The Wedding People is a propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help her start anew.

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe and Phoebe's plan—which makes it that much more surprising when the two women can’t stop confiding in each other. In turns absurdly funny and devastatingly tender, Alison Espach’s The Wedding People is ultimately an incredibly nuanced and resonant look at the winding paths we can take to places we never imagined—and the chance encounters it sometimes takes to reroute us.

For fans of Sally Rooney and Torrey Peters, a taut and profoundly moving debut that follows a cast of intricately linked characters during a heatwave in London as simmering tensions and secrets come to a head over one life-changing weekend.

London, 2019. It's the hottest June on record, and a whale is stuck in the Thames River. In the streets of the city, four old acquaintances want more from life than they've been given. On the summer solstice, the longest day of the year, their paths will intersect at a party that will change their lives forever...

Maggie, a once-hopeful artist turned waitress, is pregnant and preparing to move back to her hometown with her boyfriend and father-to-be Ed, leaving the city she loves and the life she imagined for herself.

Ed, coasting through life as a barely competent bike courier, is ready for a new start with Maggie and their baby, if only to finally leave behind his secret past of hooking up with strange men in train station bathrooms—and his secret past with Maggie’s best friend, Phil.

Phil, who sleepwalks through his office job and lives for the weekends, is on the brink of achieving his first real relationship with his roommate Keith. The two live in an illegal warehouse commune with other quirky creatives and idealists—the site of the party to end all parties.

As the temperature continues to climb, Maggie, Ed, and Phil will have to confront their shared pasts, current desires, and limits of their future lives together before the weekend is over.

Strikingly heartfelt, sexually charged, and disarmingly comic, Oisín McKenna’s addictive, page-turning debut is a mesmerizing dive into the soul of a city and a critical look at the political, emotional, and financial hurdles facing young adults trying to build lives there and often living for their evenings and weekends.

So Late in the Day: Stories of Women and Men is a triptych of stories delving into the complexities of love, lust, betrayal, misogyny, and the fascinating interactions between women and men. Claire Keegan, celebrated for her powerful short fiction, offers three exquisite stories, newly revised and expanded, forming a brilliant examination of gender dynamics from her earliest to her most recent work.

In “So Late in the Day”, Cathal faces a long weekend, reflecting on a woman with whom he could have spent his life, had he behaved differently.
In “The Long and Painful Death”, a writer’s residency at the seaside home of Heinrich Böll is disrupted by an academic who imposes his presence and opinions.
And in “Antarctica”, a married woman travels out of town to explore infidelity and finds herself in the grip of a possessive stranger.

Each story probes the dynamics that corrupt potential connections between women and men, highlighting a lack of generosity, the weight of expectation, and the looming threat of violence. Potent, charged, and breathtakingly insightful, these three essential tales will linger with readers long after the book is closed.

Miri thinks she has got her wife back when Leah finally returns after a deep-sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home.

To have the woman she loves back should mean a return to normal life, but Miri can feel Leah slipping from her grasp. Memories of what they had before – the jokes they shared, the films they watched, all the small things that made Leah hers – only remind Miri of what she stands to lose. Living in the same space but suddenly separate, Miri comes to realize that the life that they had might be gone.

Our Wives Under The Sea is the debut novel from the critically acclaimed author of Salt Slow. It’s a story of falling in love, loss, grief, and what life there is in the deep, deep sea.

One Sunday afternoon in Southern California, Bert Cousins shows up at Franny Keating's christening party uninvited. Before evening falls, he has kissed Franny's mother, Beverly—thus setting in motion the dissolution of their marriages and the joining of two families.

Spanning five decades, Commonwealth explores how this chance encounter reverberates through the lives of the four parents and six children involved. Spending summers together in Virginia, the Keating and Cousins children forge a lasting bond that is based on a shared disillusionment with their parents and the strange and genuine affection that grows up between them.

When, in her twenties, Franny begins an affair with the legendary author Leon Posen and tells him about her family, the story of her siblings is no longer hers to control. Their childhood becomes the basis for his wildly successful book, ultimately forcing them to come to terms with their losses, their guilt, and the deeply loyal connection they feel for one another.

