For readers of Seating Arrangements and The Most Fun We Ever Had, The World After Alice is a gorgeous and gripping story of two families brought together to celebrate an unexpected marriage, twelve years after a devastating tragedy upended their lives.

When Morgan and Benji surprise their families with a wedding invitation to Maine, they're aware the news of their clandestine relationship will come as a shock. Twelve years have passed since the stunning loss of sixteen-year-old Alice, Benji's sister and Morgan's best friend, and no one is quite the same. But the young couple decide to plunge headlong into matrimony, marking the first time their fractured families will reunite since Alice's funeral.

As the arriving guests descend upon the tranquil coastal town, they bring with them not only skepticism about the impromptu nuptials but also deep-seated secrets and agendas of their own. Peter, Morgan's father, may be trying to dissuade his daughter from saying "I do," while Linnie, Benji's mother, introduces a new boyfriend with his own tumultuous past. Nick, Benji's father, is scheming to secure a new job before his wife, Caro—formerly his secretary and mistress—discovers he lost his old one. Morgan, too, carries delicate secrets that threaten to jeopardize the happiness she has so longed for. And as for Benji—well, he's just trying to make sure the whole weekend doesn't implode.

As the whirlwind weekend unfolds, old passions reignite, deep wounds resurface, and unearthed secrets threaten to shatter the fragile peace the wedding promises. With each new revelation, the to-be-weds and their complicated families are forced to question just how well they know the ones they hold dear.

The Liquid Eye of a Moon is a masterful debut that has been likened to A Nigerian Catcher in the Rye. It delves into the silence surrounding a hidden and dangerous contemporary caste system in Nigeria.

Fifteen-year-old Dimkpa dreams of the day his father will be made village head, ushering in a new era for his family. With this change, he aspires to return to school, perhaps even attend university. He imagines a life where his mother won't have to toil endlessly, selling foraged wild food at the market, and where the construction of a fine tomb for his late aunt Okike can be a reality. Most importantly, their family’s status as ohu ma, belonging to the lowest Igbo caste, will no longer be a barrier.

However, when his father is unexpectedly overlooked for a younger man, defying tradition, Dimkpa realizes that his destiny is in his own hands. His journey takes him from his small village in rural Nigeria to Lagos, Awka, and back again. Along the way, Dimkpa discovers the harsh truth that wealth does not come easily, that superstitions are deeply ingrained, and that knowledge truly is power. He learns the value of living in the moment rather than constantly pursuing an elusive future.

The Liquid Eye of a Moon is at once hilarious and poignant, capturing the tumultuous nature of adolescence and the challenge of forging one's path in a world that seems intent on holding you back.

From New Yorker and Paris Review contributor and Wallace Stegner Fellow Zach Williams comes a staggering debut story collection that confronts parenthood, mortality, and life's broken promises.

Parents awaken in a home in the woods, again and again, to find themselves aging as their infant remains unchanged. An employee is menaced by a conspiracy-minded security guard and accused of sending a sinister viral email. An aging tour guide leads a troublesome group to the site of a UFO, witnessing the slow social deterioration as the rules of decorum go out the window.

In each of Williams' ten stories, time is as fallible as the characters, and reality is witnessed through the gauzy folds of a dream—or a nightmare. Bucolic scenes devolve into harrowing exercises in abandonment; the quotidian nature of office life raises serious questions of existential fortitude.

Williams is keenly aware of the insidiousness lurking in the shadows of the everyday, ably spiking it with humor. He depicts the divided self of the parent, the distances necessary to protect our children, and the fallout of our deepest relationships. Williams sees the perversity in the mundane and dares readers to recognize the impact—and beauty—of time's relentless movement.

With exquisite prose and a lacerating wit, Beautiful Days holds a mirror to the many absurdities of being human and refuses to let us look away.

Fire Exit is Morgan Talty's debut novel that promises to be utterly consuming. Set against the backdrop of Maine's Penobscot Reservation, it tells the story of Charles Lamosway, who has lived a life filled with secrets and longing from across the river.

Charles has silently observed the life of a family that could have been his own, witnessing the growth of Elizabeth, a child unknowingly connected to him by blood. But the weight of the untold truth looms over him as he cares for his property, his volatile friend Bobby, and his mother Louise, who is losing herself to dementia.

