Tremor, a novel by award-winning author Teju Cole, is a profound exploration of the essence of a meaningful existence within the context of a world marred by violence. The story invites readers to delve into the life of Tunde, a West African man who teaches photography at a prestigious New England campus. Tunde, an avid reader, listener, and traveler, navigates through a tapestry of narratives—ranging from historical epics, personal anecdotes, to tales he encounters in literature and cinema.
Through Tunde's perspective, we experience a series of events that shape his daily life. From a weekend marred by the shadows of colonial atrocities to an evening walk disrupted by casual racism, and the intricate dynamics of a loving marriage, the novel presents a diverse spectrum of experiences. These stories, collectively, form the days that constitute Tunde's life and, in turn, create a composite of what it means to live.
Tremor is an arresting fusion of realism and creativity, engaging with themes of literature, music, race, and history. It scrutinizes the passage of time and the various ways we commemorate it. The novel confronts the harshness of history, which often lacks symmetry and comfort, yet it also stands as a testament to the enduring potential of happiness. Echoing the narrative prowess showcased in his debut, Open City, Teju Cole presents a narration that is fully aware, striking, and crucial to the contemporary literary scene.
In this "page-turner with a beating heart" (Boston Globe), a recovering alcoholic and addict down on her luck struggles to hold on to her home in California. But this becomes contested territory when a recent immigrant from the Middle East—a former colonel in the Iranian Air Force—becomes determined to restore his family's dignity through buying the house. When the woman's lover, a married cop, intervenes, he goes to extremes to win her love. Andre Dubus III's unforgettable characters—people with ordinary flaws, looking for a small piece of ground to stand on—careen toward inevitable conflict. An "affecting, subtle portrait of two hostile but equally fragile camps" (The New Yorker), their tragedy paints a shockingly true picture of the country we still live in today, two decades after this book's first publication.