Kevine Walcott's 'All of Me' is a holistic, boundless collection of poetry that puts life under a microscope and compels readers to examine every facet of their existence. From relationships and mother earth to intimacy, what it means to belong to a country and everything else in between, Walcott weaves together a beautiful tapestry of humanity.

As a property professional by trade, Kevine Walcott frequently comes in contact with the sheer breadth of humanity's cross-section. It's a series of collective experiences that have inspired her to turn to poetry, and capture her life, those she meets and the things that please and disgruntle her.

In 'All of Me', Walcott's latest book, no subject's stone is left unturned in an attempt to capture the universe, its people and their emotions through a fascinating collection of verses.

From National Book Award and National Book Critics Circle Award finalist Ada Limón comes The Carrying—her most powerful collection yet.

Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. “Fine then, / I’ll take it,” she writes. “I’ll take it all.”

In Bright Dead Things, Limón showed us a heart “giant with power, heavy with blood”—“the huge beating genius machine / that thinks, no, it knows, / it’s going to come in first.” In her follow-up collection, that heart is on full display—even as The Carrying continues further and deeper into the bloodstream, following the hard-won truth of what it means to live in an imperfect world.