James, by Percival Everett, is a brilliant and action-packed reimagining of The Adventures of Huckleberry Finn, told from the perspective of the enslaved character Jim. This novel is both harrowing and ferociously funny, showcasing Jim's agency, intelligence, and compassion in a radically new light.

When Jim overhears that he is about to be sold and separated from his wife and daughter, he decides to hide on Jackson Island to plan his next move. Meanwhile, Huck Finn, seeking to escape his violent father, fakes his own death. Together, they embark on a dangerous and transcendent journey down the Mississippi River, facing floods, storms, and scam artists, all while navigating the promise and peril of the Free States and beyond.

With electrifying humor and lacerating observations, James is a redefining a cornerstone of twenty-first century American literature.

A stunning reinvention of the myth of Narcissus as a modern novel of manners, about two young, well-heeled couples whose parallel lives converge and intertwine over the course of a summer, by a sharp new voice in fiction.

Wes and Diana are the kind of privileged, well-educated, self-involved New Yorkers you may not want to like but can't help wanting to like you. With his boyish good looks, blue-blood pedigree, and the recent tidy valuation of his tech startup, Wes would have made any woman weak in the knees—any woman, that is, except perhaps his wife. Brilliant to the point of cunning, Diana possesses her own arsenal of charms, handily deployed against Wes in their constant wars of will and rhetorical sparring.

In this wickedly fun debut, A. Natasha Joukovsky crafts an absorbing portrait of modern romance, rousing real sympathy for these flawed characters even as she skewers them. Shrewdly observed, whip-smart, and shot through with wit and good humor, The Portrait of a Mirror is a piercing exploration of narcissism, desire, self-delusion, and the great mythology of love.

It's 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl's display of finery. If a suitable match is not found, the girls not chosen are never heard from again.

Sixteen-year-old Sophia would much rather marry Erin, her childhood best friend, than parade in front of suitors. At the ball, Sophia makes the desperate decision to flee, and finds herself hiding in Cinderella's mausoleum. There, she meets Constance, the last known descendant of Cinderella and her step sisters. Together they vow to bring down the king once and for all--and in the process, they learn that there's more to Cinderella's story than they ever knew.

This fresh take on a classic story will make readers question the tales they've been told, and root for girls to break down the constructs of the world around them.

Miryem is the daughter and granddaughter of moneylenders, but her father's inability to collect his debts has left his family on the edge of poverty. Determined to change their fortunes, Miryem hardens her heart and sets out to claim what is owed, quickly gaining a reputation for being able to turn silver into gold.

When her boast draws the attention of the king of the Staryk—grim fey creatures more ice than flesh—her fate, as well as the fate of two kingdoms, is irrevocably altered. Presented with an impossible challenge by the nameless king, she unwittingly ensnares a peasant girl, Wanda, and the unhappy daughter of a local lord.

The lord's daughter, Irina, is to be wed to the young tsar, Tsar Mirnatius, who harbors a dark secret that could engulf both human and Staryk worlds. As Miryem and her companions confront dangerous choices, they embark on a perilous journey that demands sacrifices, power, and love.

Channeling the essence of myth and fairy tale, Spinning Silver intricately weaves a story that is as multi-layered as it is enchanting, inviting readers to immerse themselves in a world that feels both familiar and wondrously new.

#1 New York Times Bestseller A sumptuous and epically told love story inspired by A Thousand and One Nights Every dawn brings horror to a different family in a land ruled by a killer. Khalid, the eighteen-year-old Caliph of Khorasan, takes a new bride each night only to have her executed at sunrise. So it is a suspicious surprise when sixteen-year-old Shahrzad volunteers to marry Khalid. But she does so with a clever plan to stay alive and exact revenge on the Caliph for the murder of her best friend and countless other girls. Shazi’s wit and will, indeed, get her through to the dawn that no others have seen, but with a catch . . . she’s falling in love with the very boy who killed her dearest friend. She discovers that the murderous boy-king is not all that he seems and neither are the deaths of so many girls. Shazi is determined to uncover the reason for the murders and to break the cycle once and for all. *The book is a Rough Cut Edition (pages are deliberately not the same length).*

Deathless is a collision of magical history and actual history, of revolution and mythology, of love and death, which will bring Russian myth back to life in a stunning new incarnation. Catherynne M. Valente presents a modernized and transformed take on the legend of Koschei the Deathless, a menacing figure from Russian folklore equivalent to the devils or wicked witches of European culture.

The story unfolds in a mysterious version of St. Petersburg during the first half of the 20th century, following the life of Marya Morevna. She evolves from a clever child of the revolution to becoming Koschei's beautiful bride and ultimately, his undoing. Valente's tale is filled with Stalinist house elves, magical quests, secrecy, bureaucracy, and games of lust and power. Deathless is a fierce story set against the backdrop of the history of Russia in the twentieth century and is, quite simply, unforgettable.

When Dorothy triumphed over the Wicked Witch of the West in L. Frank Baum's classic tale, we heard only her side of the story. But what about her arch-nemesis, the mysterious witch? Where did she come from? How did she become so wicked? And what is the true nature of evil?

Gregory Maguire creates a fantasy world so rich and vivid that we will never look at Oz the same way again. Wicked is about a land where animals talk and strive to be treated like first-class citizens, Munchkinlanders seek the comfort of middle-class stability, and the Tin Man becomes a victim of domestic violence. And then there is the little green-skinned girl named Elphaba, who will grow up to become the infamous Wicked Witch of the West, a smart, prickly, and misunderstood creature who challenges all our preconceived notions about the nature of good and evil.

Brilliantly inventive, Wicked offers a radical new portrait of one of the most feared and despised villains in all of literature: the universally maligned Wicked Witch of the West who, in Maguire’s imaginative retelling, isn’t nearly as black-hearted as we imagined.

When Dorothy triumphed over the Wicked Witch of the West in L. Frank Baum's classic tale, we heard only her side of the story. But what about her arch-nemesis, the mysterious witch? Where did she come from? How did she become so wicked? And what is the true nature of evil?

Gregory Maguire creates a fantasy world so rich and vivid that we will never look at Oz the same way again. Wicked is about a land where animals talk and strive to be treated like first-class citizens, Munchkinlanders seek the comfort of middle-class stability, and the Tin Man becomes a victim of domestic violence. And then there is the little green-skinned girl named Elphaba, who will grow up to become the infamous Wicked Witch of the West, a smart, prickly, and misunderstood creature who challenges all our preconceived notions about the nature of good and evil.

Brilliantly inventive, Wicked offers a radical new portrait of one of the most feared and despised villains in all of literature: the universally maligned Wicked Witch of the West who, in Maguire’s imaginative retelling, isn’t nearly as black-hearted as we imagined.