Heartbreaking and redeeming, Pearl is the story of a young woman in a small English village who is struggling with the disappearance of her mother, what feels like a lifetime ago. Marianne is eight years old when her mother goes missing. Left behind with her baby brother and grieving father in a ramshackle house on the edge of a small village, she clings to the fragmented memories of her mother’s love; the smell of fresh herbs, the games they played, and the songs and stories of her childhood.

As time passes, Marianne finds it difficult to adjust, fixated on her mother’s disappearance and the secrets she’s sure her father is keeping from her. Yet, in one of her mother’s dusty old books, she discovers a medieval poem called Pearl, and, trusting in the promise of its consolation, it seems as if her life begins to parallel the poem's course. But questions remain. Marianne is ever more tormented by the unmarked gravestone in the abandoned chapel and the tidal pull of the river, and as her childhood home begins to crumble, the past leads her down a path of self-destruction.

Can Marianne ever come to understand her mother’s choices? And will her own future as a mother help her find her peace?

Spanning decades and continents, from 1960s Vietnam to the wild swamplands of the Florida coast, Banyan Moon is a stunning and deeply moving story of mothers and daughters, the things we inherit, and the lives we choose to make out of that inheritance.

When Ann Tran gets the call that her beloved grandmother, Minh, has passed away, her life is already at a crossroads. Ann has built a seemingly perfect life. She lives in a beautiful lake house and has a charming professor boyfriend, but it all crumbles away with one positive pregnancy test. With both her relationship and carefully planned future now in question, Ann returns home to Florida to face her estranged mother, Hu'o'ng. Under the same roof for the first time in years, mother and daughter must face the simmering questions of their past, while trying to rebuild their relationship.

Running parallel to this is Minh's story, as she goes from a lovestruck teenager living in the shadow of the Vietnam War to a determined young mother immigrating to America in search of a better life. And when Ann makes a shocking discovery in the Banyan House's attic, long-buried secrets come to light as it becomes clear how decisions Minh made in her youth affected the rest of her life and her family.

White lies. Dark humor. Deadly consequences…

Authors June Hayward and Athena Liu were supposed to be twin rising stars. But Athena’s a literary darling. June Hayward is literally nobody. Who wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I.

So what if June edits Athena’s novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song—complete with an ambiguously ethnic author photo? Doesn’t this piece of history deserve to be told, whoever the teller? That’s what June claims, and the New York Times bestseller list seems to agree. But June can’t get away from Athena’s shadow, and emerging evidence threatens to bring June’s (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves.

With its totally immersive first-person voice, Yellowface grapples with questions of diversity, racism, and cultural appropriation, as well as the terrifying alienation of social media.

In the second book of the series, fleeing for their lives, Nichole comes into contact with a long-lost sister of Charley McAllister. You meet a crazed doctor who is out to control vampires as well as humans.

The family is thrown into a huge battle with many other creatures.

It just wouldn't be our family if it wasn't complicated; it was a bit redundant when you have an entire town beating on your door demanding your death. Some things we found just didn't change with each generation.

In death, life never slows down, demon hunters searching for us, recovering loved ones, and fighting for the safety and love of others. It was a good thing none of us ever had any expectations of what we thought life should be like; otherwise, I hate to say some would be strongly disappointed while others rather proud.

Despite the uncertainty and dangers our family faced, we were still in love with the world around us. We found death never stopped our family; it only changed the way that everyone else saw us.

We hoped at some point there might be a generation that accepts us where we don't have to hide who we truly are.