At the beginning of Pudd'nhead Wilson, a young slave woman, fearing for her infant son's life, exchanges her light-skinned child with her master's. From this rather simple premise, Mark Twain fashioned one of his most entertaining, funny, yet biting novels.

On its surface, Pudd'nhead Wilson possesses all the elements of an engrossing nineteenth-century mystery: reversed identities, a horrible crime, an eccentric detective, a suspenseful courtroom drama, and a surprising, unusual solution. Yet, it is not a mystery novel.

Seething with the undercurrents of antebellum southern culture, the book is a savage indictment in which the real criminal is society, and racial prejudice and slavery are the crimes.

Written in 1894, Pudd'nhead Wilson glistens with characteristic Twain humor, with suspense, and with pointed irony: a gem among the author's later works.

Tiffany Aching is a trainee witch — now working for the seriously scary Miss Treason. But when Tiffany witnesses the Dark Dance — the crossover from summer to winter — she does what no one has ever done before and leaps into the dance. Into the oldest story there ever is. And draws the attention of the Wintersmith himself.

As Tiffany-shaped snowflakes hammer down on the land, can Tiffany deal with the consequences of her actions? Even with the help of Granny Weatherwax and the Nac Mac Feegle — the fightin’, thievin’ pictsies who are prepared to lay down their lives for their “big wee hag.”

Wintersmith is the third title in an exuberant series crackling with energy and humour. It follows The Wee Free Men and Hat Full of Sky.

On Beauty is the story of an interracial family living in the university town of Wellington, Massachusetts, whose misadventures in the culture wars—on both sides of the Atlantic—serve to skewer everything from family life to political correctness to the combustive collision between the personal and the political. Full of dead-on wit and relentlessly funny, this tour de force confirms Zadie Smith's reputation as a major literary talent.

Set on both sides of the Atlantic, Zadie Smith's third novel is a brilliant analysis of family life, the institution of marriage, intersections of the personal and political, and an honest look at people's deceptions. It is also, as you might expect, very funny indeed.

With only a yellowing photograph in hand, a young man -- also named Jonathan Safran Foer -- sets out to find the woman who may or may not have saved his grandfather from the Nazis. Accompanied by an old man haunted by memories of the war; an amorous dog named Sammy Davis, Junior, Junior; and the unforgettable Alex, a young Ukrainian translator who speaks in a sublimely butchered English, Jonathan is led on a quixotic journey over a devastated landscape and into an unexpected past.

Bill and Sam arrive in the small American town of Summit with only two hundred dollars, but they need more and Sam has an idea for making a lot of money. When things start to go very wrong, both men soon regret their visit - and the idea.

Dan Jenkins' second best-known novel, Baja Oklahoma, features the vibrant and tough protagonist Juanita Hutchins. She can cuss and politically commentate with the best of Jenkins' male protagonists. Still convincingly female, and in no way dumb or girly, the fortyish Juanita serves drinks to the colorful crew at Herb's Cafe in South Fort Worth.

She worries herself sick over a hot-to-trot daughter too fond of drugs and the dealers who sell them. She endures a hypochondriac mother whose whinings would justify murder. Juanita dates a fellow middle-ager whose connections with the oil industry are limited to dipstick duty at his filling station—and, by the way, she also hopes to become a singer-songwriter in the real country tradition of Bob Wills and Willie Nelson.

Though Juanita is way too old to remain a kid with a crazy dream, it doesn't matter much to her. In between handing out longneck beers to customer-acquaintances battling hot flashes and deciding when boyfriend Slick is finally going to get lucky, Juanita keeps jotting down lyrics reflective of hard-won wisdom and setting them to music composed on her beloved Martin guitar.

Too many of her early songwriting results are one-dimensional or derivative, but finally, she hits on something both original and heartfelt: a tribute to her beloved home state, warts and all.

In the sequel to The Trouble with Playing Cupid, December's best friend and agent, Clarissa Gregory, finds herself as the latest person destined for love.

Love never felt so good for pop singer December Brown and her boyfriend, Hollywood heartthrob, Tom Elmswood. A year later, and they're still crazy about each other. Now it's their turn to be the well-meaning but still pretty terrible matchmakers.

Except, for Clarissa, it isn't only meddling friends pushing her towards the dashing detective Peter, but fate itself.

Will December convince the cynical Clarissa to take a chance on romance? Or is she right, that love really is just too much trouble?