Yr Dead is a queer, Jewish, diasporic bildungsroman told in lyric fragments through the eyes of the character Ezra. The world of the book unfolds as Ezra's life flashes across time and geography during their final act of protest. The novel leaps from memories of childhood, gender identity formation, and political revelation to the inherited memory and historical movements of Ezra's family. This book explores how historical memory shapes our political and emotional present as it exists at the intersections of protest, religion, and desire.

Solve the murder to save what's left of the world.

Outside the island there is the world destroyed by a fog that swept the planet, killing anyone it touched. On the island it is idyllic. 122 villagers and 3 scientists, living in peaceful harmony. The villagers are content to fish, farm and feast, to obey their nightly curfew, to do what they're told by the scientists.

Until, to the horror of the islanders, one of their beloved scientists is found brutally stabbed to death. And they learn the murder has triggered a lowering of the security system around the island, the only thing that was keeping the fog at bay.

If the murder isn't solved within 92 hours, the fog will smother the island – and everyone on it.

But the security system has also wiped everyone's memories of exactly what happened the night before, which means that someone on the island is a murderer – and they don't even know it…

The outstanding new high concept murder mystery from the Sunday Times bestselling and Costa Book Award winning author of The Seven Deaths of Evelyn Hardcastle. An ingenious puzzle, an extraordinary backdrop, an audacious solution. Available to pre order NOW.

Why grassroots data activists in Latin America count feminicide—and how this vital social justice work challenges mainstream data science. What isn’t counted doesn’t count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women. Against this failure, Counting Feminicide brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work.

Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D’Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account. Individuals, researchers, and journalists—these data activists scour news sources to assemble spreadsheets and databases of women killed by gender-related violence, then circulate those data in a variety of creative and political forms. Their work reveals the potential of restorative/transformative data science—the use of systematic information to, first, heal communities from the violence and trauma produced by structural inequality and, second, envision and work toward the world in which such violence has been eliminated.

Specifically, D’Ignazio explores the possibilities and limitations of counting and quantification—reducing complex social phenomena to convenient, sortable, aggregable forms—when the goal is nothing short of the elimination of gender-related violence. Counting Feminicide showcases the incredible power of data feminism in practice, in which each murdered woman or girl counts, and, in being counted, joins a collective demand for the restoration of rights and a transformation of the gendered order of the world.

From one of the most influential writers of this generation, A Year of Last Things is Michael Ondaatje's long-awaited return to poetry. This gorgeous and surprising collection delves into memory, love, and the act of looking back.

In pieces that are sometimes wittily funny, moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and abandoned landscapes we hold onto to rediscover the influence of every border crossed.

Moving from a Sri Lankan boarding school to Moliere's chair during his last stage performance, to Bulgarian churches and their icons, to a California coast, and his beloved Canadian rivers, Michael Ondaatje casts a brilliant eye that merges his past and present, in the way memory and the distant shores of art and lost friends continue to influence all that surrounds him.

As in this startling passage from his poem His chair, a narrow bed, a motel room, the fox:
At the Hacienda Motel in Los Angeles Sam Cooke was shot dead. 'See my shadow on the wall...'
All those motels and hotels in literature and song, where X wrote this, where Y got drunk, where Z overdosed. The one Hank Williams was driven past, dead already in his car. The Slaviansky Bazaar Hotel in Lady with a Dog where Dmitri imagines their dark but hopeful future. The Hotel du Grand Miroir in Brussels where Baudelaire lived his last few months. (A decade later Verlaine shot Rimbaud there.) The Casa Verdi in Milan where retired opera singers were welcome along with the various heteronyms of Fernando Pessoa in their afterlife.