From the New York Times bestselling author of Long Bright River, an immersive, propulsive novel about a missing child whose disappearance sends shockwaves through three very different worlds—an opulent Adirondack summer estate, the rustic teen summer camp that operates in its shadow, and the blue-collar community that serves them both.

When Barbara Van Laar is discovered missing from her summer camp bunk one morning in August 1975, it triggers a panicked, terrified search. Losing a camper is a horrific tragedy under any circumstances, but Barbara isn't just any camper; she's the daughter of the wealthy family that owns the camp—as well as the opulent nearby estate and most of the land in sight. And this isn't the first time a Van Laar child has disappeared in this region: Barbara's older brother also went missing fourteen years ago, never to be found. How could this have happened yet again?

Liz Moore weaves a richly textured drama, both emotionally nuanced and propelled by a double-barreled mystery. The God of the Woods is a story of love, inheritance, identity, and second chances, a thrillingly layered drama about the tensions between a family and a community, and a history of secrets that will not let any of them go.

A triumphant family story and sharply observed exploration of privilege, identity, and love in all its forms, following four estranged siblings whose lives collide in the lead-up to a family wedding, when new clues surface about their long-missing father.

April, May, June, and July Barber don’t have much in common anymore. An upcoming family wedding will place the four siblings in the same room for the first time in years. But shortly before, when April spots their father, who went missing while serving overseas a decade ago, their reunion becomes entirely more complicated.

While the siblings’ search for the truth about their father forces them back into each other’s lives, it also intensifies their private dramas. April loves her husband, but seeks excitement outside their marriage. May had big dreams for the future, but she’s still stuck living at home. June is eager to marry her girlfriend, so why does she need a drink at every wedding-related event? And then there’s baby brother July, whose unrequited love for his straight roommate has him more confused than ever.

Confronting the past together, April, May, June, and July will find not only answers about their father, but new romance, hope, and understanding as they learn to embrace the beauty of their shared history.

Committed is a raw and masterful memoir that navigates the complexities of becoming a woman and going mad—and the intersection of both. Suzanne Scanlon's journey begins in the 90s as a student at Barnard College, where the loss of her mother sends her adrift in a sea of grief and inexpressible pain. This turmoil leads to a suicide attempt that results in her admission to the New York State Psychiatric Institute.

Spanning nearly three years and a myriad of experimental treatments, Suzanne eventually leaves the institute on unsteady footing. The following decades mark her path to recovery and a profound understanding of her suffering as part of a broader narrative—a lineage of women whose intricate and often silenced stories of self-realization are dismissed as mere “crazy chick” and “madwoman” clichés.

Through her personal odyssey, Suzanne discovers a resonating thrill in the works of influential women writers such as Charlotte Perkins Gilman, Virginia Woolf, Sylvia Plath, Janet Frame, Audre Lorde, and Shulamith Firestone. Committed is both a tale of personal discovery and a call to reclaim the archetype of the madwoman, celebrating it as a source of insight and a means to transcendence.

Death Styles is a poignant exploration of the intertwining of style and survival in the face of profound loss. Following her award-winning collection, Toxicon and Arachne, author Joyelle McSweeney embarks on a personal challenge to write a poem each day, using a single icon as a creative spark. From the unexpected muses like River Phoenix and Mary Magdalene to a backyard skunk, McSweeney delves deep into each subject, pushing through the exhaustion of grief.

With its candid and mesmerizing lyrics, Death Styles takes readers on a journey through the contradictory forces of survival and mourning. It is a testament to the power of poetic expression to navigate through life's most challenging moments, discovering hope in the act of creation and the resilience to step out of the shadows of death.

I Cheerfully Refuse is a career-defining tour-de-force from New York Times bestselling, award-winning novelist Leif Enger. Set in a not-too-distant America, it is the tale of Rainy, a bereaved and pursued musician embarking under sail on a sentient Lake Superior in search of his departed, deeply beloved, bookselling wife.

An endearing bear of an Orphean narrator, Rainy seeks refuge in the harbors, fogs, and remote islands of the inland sea. Encountering lunatic storms and rising corpses from the warming depths, Rainy finds on land an increasingly desperate and illiterate people, a malignant billionaire ruling class, crumbled infrastructure, and a lawless society.

Amidst the Gulliver-like challenges of life at sea and no safe landings, Rainy is lifted by physical beauty, surprising humor, generous strangers, and an unexpected companion in a young girl who comes aboard. As his innate guileless nature begins to make an inadvertent rebel of him, Rainy's private quest for the love of his life grows into something wider and wilder, sweeping up friends and foes alike in his strengthening wake.

Here After is a poetic, raw depiction of an unlikely love followed by a dizzying loss. A stunning, taut memoir from debut Canadian author Amy Lin that will resonate deeply with anyone who has been in grief’s grasp. “When he dies, I fall out of time.” Amy Lin never expected to find a love like the one she shares with her husband, Kurtis, a gifted young architect who pulls her toward joy, adventure, and greater self-acceptance. On a sweltering August morning, only a few months shy of the newlyweds’ move to Vancouver, thirty-two-year-old Kurtis heads out to run a half-marathon with Amy’s family. It’s the last time she sees her husband alive.

