Madison Daniels has worshiped her brother's best friend since they were kids. Everyone thinks she and Chase Gamble would make the perfect couple, but there are two major flaws in their logic.

1) Chase has sworn off relationships of any kind, and 2) after blurring the line between friends and lovers for one night four years ago, they can't stop bickering.

Forced together for her brother's wedding getaway, Chase and Madison decide to call a truce for the happy couple. Except all bets are off when they're forced to shack up in a tacky '70s honeymoon suite and survive a multitude of accidents as the family tries to prove their "spark" can be used for more than fighting. That is, if they don't strangle each other first...

"A story has no beginning or end: arbitrarily one chooses a moment of experience from which to look ahead..." This is a record of hate far more than of love, writes Maurice Bendrix in the opening passages of The End of the Affair, and it is a strange hate indeed that compels him to set down the retrospective account of his adulterous affair with Sarah Miles. Now, a year after Sarah's death, Bendrix seeks to exorcise the persistence of his passion by retracing its course from obsessive love to love-hate. At first, he believes he hates Sarah and her husband, Henry. Yet as he delves deeper into his emotional outlook, Bendrix's hatred shifts to the God he feels has broken his life, but whose existence at last comes to recognize.