The Life and Opinions of Tristram Shandy, Gentleman, often regarded as one of the first examples of postmodern literature, is a novel that defies easy categorization. At its heart, it is a comic narrative that intertwines the birth and life of its protagonist, Tristram Shandy, with the eccentric philosophies of his father Walter, and the military obsessions and amours of his Uncle Toby, among a host of other vivid characters like Dr Slop, Corporal Trim, and the parson Yorick.

This novel is celebrated for its boundless imagination, its wry humor, and its rich satire. Laurence Sterne masterfully weaves a story that is as much about the art of fiction itself as it is about the characters within. It is a joyful exploration of the endless possibilities of narrative, and a clever demonstration of its limitations.

The text and notes of this edition are based on the acclaimed Florida Edition, ensuring that readers have access to the best scholarship available. With a critical introduction by Melvyn New and Christopher Ricks's introductory essay from the first Penguin Classics edition, this book represents a cornerstone of English literary history and a must-read for anyone interested in the evolution of the novel.

If on a Winter's Night a Traveler is a marvel of ingenuity, an experimental text that looks longingly back to the great age of narration—when time no longer seemed stopped and did not yet seem to have exploded. Italo Calvino's novel is in one sense a comedy in which the two protagonists, the Reader and the Other Reader, ultimately end up married, having almost finished If on a Winter's Night a Traveler. In another, it is a tragedy, a reflection on the difficulties of writing and the solitary nature of reading.

The Reader buys a fashionable new book, which opens with an exhortation: "Relax. Concentrate. Dispel every other thought. Let the world around you fade." Alas, after 30 or so pages, he discovers that his copy is corrupted, and consists of nothing but the first section, over and over. Returning to the bookshop, he discovers the volume, which he thought was by Calvino, is actually by the Polish writer Bazakbal. Given the choice between the two, he goes for the Pole, as does the Other Reader, Ludmilla. But this copy turns out to be by yet another writer, as does the next, and the next.

The real Calvino intersperses 10 different pastiches—stories of menace, spies, mystery, premonition—with explorations of how and why we choose to read, make meanings, and get our bearings or fail to. Meanwhile, the Reader and Ludmilla try to reach, and read, each other. If on a Winter's Night is dazzling, vertiginous, and deeply romantic. "What makes lovemaking and reading resemble each other most is that within both of them times and spaces open, different from measurable time and space."