From New Yorker and Paris Review contributor and Wallace Stegner Fellow Zach Williams comes a staggering debut story collection that confronts parenthood, mortality, and life's broken promises.

Parents awaken in a home in the woods, again and again, to find themselves aging as their infant remains unchanged. An employee is menaced by a conspiracy-minded security guard and accused of sending a sinister viral email. An aging tour guide leads a troublesome group to the site of a UFO, witnessing the slow social deterioration as the rules of decorum go out the window.

In each of Williams' ten stories, time is as fallible as the characters, and reality is witnessed through the gauzy folds of a dream—or a nightmare. Bucolic scenes devolve into harrowing exercises in abandonment; the quotidian nature of office life raises serious questions of existential fortitude.

Williams is keenly aware of the insidiousness lurking in the shadows of the everyday, ably spiking it with humor. He depicts the divided self of the parent, the distances necessary to protect our children, and the fallout of our deepest relationships. Williams sees the perversity in the mundane and dares readers to recognize the impact—and beauty—of time's relentless movement.

With exquisite prose and a lacerating wit, Beautiful Days holds a mirror to the many absurdities of being human and refuses to let us look away.

Frances Ha meets No One Is Talking About This in a debut that follows two twenty-something siblings-turned-roommates navigating an absurd world about to suffer great change—a Seinfeldian novel of existentialism and sisterhood. It’s March of 2019, and twenty-eight-year-old Jules Gold—anxious, artistically frustrated, and internet-obsessed—has been living alone in the apartment she once shared with the man she thought she’d marry when her younger sister Poppy comes to crash. Indefinitely.

Poppy is a year out from a suicide attempt only Jules knows about, and as she searches for work and meaning in Brooklyn, Jules spends her days hate-scrolling the feeds of Mormon mommy bloggers and waiting for life to happen. Then the hives that’ve plagued Poppy since childhood flare up. Jules’s uterus turns against her. Poppy brings home a maladjusted rescue dog named Amy Klobuchar. The girls’ mother—a newly devout Messianic Jew—starts falling for the same deep-state conspiracy theories as Jules’s online mommies.

A trip home to Florida ends in disaster. Amy Klobuchar may or may not have rabies. And Jules struggles halfheartedly to scrape her way to the source of her ennui, slowly and cruelly coming to blame Poppy for her own insufficiencies as a friend, a writer, and a sister. As the year shambles on and a new decade looms near, Jules and Poppy—comrades, competitors, permanent fixtures in each other’s lives—must ask themselves what they want their futures to look like, and whether they’ll spend them together or apart.

Deadpan, dark, and brutally funny, Worry is a sharp portrait of two sisters enduring a dread-filled American moment from a nervy new voice in contemporary fiction.

This Plague of Souls marks the return of Mike McCormack, the Booker-listed author of the literary sensation Solar Bones. In this terse metaphysical thriller, we follow the story of Nealon, a man stepping back into the world after a stint in prison, only to find his home devoid of warmth, light, and the presence of his family. As if existence itself has chosen to ignore or erase him, Nealon is left to grapple with the void.

However, mysterious calls from a stranger claiming to know the fate of his missing loved ones set Nealon on a path of discovery. A meeting is arranged against the backdrop of a looming terrorist attack, where Nealon engages in a conversation riddled with hidden truths and deliberate omissions. This verbal chess match takes him on a journey through his past, his childhood, and into the heart of international crimes committed in the name of revenge against a world deemed beyond redemption.

McCormack weaves a brooding exploration of the ties that bind rural Ireland to the atrocities of the 21st century. This narrative offers a sharp portrayal of a young family's struggle and a relentless probe into our responsibilities towards our kin and the wider world.