In Reclaiming the Discarded, Kathleen M. Millar offers an evocative ethnography of Jardim Gramacho, a sprawling garbage dump on the outskirts of Rio de Janeiro, where roughly two thousand self-employed workers known as catadores collect recyclable materials. While the figure of the scavenger sifting through garbage seems iconic of wageless life today, Millar shows how the work of reclaiming recyclables is more than a survival strategy or an informal labor practice.

Rather, the stories of catadores show how this work is inseparable from conceptions of the good life and from human struggles to realize these visions within precarious conditions of urban poverty. By approaching the work of catadores as highly generative, Millar calls into question the category of informality, common conceptions of garbage, and the continued normativity of wage labor. In so doing, she illuminates how waste lies at the heart of relations of inequality and projects of social transformation.

MaddAddam, the thrilling conclusion to Margaret Atwood's speculative fiction trilogy, weaves together the tales of characters from Oryx and Crake and The Year of the Flood. This novel confirms the ultimate endurance of humanity, community, and love.

Toby and Ren have rescued their friend Amanda from the Painballers and return to the MaddAddamite cob house, now a fortress against threats both human and animal. Amidst the Crakers, the gentle species crafted by the late Crake, Toby takes up the mantle of religious overseer. As the Crakers' reluctant prophet, Jimmy, recovers from illness, Toby grapples with her own emotions, including jealousy over her lover, Zeb.

Zeb's quest to find Adam One, the founder of the God's Gardeners, unveils his tumultuous past involving a lost brother, a hidden murder, and a bear. With the Painballers looming, the MaddAddamites and their allies must prepare for a fierce confrontation.

Combining adventure, humor, romance, and Atwood's signature inventive storytelling, MaddAddam is an extraordinary tale set in a familiar yet fantastical world, offering a satirical reflection on our own potential future.