Set in English society before the 1832 Reform Bill, Wives and Daughters centers on the story of youthful Molly Gibson, brought up from childhood by her father. When he remarries, a new step-sister enters Molly's quiet life – loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.

Wives and Daughters is far more than a nostalgic evocation of village life; it offers an ironic critique of mid-Victorian society. This novel demonstrates an intelligent and compassionate understanding of human relationships, and offers a witty, ironic critique of mid-Victorian society, exploring themes of Englishness, Darwinism, and the Victorian male assumption of moral authority.

Widely regarded as D. H. Lawrence's greatest novel, Women in Love is both a lucid account of English society before the First World War and a brilliant evocation of the inexorable power of human desire.

Women in Love continues where The Rainbow left off, with the third generation of Brangwens: Ursula Brangwen, now a teacher at Beldover, a mining town in the Midlands, and her sister Gudrun, who has returned from art school in London. The focus of the novel is primarily on their relationships: Ursula's with Rupert Birkin, a school inspector, and Gudrun's with industrialist Gerald Crich, and later with a sculptor, Loerke.

Quintessentially modernist, Women in Love is one of Lawrence's most extraordinary, innovative, and unsettling works.