Veronica Roth's #1 New York Times bestselling novel Divergent is now a major motion picture starring Shailene Woodley, Theo James, and Kate Winslet!

With never-before-seen photos; personal interviews with the directors, actors, and writers; and exclusive extras, this lush, oversize volume is a true behind-the-scenes look at the filming of Divergent.

Catching Fire, the New York Times bestseller by Suzanne Collins, is now a major motion picture — and this is your guide to all of the movie's excitement, both in front of the camera and behind it.

Go behind the scenes of the making of Catching Fire with exclusive materials, including back-stage photos and interviews. From the screenwriting process to the casting decisions, from the fantastic new sets and gorgeous costumes to the actors' performances and the director's vision, this is the definitive companion to the second Hunger Games film.

In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought-provoking essay on film editing. Starting with what might be the most basic editing question - Why do cuts work? - Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film.

Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more.

In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing in light of the technological changes that have taken place in the six years since its publication.

Andrei Tarkovsky, the genius of modern Russian cinema, hailed by Ingmar Bergman as the most important director of our time, died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work.

Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.

In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films—Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, explores the many problems of visual creativity, and sets forth the deeply autobiographical content of part of his oeuvre—most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.