Told with equal measures of humor and heartbreak, Commonwealth is a meditation on inspiration, interpretation, and the ownership of stories. It is a brilliant and tender tale of the far-reaching ties of love and responsibility that bind us together.

The summer that Nixon resigns, six teenagers at a summer camp for the arts become inseparable. Decades later the bond remains powerful, but so much else has changed.

In The Interestings, Wolitzer follows these characters from the height of youth through middle age, as their talents, fortunes, and degrees of satisfaction diverge. The kind of creativity that is rewarded at age fifteen is not always enough to propel someone through life at age thirty; not everyone can sustain, in adulthood, what seemed so special in adolescence. Jules Jacobson, an aspiring comic actress, eventually resigns herself to a more practical occupation and lifestyle. Her friend Jonah, a gifted musician, stops playing the guitar and becomes an engineer. But Ethan and Ash, Jules’s now-married best friends, become shockingly successful—true to their initial artistic dreams, with the wealth and access that allow those dreams to keep expanding.

The friendships endure and even prosper, but also underscore the differences in their fates, in what their talents have become and the shapes their lives have taken. Wide in scope, ambitious, and populated by complex characters who come together and apart in a changing New York City, The Interestings explores the meaning of talent; the nature of envy; the roles of class, art, money, and power; and how all of it can shift and tilt precipitously over the course of a friendship and a life.

Birds of a Lesser Paradise is a heartwarming and hugely appealing debut collection that explores the way our choices and relationships are shaped by the menace and beauty of the natural world.

Megan Mayhew Bergman's twelve stories capture the surprising moments when the pull of our biology becomes evident, when love or fear collides with good sense, or when our attachment to an animal or wild place can't be denied. In "Housewifely Arts," a single mother and her son drive hours to track down an African Gray Parrot that can mimic her deceased mother's voice. A population control activist faces the ultimate conflict between her loyalty to the environment and her maternal desire in "Yesterday's Whales." And in the title story, a lonely naturalist allows an attractive stranger to lead her and her aging father on a hunt for an elusive woodpecker.

As intelligent as they are moving, the stories in Birds of a Lesser Paradise are alive with emotion, wit, and insight into the impressive power that nature has over all of us.

Julie Klausner's candid and funny debut I Don't Care About Your Band sheds light on the humiliations we endure to find love—and the lessons that can be culled from the wreckage.

I Don't Care About Your Band posits that lately the worst guys to date are the ones who seem sensitive. It's the jerks in nice guy clothing, not the players in Ed Hardy, who break the hearts of modern girls who grew up in the shadow of feminism, thinking they could have everything, but end up compromising constantly.

The cowards, the kidults, the critics, and the contenders: these are the stars of Klausner's memoir about how hard it is to find a man—good or otherwise—when you're a cynical grown-up exiled in the dregs of Guyville.

Off the popularity of her New York Times Modern Love piece about getting the brush-off from an indie rock musician, I Don't Care About Your Band is marbled with the wry strains of Julie Klausner's precocious curmudgeonry and brimming with truths that anyone who's ever been on a date will relate to.

Klausner is an expert at landing herself waist-deep in crazy, time and time again, in part because her experience as a comedy writer (Best Week Ever, TV Funhouse on SNL) and sketch comedian from NYC's Upright Citizens Brigade fuels her philosophy of how any scene should unfold, which is, "What? That sounds crazy? Okay, I'll do it."

I Don't Care About Your Band charts a distinctly human journey of a strong-willed but vulnerable protagonist who loves men like it's her job, but who's done with guys who know more about love songs than love.

Klausner's is a new outlook on dating in a time of pop culture obsession, and she spent her 20's doing personal field research to back up her philosophies. This is the girl's version of High Fidelity. By turns explicit, funny and moving, Klausner's debut shows the evolution of a young woman who endured myriad encounters with the wrong guys, to emerge with real-world wisdom on matters of the heart.