Haunted by his past, including a lost childhood on the reservation, a truncated love affair, and the tragic death of his stepfather, Charles faces the daunting questions he's avoided for so long. As he grapples with the decision to unveil his secret, the novel delves deep into themes of family, legacy, culture, and the debts we owe to each other.

From the award-winning author of Night of the Living Rez, Fire Exit is poised to be a masterful and unforgettable exploration of the ties that bind us and the truths that define us.

My First Book, by debut author Honor Levy, presents a collection of stories that both delight and ensnare. Levy's prose navigates the delicate balance between imagination and confession, capturing the essence of our cultural moment and the experience of growing up in a post-internet world.

Laden with digital interfaces, Levy's characters confront the formative political, existential, and romantic experiences of a reality that is at once hyper-real, hyper-performative, and teetering on the edge of collapse. In a world where a sense of impending disaster looms, a fragile self strives to take shape.

The stories in My First Book are wildly inventive, ambitious, and often surreal, reflecting the world as it stands. Levy's writing shines a light on what it means to be adorable, special, heavily medicated, consistently panicked, and utterly sincere. Through the eyes of various protagonists, readers encounter musings on modern life, the infinite nature of love, and even God in a downtown video game arcade.

As the characters seek to find and maintain faith, Levy offers a key to understanding Generation Z from the inside. My First Book not only captures the experience of an entire generation but also heralds the arrival of an electrifying new talent.

A young mother, in denial after the death of her sister, navigates the dizzying landscapes of desire, guilt, and grief in this darkly comic, highly anticipated debut novel from Kimberly King Parsons, author of the story collection, Black Light.

The trip was supposed to be fun. When Kit’s best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They’ll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she’s lost lately: her wildness, her independence, and—most heartbreaking of all—her sister, Julie, who died a few years ago.

When she returns to the Dallas suburbs, Kit tries to settle into her routine—long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother’s phone calls. But in the secret recesses of Kit’s mind, she’s reminiscing about the band she used to be in—and how they’d go out to the desert after shows and drop acid. She’s imagining an impossible threesome with her kid’s pretty gymnastics teacher and the cool playground mom. Keyed into everything that might distract from her surfacing pain, Kit spirals. As her already thin boundaries between reality and fantasy blur, she begins to wonder: Is Julie really gone?

We Were the Universe is an ambitious, inventive novel from a revelatory new voice in American fiction—a fearless exploration of sisterhood, motherhood, friendship, marriage, psychedelics, and the many strange, transcendent shapes love can take.

Welcome to The Ministry of Time, the exhilarating debut novel by Kailane Bradley. This book is a time travel romance, a speculative spy thriller, a workplace comedy, and an ingeniously constructed exploration of the nature of truth and power. It is also a story about the potential for love to change it all.

In the near future, a civil servant is offered the salary of her dreams. Shortly afterward, she is told about the project she'll be working on: a recently established government ministry is gathering "expats" from across history to establish whether time travel is feasible—for the body, but also for the fabric of space-time. She is tasked with working as a "bridge": living with, assisting, and monitoring the expat known as "1847" or Commander Graham Gore. As far as history is concerned, Commander Gore died on Sir John Franklin's doomed 1845 expedition to the Arctic, so he's a little disoriented to be living with an unmarried woman who regularly shows her calves, surrounded by concepts such as "washing machine," "Spotify," and "the collapse of the British Empire." But he adjusts quickly; after all, he is an explorer by trade. Soon, what the bridge initially thought would be a seriously uncomfortable housemate dynamic, evolves into something much more. Over the course of an unprecedented year, the bridge will be forced to confront the past that shaped her choices, and the choices that will shape the future.

An exquisitely original and feverishly fun fusion of genres and ideas, The Ministry of Time asks the universal question: What happens if you put a disaffected millennial and a Victorian polar explorer in a house together?

