot" after a dark past involving human fatalities. With only fragmented memories of the incident, Murderbot's desire for knowledge leads it to pair up with a Research Transport vessel named ART, whose full name is best left unspoken.

Together, they travel to the mining facility where Murderbot's journey into rogue autonomy began. The secrets uncovered during this voyage will irrevocably alter Murderbot's perception of itself and the universe it navigates.

The Murderbot Diaries series is a captivating exploration of artificial intelligence and self-discovery, set against the backdrop of a future where space exploration and corporate interests collide.

A short story featured in Review of Australian Fiction and later put on Marchetta's website.

Lady Celie of the Lumateran Flatlands is visiting the Belegonian spring castle on the isle of Ferragost. Cut off from the rest of Belegonia by poor weather, she is confined to the island with four others, including the mysterious castellan of the castle. When the body of one of the guests is discovered on the rocks outside the east tower, Celie is not only considered a suspect, but finds herself embroiled in events that are entwined with her own kingdom's cursed history, as well as the future of the entire land of Skuldenore.

A tale of loyalty and unlikely friendship featuring two of the most recognizable and popular super-heroes on the planet, SUPERMAN/BATMAN: PUBLIC ENEMIES pairs the Man of Steel with the Dark Knight. The iconic super-heroes unite when longtime Superman enemy Lex Luthor, now president of the United States, accuses Superman of a horrible act against mankind, and assembles a top-secret team of powerhouse heroes to bring Superman in — dead or alive. But after the Dark Knight Detective proves Luthor's accusations to be baseless, the "World's Finest" duo prepares to topple the corrupt president's reign once and for all.

Collects Superman/Batman #1-6.

A pilot stranded in the desert awakes one morning to see, standing before him, the most extraordinary little fellow. "Please," asks the stranger, "draw me a sheep." And the pilot realizes that when life's events are too difficult to understand, there is no choice but to succumb to their mysteries. He pulls out pencil and paper... And thus begins this wise and enchanting fable that, in teaching the secret of what is really important in life, has changed forever the world for its readers.

Few stories are as widely read and as universally cherished by children and adults alike as The Little Prince. It will capture the hearts of readers of all ages.

«Quand la sonnerie a encore retenti, que la porte du box s'est ouverte, c'est le silence de la salle qui est monté vers moi, le silence, et cette singulière sensation que j'ai eue lorsque j'ai constaté que le jeune journaliste avait détourné les yeux. Je n'ai pas regardé du côté de Marie. Je n'en ai pas eu le temps parce que le président m'a dit dans une forme bizarre que j'aurais la tête tranchée sur une place publique au nom du peuple français.»

L'étranger est le premier roman d'Albert Camus, Prix Nobel de littérature en 1957.

Pertenece Echeverría al llamado grupo intelectual de 1837, que sentó las bases de la incipiente sociedad argentina. El éxito y la gran acogida de "La cautiva" se debe a que es una obra comprometida con el medio social en el que surge y cuya renovación formal intenta adecuarse a la realidad que describe. "El matadero" se anticipa en cierto modo a su época y desarrolla líneas que seguirá después la literatura argentina.