Set in a modern, urban Paris, the prose pieces in this volume constitute a further exploration of the terrain Baudelaire had covered in his verse masterpiece, The Flowers of Evil: the city and its squalor and inequalities, the pressures of time and mortality, and the liberation provided by the sensual delights of intoxication, art, and women.

Published posthumously in 1869, Paris Spleen was a landmark publication in the development of the genre of prose poetry—a format which Baudelaire saw as particularly suited for expressing the feelings of uncertainty, flux, and freedom of his age—and one of the founding texts of literary modernism.

The Girl with No Shadow continues the enchanting tale begun in Chocolat. The wind has always dictated Vianne Rocher's every move, guiding her from the quaint French village of Lansquenet-sous-Tannes to the bustling streets of Paris.

Cloaked in a new identity as widow Yanne Charbonneau, she opens a chocolaterie on a charming Montmartre street, determined to still the wind at last and keep her daughters, Anouk and baby Rosette, safe.

But the weather vane soon turns, and into their lives blows Zozie de l'Alba. Charming and enigmatic, Zozie brings the brightness and vitality that Yanne's life needs. Her vivacity and bold lollipop shoes dazzle the rebellious and impressionable preadolescent Anouk.

However, beneath Zozie's benevolent façade lies a ruthless treachery. The devious, seductive Zozie has plans that could shake their world to its very core.

Fables by Jean de La Fontaine is a collection of stories that have charmed generations. This collection includes tales of familiar figures such as a tortoise, a crow, a hare, an ant, a lion, and even a milk pot. These characters are brought to life by the extraordinary talent of La Fontaine, who is regarded as the prince of poets.

La Fontaine transformed the somewhat rigid tradition of the fable into an exceptional art form that delights the ear and the mind. His fables awaken the woods, animate the animals, and reach the hearts of all people. The moral of the story is that it's worth diving back into these fables, which captivate children and enchant adults alike!

These fables continue to be relevant and have enjoyed uninterrupted success due to their impertinent pertinence. Whether recited as in school, repeated privately, or enjoyed aloud as the actor Fabrice Luchini did, one cannot resist the simple pleasure of a fable.