What follows is a rich and unflinchingly honest portrayal of her life with Kurtis, the vortex created by his death, and the ongoing struggle Amy faces as she attempts to understand her own experience in the context of commonly held “truths” about what the grieving process looks like. Here After is an intimate story of deep love followed by dizzying loss; a memoir so finely etched that its power will remain with you long after the final page.

Disarmingly witty and poignant, Sloane Crosley's first memoir explores multiple kinds of loss following the death of her closest friend. Grief Is for People is an unusual kind of grief book—the story of several compounding, unexpected losses, and the struggle to hold on to the past without being consumed by it, but told with the verve and voice we have come to expect from Sloane Crosley.

Focusing her trademark humor and wit on the deep pain and confusion of losing her closest friend and mentor to suicide, Crosley looks for answers in friends, philosophy, and art, searching for a framework more useful than the unavoidable stages of grief to understand her new reality. Sloane and Russell worked together and played together, navigating the corridors of office life, the literary world, weekends in the country, and the dramatic ups and downs of making it in New York City. In a city where friends become family, they were best friends. When Russell dies, Sloane is already reeling from a break-in and the theft of her jewelry, her most prized and meaningful possessions. While Russell's death puts that loss in perspective, it also propels her on a quest to right the losses she is feeling, as the city itself faces the staggering toll brought on by the pandemic.

Crosley's search for answers is frank, funny, and gilded with a deeply resounding empathy. Upending the "grief memoir" in utterly unexpected and entirely welcome ways, Grief Is for People rises precisely to console and challenge our notions of loss during these grief-stricken times.

Broughtupsy is an enthralling debut novel that captures the cinematic yet intimate journey of a young Jamaican woman, Akúa, as she grapples with grief and the elusive concept of home.

Tired of feeling unmoored, twenty-year-old Akúa travels from Canada to Jamaica to seek a connection with her estranged sister Tamika following the death of their younger brother Bryson from sickle cell anemia—the same disease that claimed their mother ten years earlier. Akúa's mission is to spread Bryson's ashes and rekindle familial bonds.

During two pivotal weeks, the sisters revisit childhood haunts, revealing the chasm between them and the cultural distance Akúa has traversed. Struggling with her identity, she repeatedly questions, "Am I Jamaican?" Beneath these doubts simmer anger and abandonment issues, manifesting in the unasked question, "Why didn’t you stay with me?"

As Akúa disperses her brother's ashes around Kingston, she encounters Jayda, a bold stripper who introduces her to an alternate side of the city. Their growing closeness forces Akúa to face the harsh realities of being gay in a devoutly religious family and the broader implications of being a gay woman in Jamaica.

Broughtupsy weaves a narrative that is part family saga, part coming-of-age story, and part exploration of sexual identity. It is a profound narrative that delves into the complexities of family obligations and the lengths one will go to experience the essence of home.

Martyr! by Kaveh Akbar is an electrifying, funny, and wholly original novel that heralds the arrival of an essential new voice in contemporary fiction. The story follows Cyrus Shams, a newly sober, orphaned son of Iranian immigrants, who is guided by the voices of artists, poets, and kings on a remarkable search for a family secret. This journey leads him to a terminally ill painter living out her final days in the Brooklyn Museum.

Cyrus grapples with an inheritance of violence and loss: his mother's plane was shot down over the skies of the Persian Gulf in a senseless accident, and his father's life in America was circumscribed by his work at a factory farm. As a drunk, an addict, and a poet, Cyrus's obsession with martyrs drives him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the angel of death and toward his mother, through a painting that suggests she may not have been who or what she seemed.

Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, and others.

Beautyland, penned by the acclaimed author Marie-Helene Bertino, is a wise and tender novel that explores the concept of feeling out of place in a world that should feel like home. At the same time as the Voyager 1 spacecraft embarks on its historic journey with the famed golden record, a baby with a unique perception of the world is born. Adina Giorno, though tiny and jaundiced, is instinctively drawn to warmth and light.

From her childhood, Adina understands that she stands apart from others; she harbors knowledge of a distant planet and possesses the extraordinary ability to communicate with her extraterrestrial kin via fax machine, sending them her observations of the curious and often perplexing behaviors of earthlings. As she grows, Adina navigates life among humans, continuously relaying her insights about their fears, wonders, and the delicate balance of existence.

In a critical moment, a dear friend persuades Adina to broadcast her messages to a wider audience, prompting her to question whether she truly is the sole observer from afar. Beautyland is not just a story of alienation and connection but also a profound examination of life's vulnerability and tenacity within the vast expanse of our universe. It is a novel that gives us a gentle, unforgettable alien whose experiences resonate deeply with our own.