You Exist Too Much is a novel of self-discovery following a Palestinian-American girl as she navigates queerness, love addiction, and a series of tumultuous relationships. Through a series of vignettes, the story flashes between the US and the Middle East, tracing the protagonist's journey from a blushing teen to a creative and confused adult.

In Brooklyn, she moves into an apartment with her first serious girlfriend, attempting to find contentment in their comfortable relationship. However, her longings, which were closely hidden during her teenage years, soon explode into reckless romantic encounters and obsessions with others. These experiences lead her to seek unconventional help to face her past traumas and current demons.

Opening up the fantasies and desires of a young woman caught between cultural, religious, and sexual identities, You Exist Too Much is a captivating story that charts two of our most intense longings: for love, and a place to call home.

Two brown girls dream of being dancers—but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, about what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either.

Dazzlingly energetic and deeply human, Swing Time is a story about friendship and music and stubborn roots, about how we are shaped by these things and how we can survive them. Moving from northwest London to West Africa, it is an exuberant dance to the music of time.

Tracey makes it to the chorus line but struggles with adult life, while her friend leaves the old neighborhood behind, traveling the world as an assistant to a famous singer, Aimee, observing close up how the one percent live. But when Aimee develops grand philanthropic ambitions, the story moves from London to West Africa, where diaspora tourists travel back in time to find their roots, young men risk their lives to escape into a different future, the women dance just like Tracey—the same twists, the same shakes—and the origins of a profound inequality are not a matter of distant history, but a present dance to the music of time.

The acclaimed author of American Rust, returns with The Son: an epic, multigenerational saga of power, blood, and land that follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the border raids of the early 1900s to the oil booms of the 20th century.

Part epic of Texas, part classic coming-of-age story, part unflinching portrait of the bloody price of power, The Son is an utterly transporting novel that maps the legacy of violence in the American West through the lives of the McCulloughs, an ambitious family as resilient and dangerous as the land they claim.

Spring, 1849. The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men—complicating his sense of loyalty and understanding of who he is.

But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized nor fully wild, he must carve a place for himself in a world in which he does not fully belong—a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny.

Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.

Philipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.

Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

In the 1960s, political tension forces the García family away from Santo Domingo and towards the Bronx. The sisters all hit their strides in America, adapting and thriving despite cultural differences, language barriers, and prejudice.

But Mami and Papi are more traditional, and they have far more difficulty adjusting to their new country. Making matters worse, the girls—frequently embarrassed by their parents—find ways to rebel against them.

The García sisters—Carla, Sandra, Yolanda, and Sofía—tell their stories about being at home—and not at home—in America. Uprooted from their family home in the Dominican Republic, they arrive in New York City in 1960 to find a life far different from the genteel existence of maids, manicures, and extended family they left behind.

What they have lost—and what they find—is revealed in the fifteen interconnected stories that make up this exquisite novel from one of the premier novelists of our time.