South of Broad is a sprawling novel by the one and only Pat Conroy. It serves as a love letter to Charleston and the beauty of lifelong friendship.

Set against the sumptuous backdrop of Charleston, South Carolina, the story gathers a unique cast of sinners and saints. Our narrator, Leopold Bloom King, is the son of a loving father who teaches science at the local high school and a mother who is an ex-nun and a well-known Joyce scholar. The family is shattered by the suicide of Leo's older brother, and Leo, feeling lonely and isolated, searches for something to sustain him.

He finds solace when he becomes part of a tightly knit group of high school seniors. This group includes Sheba and Trevor Poe, glamorous twins with an alcoholic mother and a prison-escapee father; Niles and Starla Whitehead, hardscrabble mountain runaways; Molly Huger, a socialite, and her boyfriend, Chadworth Rutledge X. Their connections ripple across two decades, from the 1960s counterculture to the dawn of the AIDS crisis in the 1980s.

The ties among these friends endure for years, surviving happy and troubled marriages, unrequited loves, unspoken longings, successes, breakdowns, and the dark legacy of racism and class divisions in Charleston. But a final test of friendship takes them to San Francisco, confronting them with something none of them are prepared for.

South of Broad is Pat Conroy at his finest, a masterpiece from a great American writer whose passion for life and language knows no bounds.

Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players—some say the originator of jazz—who was, in any case, the genius, the guiding spirit, and the king of that time and place.

In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel—one where the enigma is never resolved, but allowed to manifest in its fullness.

Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.