Aldous Huxley's profoundly important classic of world literature, Brave New World is a searching vision of an unequal, technologically-advanced future where humans are genetically bred, socially indoctrinated, and pharmaceutically anesthetized to passively uphold an authoritarian ruling order–all at the cost of our freedom, full humanity, and perhaps also our souls. “A genius [who] spent his life decrying the onward march of the Machine” (The New Yorker), Huxley was a man of incomparable talents: equally an artist, a spiritual seeker, and one of history's keenest observers of human nature and civilization.

Brave New World, his masterpiece, has enthralled and terrified millions of readers, and retains its urgent relevance to this day as both a warning to be heeded as we head into tomorrow and as thought-provoking, satisfying work of literature. Written in the shadow of the rise of fascism during the 1930s, Brave New World also speaks to a 21st-century world dominated by mass-entertainment, technology, medicine and pharmaceuticals, the arts of persuasion, and the hidden influence of elites.

“Aldous Huxley is the greatest 20th century writer in English.” —Chicago Tribune

Un mundo feliz es un clásico de la literatura del siglo XX, una sombría metáfora sobre el futuro. La novela describe un mundo en el que finalmente se han cumplido los peores vaticinios: triunfan los dioses del consumo y la comodidad y el orbe se organiza en diez zonas en apariencia seguras y estables. Sin embargo, este mundo ha sacrificado valores humanos esenciales, y sus habitantes son procreados in vitro a imagen y semejanza de una cadena de montaje.

Twelfth Night, named for the twelfth night after Christmas, marks the end of the festive season and sets the stage for a romantic comedy of love and power. The play introduces us to the Countess Olivia, an independent woman in charge of her own household, who captures the attention of Duke Orsino. Her other suitors include her pompous steward, Malvolio, and the foppish Sir Andrew Aguecheek.

Amidst this tangled web of unrequited love arrives the shipwrecked twins, Viola and Sebastian, each believing the other to be dead. Viola, disguised as a boy, enters the service of the Duke, becoming his emissary to Olivia—and unexpectedly becoming the object of Olivia's affection. As the story unfolds, the play delves into the complexity of love and the joyful resolution of mistaken identities and romantic entanglements.

Imagine being an icon for a feared people. The symbol that gathers them around hatred and thirst for revenge. As the daughter of an exiled death-born warlord, your destiny is to mark the beginning of the end.

Hirka prepares to meet the ruling house in a cold, hierarchical world where contempt for weakness reigns. Reluctantly, she accepts her fate, hoping to keep Rime alive and Ymslanda safe. But the death-born's thirst for Evna is all-consuming, and Hirka realizes that the war she wanted to stop is inevitable. An insight that will soon challenge everything she has believed in and fought for.

Evna is the third and final book in the critically acclaimed fantasy series Ravneringene. A spectacular finale that explores roots, power, and pride.

Katherine Hart is thrilled to be recruited by Knight Enterprises, the most prestigious venture-capital company in the world. That is, until she makes the acquaintance of the company’s infamous CEO, Dominic Knight.

At thirty-two, Dominic is a self-made billionaire with fearsome ambition and a temper to match. He is also impossibly attractive and dangerously charming when he wants to be.

To Kate, Dominic seems like the perfect predator, and she resolves to be cautious despite the obvious chemistry between them, telling herself she can always leave if Dominic grows too demanding. What she doesn’t know is that the decision isn’t hers to make...

Dominic Knight has found a new plaything, and Mr. Knight always gets what he wants.