In The Sunlight Dialogues, John Gardner's vision of America in the turbulent 1960s embraces an unconventional cast of conventional citizens in the small rural town of Batavia, New York. Sheriff Fred Clumly is trying desperately to unravel mysteries surrounding a disorderly, nameless drifter called "The Sunlight Man," who has been jailed for painting the word "LOVE" across two lanes of traffic, and who is later suspected of murder.

The men battle over morality, freedom, and their opposing notions of justice, leading each to find his own state of grace. Their conflict is mirrored in the community of middlebrow politicians and their church-going wives, Native Americans, working-class immigrants, farmers, soldiers, petty thieves, and even centenarian sisters too stubborn to die.

Gardner's alchemy is existential: from the most raw, vulnerable, and conflicting characters in the American melting pot, he transmutes common denominators of human isolation and longing. With unnerving suspense, his acute ear for American speech, and permeated by his deep-rooted belief in morality, this expansive, sprawling, and ambitious novel is John Gardner's masterpiece.

Andersonville is a gripping tale of the notorious Georgia prison, where over 50,000 Union soldiers were held captive during the American Civil War. This Pulitzer Prize-winning novel captures the glory and shame of America's most tragic conflict.

Based on extensive research and nearly twenty-five years in the making, MacKinlay Kantor's masterwork delves into the lives of those inside and outside the prison's barricades. The novel tells the heartbreaking story of the infamous camp where the best and worst of the Civil War came together, portraying the savagery of the camp commandant, the compassion of a nearby planter and his gentle daughter, and the daily fight for survival among the prisoners.

A moving portrait of bravery, cowardice, and the human spirit, Andersonville is an inspiring American classic about an unforgettable period in history.

J R is the long-awaited novel from William Gaddis, author of The Recognitions, that tremendous book which, in the twenty years since its publication, has come to be acknowledged as an American masterpiece. And J R is a book of comparable magnitude, substance, and humor—a rushing, raucous look at money and its influence, at love and its absence, at success and its failures, in the magnificently orchestrated circus of all its larger- and smaller-than-life characters; a frantic, forlorn comedy about who uses—and misuses—whom.

At the center: J R, ambitious sixth-grader in torn sneakers, bred on the challenge of "free enterprise" and fired by heady mail-order promises of "success." His teachers would rather be elsewhere, his principal doubles as a bank president, his Long Island classroom mirrors the world he sees around him—a world of public relations and private betrayals where everything (and everyone) wears a price tag, a world of "deals" where honesty is no substitute for experience, and the letter of the law flouts its spirit at every turn.

Operating from the remote anonymity of phone booths and the local post office, with beachheads in a seedy New York cafeteria and a catastrophic, carton-crammed tenement on East 96th Street, J R parlays a deal for thousands of surplus Navy picnic forks through penny stock flyers and a distant textile-mill bankruptcy into a nationwide, hydra-headed "family of companies."

The J R Corp and its Boss engulf brokers, lawyers, Congressmen, disaffected school teachers and disenfranchised Indians, drunks, divorcées, second-hand generals, and a fledgling composer hopelessly entangled in a nightmare marriage of business and the arts. Their bullish ventures—shaky mineral claims and gas leases, cost-plus defense contracts, a string of nursing homes cum funeral parlors, a formula for frozen music—burgeon into a paper empire ranging from timber to textiles, from matchbooks to (legalized) marijuana, from prostheses to publishing, inadvertently crushing hopes, careers, an entire town, on a collision course with the bigger world... the pragmatic Real World where the business of America is business, where the stock market exists as a convenience, and the tax laws make some people more equal than others... the world that makes the rules because it plays to win, and plays for keeps.

Absurdly logical, mercilessly real, gathering its own tumultuous momentum for the ultimate brush with commodity trading when the drop in pork belly futures masks the crumbling of our own, J R captures the reader in the cacophony of voices that revolves around this young captive of his own myths—voices that dominate the book, talking to each other, at each other, into phones, on intercoms, from TV screens and radios—a vast mosaic of sound that sweeps the reader into the relentless "real time" of spoken words in a way unprecedented in modern fiction.

The disturbing clarity with which this finished writer captures the ways in which we deal, dissemble, stumble through our words—through our lives—while the real plans are being made elsewhere makes J R the extraordinary novel that it is.