Billion Dollar Whale reveals the epic story of how a young social climber from Malaysia, Jho Low, pulled off one of the biggest financial heists in history. In 2009, Low set in motion a fraud that would symbolize the next great threat to the global financial system.

With the aid of Goldman Sachs and others, Low siphoned billions of dollars from an investment fund, all under the watchful eyes of global financial industry watchdogs. His elaborate schemes financed elections, luxury real estate, extravagant parties, and even Hollywood films like The Wolf of Wall Street.

This harrowing parable of hubris and greed in the financial world is a classic tale of a 'modern Gatsby', who emerged from obscurity to orchestrate a heist that shook the financial industry, and how this industry let it happen.

Nomadland takes readers on a journey from the beet fields of North Dakota to the campgrounds of California and Amazon’s CamperForce program in Texas. Employers have discovered a new, low-cost labor pool, made up largely of transient older adults. These invisible casualties of the Great Recession have taken to the road by the tens of thousands in RVs and modified vans, forming a growing community of nomads.

This book tells a revelatory tale of the dark underbelly of the American economy—one which foreshadows the precarious future that may await many more of us. At the same time, it celebrates the exceptional resilience and creativity of these Americans who have given up ordinary rootedness to survive, but have not given up hope.

In Reclaiming the Discarded, Kathleen M. Millar offers an evocative ethnography of Jardim Gramacho, a sprawling garbage dump on the outskirts of Rio de Janeiro, where roughly two thousand self-employed workers known as catadores collect recyclable materials. While the figure of the scavenger sifting through garbage seems iconic of wageless life today, Millar shows how the work of reclaiming recyclables is more than a survival strategy or an informal labor practice.

Rather, the stories of catadores show how this work is inseparable from conceptions of the good life and from human struggles to realize these visions within precarious conditions of urban poverty. By approaching the work of catadores as highly generative, Millar calls into question the category of informality, common conceptions of garbage, and the continued normativity of wage labor. In so doing, she illuminates how waste lies at the heart of relations of inequality and projects of social transformation.