Wild Houses is the riotous, raucous, and deeply resonant debut novel from Colin Barrett, whom the Financial Times hails as "one of the best story writers in the English language today." This novel follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry. Barrett, celebrated for his collections Young Skins and Homesickness, cements his reputation as one of contemporary Irish literature's most daring stylists, praised by Oprah Daily as "a doyen of the sentence," and by the Los Angeles Times as a writer of "unique genius."

As Ballina prepares for its biggest weekend of the year, introspective loner Dev answers his door on Friday night to find Doll English— younger brother of small-time local dealer Cillian English—bruised and in the clutches of Gabe and Sketch Ferdia, County Mayo's fraternal enforcers and Dev's cousins. Dev's quiet homelife is upturned as he is quickly and unwillingly drawn headlong into the Ferdias' frenetic revenge plot against Cillian.

Meanwhile, Doll's girlfriend, seventeen-year-old Nicky, reeling from a fractious Friday and plagued by ghosts and tragedy of her own, sets out on a feverish mission to save Doll, even as she questions her future in Ballina. Set against Barrett's trademark depictions of small-town Irish life, Wild Houses is a thrillingly-told story of two outsiders striving to find themselves as their worlds collapse in chaos and violence.

An electrifying debut novel from an “unusually gifted writer” (Lorrie Moore) about the radical intimacy of physical competition.

An unexpected tragedy at a community pool. A family’s unrelenting expectation of victory. The desire to gain or lose control; to make time speed up or stop; to be frighteningly, undeniably good at something. Each of the eight teenage girl boxers in this blistering debut novel has her own reasons for the sacrifices she has made to come to Reno, Nevada, to compete to be named the best in the country.

Through a series of face-offs that are raw, ecstatic, and punctuated by flashes of humor and tenderness, prizewinning writer Rita Bullwinkel animates the competitors’ pasts and futures as they summon the emotion, imagination, and force of will required to win.

Frenetic, surprising, and strikingly original, Headshot is a portrait of the desire, envy, perfectionism, madness, and sheer physical pleasure that motivates young women to fight—even, and perhaps especially, when no one else is watching.

An explosive, devastating debut book of poetry from the acclaimed author of The Boat. In his first international release since the award-winning, best-selling The Boat, Nam Le delivers a shot across the bow with a book-length poem that honors every convention of diasporic literature—in a virtuosic array of forms and registers—before shattering the form itself.

In line with the works of Claudia Rankine, Cathy Park Hong, and Theresa Hak Kyung Cha, this book is an urgent, unsettling reckoning with identity—and the violence of identity. For Le, a Vietnamese refugee in the West, this means the assumed violence of racism, oppression, and historical trauma.

But it also means the violence of that assumption. Of being always assumed to be outside one's home, country, culture, or language. And the complex violence—for the diasporic writer who wants to address any of this—of language itself.

Making use of multiple tones, moods, masks, and camouflages, Le's poetic debut moves with unpredictable and destabilizing energy between the personal and political. As self-indicting as it is scathing, hilarious as it is desperately moving, this is a singular, breakthrough book.

Broughtupsy is an enthralling debut novel that captures the cinematic yet intimate journey of a young Jamaican woman, Akúa, as she grapples with grief and the elusive concept of home.

Tired of feeling unmoored, twenty-year-old Akúa travels from Canada to Jamaica to seek a connection with her estranged sister Tamika following the death of their younger brother Bryson from sickle cell anemia—the same disease that claimed their mother ten years earlier. Akúa's mission is to spread Bryson's ashes and rekindle familial bonds.

During two pivotal weeks, the sisters revisit childhood haunts, revealing the chasm between them and the cultural distance Akúa has traversed. Struggling with her identity, she repeatedly questions, "Am I Jamaican?" Beneath these doubts simmer anger and abandonment issues, manifesting in the unasked question, "Why didn’t you stay with me?"

As Akúa disperses her brother's ashes around Kingston, she encounters Jayda, a bold stripper who introduces her to an alternate side of the city. Their growing closeness forces Akúa to face the harsh realities of being gay in a devoutly religious family and the broader implications of being a gay woman in Jamaica.

Broughtupsy weaves a narrative that is part family saga, part coming-of-age story, and part exploration of sexual identity. It is a profound narrative that delves into the complexities of family obligations and the lengths one will go to experience the essence of home.