Cecilia is a surreal novella that delves deep into the intensity and eroticism of girlhood friendships, the ecstasy of desire and disgust, and matriarchal mythmaking. The story unfolds with Seven, who works as a cleaner at a chiropractor's office, reencountering Cecilia, a woman who has captivated her since their school days. As they coincidentally board the same bus, with each claiming not to be following the other, their chance meeting spurs a series of intensely vivid and corporeal memories.

In the midst of this defamiliarization, the narrator begins to see queerness itself as an alienation from normative time. Smart, subversive, and gripping, Cecilia takes readers on a winding, misty road trip through bodily transformation, inextricable histories of desire and violence, diaspora, and obsessive love.

An explosive, devastating debut book of poetry from the acclaimed author of The Boat. In his first international release since the award-winning, best-selling The Boat, Nam Le delivers a shot across the bow with a book-length poem that honors every convention of diasporic literature—in a virtuosic array of forms and registers—before shattering the form itself.

In line with the works of Claudia Rankine, Cathy Park Hong, and Theresa Hak Kyung Cha, this book is an urgent, unsettling reckoning with identity—and the violence of identity. For Le, a Vietnamese refugee in the West, this means the assumed violence of racism, oppression, and historical trauma.

But it also means the violence of that assumption. Of being always assumed to be outside one's home, country, culture, or language. And the complex violence—for the diasporic writer who wants to address any of this—of language itself.

Making use of multiple tones, moods, masks, and camouflages, Le's poetic debut moves with unpredictable and destabilizing energy between the personal and political. As self-indicting as it is scathing, hilarious as it is desperately moving, this is a singular, breakthrough book.