From the New York Times bestselling author of Long Bright River, an immersive, propulsive novel about a missing child whose disappearance sends shockwaves through three very different worlds-

When Barbara Van Laar is discovered missing from her summer camp bunk one morning in August 1975, it triggers a panicked, terrified search. Losing a camper is a horrific tragedy under any circumstances, but Barbara isn't just any camper; she's the daughter of the wealthy family that owns the camp—as well as the opulent nearby estate and most of the land in sight. And this isn't the first time a Van Laar child has disappeared in this region: Barbara's older brother also went missing fourteen years ago, never to be found. How could this have happened yet again?

The God of the Woods is a story of love, inheritance, identity, and second chances, a thrillingly layered drama about the tensions between a family and a community, and a history of secrets that will not let any of them go.

Three estranged siblings return to their family home in New York after their beloved sister's death in this unforgettable story of grief, identity, and the complexities of family.

The three Blue sisters are exceptional—and exceptionally different. Avery, the eldest and a recovering heroin addict turned strait-laced lawyer, lives with her wife in London; Bonnie, a former boxer, works as a bouncer in Los Angeles following a devastating defeat; and Lucky, the youngest, models in Paris while trying to outrun her hard-partying ways. They also had a fourth sister, Nicky, whose unexpected death left Avery, Bonnie, and Lucky reeling. A year later, as they each navigate grief, addiction, and ambition, they find they must return to New York to stop the sale of the apartment they were raised in.

But coming home is never as easy as it seems. As the sisters reckon with the disappointments of their childhood and the loss of the only person who held them together, they realize the greatest secrets they've been keeping might not have been from each other, but from themselves.

Briefly Perfectly Human is a deeply transformative memoir that reframes how we think about death and how it can help us lead better, more fulfilling, and authentic lives, from America’s most visible death doula.

For her clients and everyone who has been inspired by her humanity, Alua Arthur is a friend at the end of the world. As our country’s leading death doula, she’s spreading a transformative message: thinking about your death—whether imminent or not—will breathe wild, new potential into your life.

Warm, generous, and funny AF, Alua supports and helps manage end-of-life care on many levels. The business matters, medical directives, memorial planning; but also honoring the quiet moments, when monitors are beeping and loved ones have stepped out to get some air—or maybe not shown up at all—and her clients become deeply contemplative and want to talk. Aching, unfinished business often emerges. Alua has been present for thousands of these sacred moments—when regrets, fears, secret joys, hidden affairs, and dim realities are finally said aloud. When this happens, Alua focuses her attention at the pulsing center of her clients’ anguish and creates space for them, and sometimes their loved ones, to find peace.

This has had a profound effect on Alua, who was already no stranger to death’s periphery. Her family fled a murderous coup d’état in Ghana in the 1980s. She has suffered major, debilitating depressions. And her dear friend and brother-in-law died of lymphoma. Advocating for him in his final months is what led Alua to her life’s calling. She knows firsthand the power of bearing witness and telling the truth about life’s painful complexities, because they do not disappear when you look the other way. They wait for you.

Briefly Perfectly Human is a life-changing, soul-gathering debut, by a writer whose empathy, tenderness, and wisdom shimmers on the page. Alua Arthur combines intimate storytelling with a passionate appeal for loving, courageous end-of-life care—what she calls “death embrace.” Hers is a powerful testament to getting in touch with something deeper in our lives, by embracing the fact of our own mortality. “Hold that truth in your mind,” Alua says, “and wondrous things will begin to grow around it.”

Spectral Evidence is a profound exploration by Gregory Pardlo, the Pulitzer Prize-winning author of Digest and Air Traffic. In this major collection of poetry, Pardlo's words flow seamlessly through a variety of themes, from the life of pro-wrestler Owen Hart to Tituba, the only Black woman accused during the Salem witch trials, and the MOVE organization's confrontations with Philadelphia Police.

The collection invites readers to ponder on topics such as Blackness, beauty, faith, and the impact of law. It is both cerebral and intimate, urging us to reflect on our notions of devotion and art, the criminalization and mortality of Black bodies, and the quest for justice. These themes are intricately woven into our current societal fabric, our history, and the Western literary tradition. Pardlo's poetry acts as a bridge connecting the past and present, challenging us to consider the role of art in interpreting and understanding the world around us.

Martyr! by Kaveh Akbar is an electrifying, funny, and wholly original novel that heralds the arrival of an essential new voice in contemporary fiction. The story follows Cyrus Shams, a newly sober, orphaned son of Iranian immigrants, who is guided by the voices of artists, poets, and kings on a remarkable search for a family secret. This journey leads him to a terminally ill painter living out her final days in the Brooklyn Museum.

Cyrus grapples with an inheritance of violence and loss: his mother's plane was shot down over the skies of the Persian Gulf in a senseless accident, and his father's life in America was circumscribed by his work at a factory farm. As a drunk, an addict, and a poet, Cyrus's obsession with martyrs drives him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the angel of death and toward his mother, through a painting that suggests she may not have been who or what she seemed.

Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, and others.