Scream meets The Guest List in this wickedly compelling and compulsively page-turning thriller of friendship and murder from the author of The Lost Village, Camilla Sten.

On a remote, craggy island nestled off the coast of Sweden, four friends—Tilly, Anna, Linnea, and Evelina—meet every year. Best friends since childhood, the idea is to drink beer, dance by the water, and shake off the weight of life's expectations. The location of the island is a secret to everyone but them. One night of reckless fun and secret-sharing, and then they return to their normal lives.

Ten years later. Ever since she was a teenager, Tessa Nilsson has been consumed by the story of four friends who disappeared on their annual trip to a remote island together. As her true crime fervor turned into a wildly popular podcast, Tessa urgently covered Sweden’s most gruesome cases, but could never find the answers behind what happened to these women who disappeared, leaving a few maddening clues but no concrete answers. Now Tessa’s podcast has crashed and burned, any chance she had at uncovering the truth vanishing with it.

Anneliese is Tessa’s best friend, and before she walks down the aisle, she wants to have a bachelorette party. The Baltic Vinyasa, a sleek, sophisticated yoga retreat on a small island off the coast—one with such similar characteristics to the tragedy years ago that it raises the hair on Tessa’s neck. The idea is to drink gallons of cava, do sunrise yoga, and get in their last chance to bond with the bride. Tessa will not pass this up. It’s her last chance to find out what happened to the four women, once and for all.

And it’s someone else’s last chance to get revenge.

Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping new novel from Emily Henry.

Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years—or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century.

When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game.

One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over.

Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication.

Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition.

But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room.

And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.